The Annotated Edition
Old by D. H. Lawrence
A speaker relaxes by a sun-warmed windowsill on a calm afternoon, observing the world outside and drifting into thoughts of old books, nostalgic feelings, and lives that seem only half-remembered.
- Poet
- D. H. Lawrence
- Core theme
- Dreams
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
I HAVE opened the window to warm my hands on the sill / Where the sunlight soaks in the stone...
Editor's note
The poem begins with a simple moment — warming hands on a sunlit windowsill — that instantly places us in a lazy afternoon. The boys being "still" in a "wistful dream of Lorna Doone" (the Victorian adventure novel) suggests we are in a school setting, and the dreamy mood is already flowing from the speaker to the children nearby.
The clink of the shunting engines is sharp and fine, / Like savage music striking far off...
Editor's note
Industrial sound — railway engines shunting in a yard — weaves into the poem, yet Lawrence softens its edge. He refers to it as "savage music," transforming mechanical noise into something wild and beautiful. The "great, uplifted blue palace" topped with its glass dome (probably the Crystal Palace in south London) reflects the light, creating a floating, dreamlike landmark on the horizon.
There lies the world, my darling, full of wonder and / wistfulness and strange / Recognition...
Editor's note
The speaker speaks directly to someone close, using the term "my darling," and the poem expands into a reflection on how the world around us stirs up half-formed memories—those familiar feelings that remain elusive. The Crystal Palace perched on the hill symbolizes those hazy, enchanting elements just beyond our awareness, connected to "past lives" and dreams that linger in the recesses of our thoughts.
Over the nearness of Norwood Hill, through the / mellow veil / Of the afternoon glows to me the old romance of David and Dora...
Editor's note
Norwood Hill is a real location close to where Lawrence taught in Croydon. "David and Dora" alludes to the tender, tragic young love depicted in Dickens's *David Copperfield*, evoking a specific bittersweet nostalgia in this stanza. The phrase "ship of the soul" navigating through seas of imagined dreams introduces a voyage metaphor that will guide the poem to its conclusion.
All the bygone, hushed years / Streaming back where the mist distils / Into forgetfulness...
Editor's note
The final stanza is both the most expansive and the most musical. Time transforms into a sea, while the speaker's life turns into a small boat gently drifting in the calm wake left behind after a storm has passed. The language slows and softens — "silk sail," "unfelt breeze," "iridescence" — as the poem illustrates the very fading it describes. It concludes with "laughter," but it's just an echo, already fading away.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The sun-warmed windowsill
- The line between the physical present and the dreaming mind. Warming hands on stone is a tangible, physical act, yet it leads straight into daydreaming — the window is both a literal and figurative space where the real world and our inner thoughts connect.
- The Crystal Palace ("blue palace")
- The impressive glass-and-iron exhibition hall on Sydenham Hill stands out, easily seen from Croydon, where Lawrence taught. It appears as a shimmering, almost otherworldly landmark — something that’s here now but feels like it belongs to a different time, perfectly capturing the poem's theme of the past shining through the present.
- The boat drifting in the wake
- In the final stanza, the speaker's life is likened to a small vessel gliding on the tranquil water that remains after a storm. The "storm of living" has passed or is fading; what’s left is a soft, aimless drift toward forgetfulness. This imagery evokes the sensation of aging without framing it as a loss.
- Mist and iridescence
- Mist recurs as the very texture of memory—not ominous or harsh, but gentle, hazy, and fading. The "coloured iridescence" left after the storm hints that even after emotions have passed, they can leave behind something lovely, similar to oil floating on water.
- Literary references (Lorna Doone, David and Dora)
- The Victorian novels aren't merely name-drops; they represent an entire emotional universe rooted in childhood and youth—tales of romance, loss, and adventure that have shaped our inner lives. Referencing them suggests that our identities are partly woven from the narratives of others.
§06Form & structure
Form & structure
- Meter
- free verse
- Rhyme
- ABAB ABAB ABAB ABAB ABABABABAB
§07Historical context
Historical context
§08FAQ
Questions readers ask
Who is the speaker talking to when he says 'my love' and 'my darling'?
Lawrence keeps the person's identity a secret, likely on purpose. It might be a lover, a close friend, or even the reader themselves. This choice creates an intimate feel, as if the poem is a personal secret shared during a quiet moment. Some readers interpret it as the speaker conversing with himself, reflecting on his own inner thoughts.
What is the 'blue palace' in the poem?
It's the Crystal Palace, the massive glass-and-iron building first constructed for the Great Exhibition of 1851 and later moved to Sydenham Hill in south London. From Croydon, where Lawrence was teaching when he penned this poem, it was clearly visible. Its glass dome, glinting in the afternoon light, gave it an almost mirage-like appearance on the horizon.
What are 'Lorna Doone' and 'David and Dora' references to?
Lorna Doone (1869) is a romantic adventure novel by R. D. Blackmore that has captured the hearts of young readers. "David and Dora" points to the tender yet tragic romance in Dickens's David Copperfield (1850). Lawrence draws on both to highlight the emotional depth of Victorian childhood reading — tales that influenced a generation's perception of love and desire.
What does the boat and sea imagery mean at the end?
The speaker's life is like a small boat floating on the calm water that remains after a storm has passed. The "storm of living" — the struggles, emotions, and chaos of an active life — has either subsided or is moving away, leaving behind a gentle drift toward forgetfulness. This captures the essence of aging or the tranquility of a quiet afternoon when life's urgency takes a backseat, if only for a moment.
Is this poem about death?
Not directly, but it subtly touches on mortality. The shift toward "forgetfulness," the quiet years flowing back, the distant sound of laughter — these all hint at a life approaching its end, or at least a moment when the speaker senses the heaviness of time slipping away. It’s more about the feel of that experience than about death itself.
Why does Lawrence use such long, winding lines in the later stanzas?
The line lengths reflect the content. As the poem transitions from vivid present-tense observations (the clink of engines, the warm sill) into memories and reflections, the lines become longer and more fluid, making them harder to capture in a single breath. This formal choice allows you to experience the drift instead of merely reading about it.
What does 'wistful' mean, and why does it appear so often?
Wistful refers to a gentle, slightly sad yearning for something that's just out of reach or lost — it's not grief or despair, but rather a tender ache. Lawrence uses this term three times in the poem because it perfectly captures the emotional tone he’s aiming for: neither devastated nor happy, but instead existing in that soft middle ground between the two.
When was this poem written and where does it fit in Lawrence's career?
It was written during Lawrence's teaching years in Croydon, around 1908–1912, and later published in his collection Amores in 1916. At this time, he was still discovering his voice — you can observe him shifting from the concise, observational style of his early lyrics to the longer, more fluid rhythms that would characterize his later poetry. This poem acts as a bridge, and the tension between precision and flow contributes to its intrigue.
Citation
Cite this poem
MLA
Lawrence, D. H. "Old." Storgy, https://storgy.com/poems/old-d-h-lawrence/.
APA
Lawrence, D. H. (n.d.). Old. Storgy. https://storgy.com/poems/old-d-h-lawrence/
Row A — Thesis
1 ptIn D. H. Lawrence's 'OLD,' the speaker's act of warming his hands on a sun-soaked sill becomes a portal through which present sensation dissolves into layered memory, and Lawrence uses the poem's accumulating imagery of mist, drift, and …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
- Common student errors
Available on any Storgy plan — model paragraphs, band callouts, and common student errors for every poem.
The study desk
Teaching materials and reference tools prepared for this poem.
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