The Annotated Edition
Monologue of a Mother by D. H. Lawrence
A mother watches her grown son drift away and feels like she has nothing left to hold onto — not her son, not her husband, not even herself.
- Poet
- D. H. Lawrence
- Core theme
- Identity
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
THIS is the last of all, this is the last! / I must hold my hands, and turn my face to the fire,
Editor's note
The mother opens with a sense of closure—she knows something is coming to an end. As she turns to the fire, it’s a gesture of acceptance: she watches her past memories turn to ash, one by one, like coals fading out. The mention of "dross" (the waste metal left after smelting) reveals that she views her life's experiences as having burned away into something worthless.
Strange he is, my son, whom I have awaited like a lover, / Strange to me like a captive in a foreign country, haunting
Editor's note
Here, Lawrence reveals the poem's main shock: the mother has waited for her son as if she were waiting for a romantic partner. She is open about it. On the other hand, the son feels trapped — he lingers at the periphery of her life, gazing toward the freedom of open space. The word "chaunting" (an old form of chanting) lends his longing to escape a sense of ritual and inevitability.
Like a strange white bird blown out of the frozen seas, / Like a bird from the far north blown with a broken wing
Editor's note
The son is likened to a wounded migratory bird that has been blown off course and landed in an unfamiliar place. He moves restlessly around the house — "drags and beats / From place to place" — not out of comfort but because he feels trapped. Her love is depicted as a hand that "creeps up," which creates a sense of unease: his need to escape from her dependence is palpable.
I must look away from him, for my faded eyes / Like a cringing dog at his heels offend him now,
Editor's note
The mother harshly critiques her self-image here. She likens herself to a toothless, submissive dog trailing after its owner — still loyal, still dependent, but unappealing. When her son frowns and looks away, it hits her like a spark igniting her soul. The phrase "my heart stands still" resonates with both emotional wreckage and a subtle hint of impending death.
This is the last, it will not be any more. / All my life I have borne the burden of myself,
Editor's note
This stanza steps back to reflect on her entire life. She has consistently viewed herself as a burden — especially to herself. The fantasy about her husband closing the door highlights what she never experienced: the joy of fully surrendering to someone, of being truly "caught" by love. That joy eluded her. The comparison to a "frightened mouse" is both tender and poignant — she longed to be enveloped by love, but it never materialized.
Three times have I offered myself, three times rejected. / It will not be any more. No more, my son, my son!
Editor's note
The number three holds significant biblical meaning—just consider Peter's three denials. She opened herself up to three people (most likely her parents, her husband, and her son) and was rejected each time. "The angel of childhood" kissed her and departed long ago, taking with it the chance for innocent, uncomplicated love. She had hoped her son would be the one to fully embrace her, but now that hope has vanished as well.
Death, in whose service is nothing of gladness, takes me; / For the lips and the eyes of God are behind a veil.
Editor's note
The poem concludes in a state of unresolved tension and discomfort. Death approaches, devoid of any joy—it is simply the one certainty that will not turn her away. God's presence remains shrouded, making divine love feel out of reach. The phrase "lipless voice of the Father" evokes a chilling image: a God who can communicate but cannot provide the affection and warmth she has longed for throughout her life. She finishes in despair, with darkness enveloping her.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The dying fire
- The fire the mother stares into symbolizes her life being reduced to useless remnants — "dross" refers to the waste produced after metal is smelted. Observing the ash accumulate over the coals is like witnessing her past turn to dust and fade away.
- The wounded bird
- The son is like a bird blown off course with a broken wing—alive but unable to fly free, feeling restless and out of place. This imagery reflects his suffering and highlights that he isn’t where he belongs, stuck in his mother's orbit.
- The cringing dog
- The mother's view of herself as a toothless, cringing hound trailing behind her son highlights her acute awareness of her own desperation. While she remains loyal and continues to chase after him, she realizes she has transformed into something that pushes him away instead of drawing him in.
- The angel of childhood
- This figure captures the last time the mother experienced pure, uncomplicated love — back in her childhood. After that angel left, she spent the rest of her life searching for that sense of complete belonging, but she never found it.
- The veil over God's face
- God's hidden face suggests that even divine love is absent from her. The "lipless voice" of the Father represents a God who can give commands but offers no comfort — the most extreme form of the rejection she has faced in all her human relationships.
- The number three
- "Three times have I offered myself, three times rejected" resonates with the biblical theme of triple denial. It lends her suffering a ritualistic, almost predestined quality — suggesting that rejection has shaped her entire existence.
§06Historical context
Historical context
§07FAQ
Questions readers ask
What is the poem actually about?
A mother observes her adult son distancing himself and feels powerless to stop it. As she thinks back, she realizes her life has been marked by a series of failures to fully give herself to anyone—her husband never evoked that sense of connection, and now her son is pushing her love away as well. The poem concludes with her facing death as the only certainty that will remain, refusing to turn her away.
Why does the mother say she waited for her son "like a lover"? Is that meant to be disturbing?
Yes, Lawrence intends for it to feel uncomfortable, and he doesn't hold back. The poem honestly depicts a specific type of maternal love that leans into emotional dependency — the mother has channeled the passion she never experienced in her marriage entirely onto her son. Lawrence examined this same theme in Sons and Lovers. The goal isn't to criticize her but to illustrate how a life lacking mutual adult love can distort even the most genuine affection.
What does "three times have I offered myself, three times rejected" mean?
She has attempted to surrender herself completely to love three times in her life, only to be turned away each time. The most straightforward interpretation is that these three rejections represent: her childhood world (which has come to an end), her husband (who never sparked deep devotion in her), and now her son (who is preparing to leave). The resonance of Peter's three denials of Christ in the Bible adds a feeling of inevitability to the line — as if rejection has been her fate all along.
What is "the angel of childhood" in the sixth stanza?
It marks the last moment she truly felt at home in love — her childhood, before adult life made things messy. After that phase ended, she spent years trying to recapture that sense of belonging, but it eluded her. The angel "kissed" her and departed, a tender way of saying that childhood ended, taking with it the gift of simple love.
Why does the poem end with God being frightening rather than comforting?
Because in this poem, God represents a kind of love that is kept away from her. God's face is hidden behind a veil — she can't see it or feel it. The "lipless voice of the Father" belongs to a God who gives orders but can't provide warmth or affection. For a woman whose entire life revolves around the lack of love, even the divine brings no solace — only more separation.
Is this poem autobiographical? Was Lawrence writing about his own mother?
Almost certainly, yes. Lawrence shared a deeply intense relationship with his mother, Lydia, who poured a tremendous amount of emotional energy into him following a challenging marriage. His novel Sons and Lovers closely mirrors that dynamic, almost as if it’s a memoir. What sets this poem apart is that Lawrence writes from the mother's perspective, offering her a sense of depth and empathy instead of simply depicting her influence on the son.
What does the bird imagery in the third stanza represent?
The son is likened to a seabird tossed off course by a storm — a creature from a cold, open place that has crash-landed in a small, sooty garden. He is alive but hurt, restless, and entirely out of his element. This image reflects both his pain and the reality that he can't just leave: a bird with a broken wing can't soar away, much like the son isn't fully gone yet, always striving to escape.
What is the poem's structure and does it matter?
The poem features loose stanzas of six lines and an irregular rhyme scheme. Lawrence doesn’t adhere to a strict form, but the recurring rhymes give the piece a sense of struggling to hold itself together. This reflects the mother’s experience: she is trying to stay composed and aware while her emotions unravel. The final stanza deviates from the pattern, ending abruptly mid-thought with a sense of anguish, which feels completely appropriate.
Citation
Cite this poem
MLA
Lawrence, D. H. "Monologue of a Mother." Storgy, https://storgy.com/poems/monologue-of-a-mother-d-h-lawrence/.
APA
Lawrence, D. H. (n.d.). Monologue of a mother. Storgy. https://storgy.com/poems/monologue-of-a-mother-d-h-lawrence/
Row A — Thesis
1 ptIn 'Monologue of a Mother,' D. H. Lawrence dramatizes the psychic cost of a love that cannot release its object, arguing that the mother's devotion represents a hunger for self-dissolution she was never permitted to satisfy — not in …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
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