Six old willows: These much-loved trees afforded Lowell a by James Russell Lowell: Summary, Meaning & Analysis
This isn’t just a poem; it’s a prose note reflecting on six willow trees that were incredibly important to James Russell Lowell.
The poem
subject for a later poem _Under the Willows_, in which he describes particularly one ancient willow that had been spared, he "knows not by what grace" by the ruthless "New World subduers"-- "One of six, a willow Pleiades, The seventh fallen, that lean along the brink Where the steep upland dips into the marsh." In a letter written twenty years after the _Reverie_ to J.T. Fields, Lowell says: "My heart was almost broken yesterday by seeing nailed to _my_ willow a board with these words on it, 'These trees for sale.' The wretch is going to peddle them for firewood! If I had the money, I would buy the piece of ground they stand on to save them--the dear friends of a lifetime."
This isn’t just a poem; it’s a prose note reflecting on six willow trees that were incredibly important to James Russell Lowell. He wrote about them in his poem *Under the Willows* and expressed his sorrow in a personal letter when they faced the threat of being cut down for firewood. These willows were his long-time companions — he referred to them as "dear friends of a lifetime." This passage beautifully illustrates how a location or a tree can carry as much emotional significance as any person you may encounter in your life.
Line-by-line
One of six, a willow Pleiades, / The seventh fallen...
...that lean along the brink / Where the steep upland dips into the marsh.
My heart was almost broken yesterday by seeing nailed to _my_ willow a board...
The wretch is going to peddle them for firewood!
If I had the money, I would buy the piece of ground they stand on to save them--the dear friends of a lifetime.
Tone & mood
Tender and quietly heartbroken. In the verse fragment, the tone is mournful and mythic — Lowell is turning the willows into something eternal. In the letter, that calmness gives way to deep personal grief and bursts of anger at the man selling the trees. The overall sentiment conveys a love that feels trapped and without an outlet.
Symbols & metaphors
- The six willows — They represent continuity, a sense of belonging, and the living memory of a place. For Lowell, they aren't just scenery; they are companions — witnesses to his entire adult life at Elmwood.
- The Pleiades — The reference to the star cluster elevates the trees from the ordinary to the mythical. It also implies a sense of loss: one of the seven Pleiades is always the lost or obscured star, suggesting that the things we cherish can vanish.
- The "for sale" board — A sign of commercial indifference—turning something cherished and unique into just another transaction. It captures the clash between our emotional connections and the harsh truths of the market.
- Firewood — The ultimate degradation in Lowell's eyes is seeing trees that have been mythologized, named, and loved turned into fuel. This reflects how the modern, utilitarian world consumes what the poetic imagination cherishes.
- The marsh-and-upland threshold — The physical boundary where high ground meets wetland reflects the emotional space Lowell occupies — caught between memories of beauty and the reality of loss and change.
Historical context
James Russell Lowell (1819–1891) spent a significant part of his life at Elmwood, the family estate in Cambridge, Massachusetts. The willows he mentions grew close to the property and are featured in his longer poem *Under the Willows* (1868), which reflects on poetry, nature, and time against the backdrop of his childhood and adult experiences. Lowell was a key figure in the New England literary scene — a poet, editor of *The Atlantic Monthly*, and later a diplomat — yet his most intimate writing often revisits Elmwood and its surroundings. In a letter to publisher James T. Fields, written about twenty years after *A Year's Life* (the *Reverie* referenced here), Lowell reveals how closely his identity was linked to particular trees, paths, and locations. His sorrow for the willows also reflects a deeper sadness about the swift changes occurring in the American landscape during the industrial age.
FAQ
The Pleiades are a group of seven stars from Greek mythology, with one often considered invisible or missing. Lowell draws a parallel to his six remaining willows—originally seven, just like the star cluster, with one already having fallen. This comparison lends the trees a sense of mythic, cosmic significance.
James T. Fields was a well-known publisher and editor in Boston, and he shared a close friendship with Lowell. Corresponding with Fields wasn't akin to jotting down thoughts in a private diary—Fields was part of the same literary community. Lowell's willingness to share his deep grief with Fields demonstrates the authenticity of his emotions; he wasn't putting on a show of sorrow for anyone else.
He refers to the settlers and developers who cleared land throughout America, often ignoring its existing features. The term "subduers" is significant—it portrays land-clearing as a conquest rather than a mere necessity. Lowell is critiquing the utilitarian mindset toward nature that he viewed as a key and concerning aspect of American culture.
It's both. The passage includes a three-line verse excerpt from *Under the Willows*, but it's surrounded by editorial prose and a personal letter. You can see it as a commentary note that keeps a piece of the poem while sharing Lowell's genuine feelings about the trees that inspired it.
Lowell grew up at Elmwood and returned to it many times over his life. The willows were always present—through his youth, his career, and his losses. For him, calling them friends isn’t just sentimental; it’s a sincere belief that a long connection with a place or a living thing fosters a bond worthy of being called friendship.
The passage doesn't provide a clear answer, but the tone of the letter — along with Lowell mentioning his lack of funds to purchase the land — strongly suggests that he was unable to save them. The poem *Under the Willows* depicts one ancient willow that was spared, implying that the others had likely disappeared by the time he wrote it.
It begins in a mythic, almost peaceful tone — the verse fragment is both measured and beautiful. Then the letter arrives, and everything shifts: the language turns urgent, angry, and heartbroken. That change is crucial. The poem can capture the willows in a timeless grace; reality cannot.