The Annotated Edition
MONOLOGUE OF A MOTHER by D. H. Lawrence
A mother watches her grown son drift away and feels like she has nothing left to hold onto — not her son, not her husband, not even herself.
- Poet
- D. H. Lawrence
- Themes
- identity, loneliness, love
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
THIS is the last of all, this is the last! / I must hold my hands, and turn my face to the fire,
Editor's note
The mother opens with a sense of closure—she knows something is coming to an end. As she turns to the fire, it’s a gesture of acceptance: she watches her past memories turn to ash, one by one, like coals fading out. The mention of "dross" (the waste metal left after smelting) reveals that she views her life's experiences as having burned away into something worthless.
Strange he is, my son, whom I have awaited like a lover, / Strange to me like a captive in a foreign country, haunting
Editor's note
Here, Lawrence reveals the poem's main shock: the mother has waited for her son as if she were waiting for a romantic partner. She is open about it. On the other hand, the son feels trapped — he lingers at the periphery of her life, gazing toward the freedom of open space. The word "chaunting" (an old form of chanting) lends his longing to escape a sense of ritual and inevitability.
Like a strange white bird blown out of the frozen seas, / Like a bird from the far north blown with a broken wing
Editor's note
The son is likened to a wounded migratory bird that has been blown off course and landed in an unfamiliar place. He moves restlessly around the house — "drags and beats / From place to place" — not out of comfort but because he feels trapped. Her love is depicted as a hand that "creeps up," which creates a sense of unease: his need to escape from her dependence is palpable.
I must look away from him, for my faded eyes / Like a cringing dog at his heels offend him now,
Editor's note
The mother harshly critiques her self-image here. She likens herself to a toothless, submissive dog trailing after its owner — still loyal, still dependent, but unappealing. When her son frowns and looks away, it hits her like a spark igniting her soul. The phrase "my heart stands still" resonates with both emotional wreckage and a subtle hint of impending death.
This is the last, it will not be any more. / All my life I have borne the burden of myself,
Editor's note
This stanza steps back to reflect on her entire life. She has consistently viewed herself as a burden — especially to herself. The fantasy about her husband closing the door highlights what she never experienced: the joy of fully surrendering to someone, of being truly "caught" by love. That joy eluded her. The comparison to a "frightened mouse" is both tender and poignant — she longed to be enveloped by love, but it never materialized.
Three times have I offered myself, three times rejected. / It will not be any more. No more, my son, my son!
Editor's note
The number three holds significant biblical meaning—just consider Peter's three denials. She opened herself up to three people (most likely her parents, her husband, and her son) and was rejected each time. "The angel of childhood" kissed her and departed long ago, taking with it the chance for innocent, uncomplicated love. She had hoped her son would be the one to fully embrace her, but now that hope has vanished as well.
Death, in whose service is nothing of gladness, takes me; / For the lips and the eyes of God are behind a veil.
Editor's note
The poem concludes in a state of unresolved tension and discomfort. Death approaches, devoid of any joy—it is simply the one certainty that will not turn her away. God's presence remains shrouded, making divine love feel out of reach. The phrase "lipless voice of the Father" evokes a chilling image: a God who can communicate but cannot provide the affection and warmth she has longed for throughout her life. She finishes in despair, with darkness enveloping her.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The dying fire
- The fire the mother stares into symbolizes her life being reduced to useless remnants — "dross" refers to the waste produced after metal is smelted. Observing the ash accumulate over the coals is like witnessing her past turn to dust and fade away.
- The wounded bird
- The son is like a bird blown off course with a broken wing—alive but unable to fly free, feeling restless and out of place. This imagery reflects his suffering and highlights that he isn’t where he belongs, stuck in his mother's orbit.
- The cringing dog
- The mother's view of herself as a toothless, cringing hound trailing behind her son highlights her acute awareness of her own desperation. While she remains loyal and continues to chase after him, she realizes she has transformed into something that pushes him away instead of drawing him in.
- The angel of childhood
- This figure captures the last time the mother experienced pure, uncomplicated love — back in her childhood. After that angel left, she spent the rest of her life searching for that sense of complete belonging, but she never found it.
- The veil over God's face
- God's hidden face suggests that even divine love is absent from her. The "lipless voice" of the Father represents a God who can give commands but offers no comfort — the most extreme form of the rejection she has faced in all her human relationships.
- The number three
- "Three times have I offered myself, three times rejected" resonates with the biblical theme of triple denial. It lends her suffering a ritualistic, almost predestined quality — suggesting that rejection has shaped her entire existence.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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