Skip to content
Storgy

The Annotated Edition

Sonnet 73 by William Shakespeare

Summary, meaning, line-by-line analysis & FAQ.

Read aloud in ~1 minOpen reading mode →

Sonnet 73 is Shakespeare's reflection on aging, as he invites his beloved to see him as someone in the twilight of life.

Poet
William Shakespeare
Meter
iambic pentameter
Rhyme
ABAB CDCD EFEF GG
Themes
love, mortality, nature
The PoemFull text

Sonnet 73

William Shakespeare

That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin’d choirs, where late the sweet birds sang. In me thou see’st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death’s second self, that seals up all in rest. In me thou see’st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed, whereon it must expire, Consum’d with that which it was nourish’d by. This thou perceiv’st, which makes thy love more strong, To love that well, which thou must leave ere long.

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

Sonnet 73 is Shakespeare's reflection on aging, as he invites his beloved to see him as someone in the twilight of life. He layers three vivid images — a bare winter tree, a dimming sunset, and a flickering fire — all conveying the same message: my time is limited. The poem concludes with a surprising insight: the awareness of time's brevity should deepen love rather than diminish it.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. That time of year thou mayst in me behold / When yellow leaves, or none, or few, do hang

    Editor's note

    The first quatrain uses autumn as a metaphor. Shakespeare invites his beloved to see late autumn when they look at him — a time marked by bare branches and chilly winds. The phrase "or none, or few" cleverly reflects the way a handful of last leaves cling on before the tree is fully stripped. "Bare ruin'd choirs" likens those empty branches to the roofless choir lofts of monasteries that were dissolved under Henry VIII — spaces that once echoed with song but now stand in silence. This creates a rich, melancholy image that intertwines natural decay with human and religious loss.

  2. In me thou see'st the twilight of such day / As after sunset fadeth in the west;

    Editor's note

    The second quatrain moves from the year to the day. Autumn turns into twilight — that short period after the sun has set but before complete darkness takes over. Night is referred to as "Death's second self," suggesting that sleep is a kind of practice for death. The light isn't merely fading; it's being forcefully withdrawn by the encroaching dark. Each image in the poem condenses time even more: first a season, then a day, and then — in the next quatrain — the last moments of a fire's existence.

  3. In me thou see'st the glowing of such fire, / That on the ashes of his youth doth lie,

    Editor's note

    The third quatrain presents a dying fire lying in its own ashes. The line "Consum'd with that which it was nourish'd by" encapsulates the poem's most poignant idea: the very fuel that sustained the fire has turned into the ash that extinguishes it. Youth provided Shakespeare's speaker with energy, and now that exhausted youth is what is leading to his demise. It's a paradox—life feeds on itself to keep going, and in the process, it ultimately depletes itself.

  4. This thou perceiv'st, which makes thy love more strong, / To love that well, which thou must leave ere long.

    Editor's note

    The closing couplet flips the entire poem on its head. Rather than seeking pity, Shakespeare suggests that recognizing loss deepens love. The beloved's clear view of all this decay actually strengthens their love—not despite the inevitable end, but because of it. The phrase "Which thou must leave ere long" is intentionally vague: it might imply that the beloved will outlive the speaker, resulting in loss, or it could suggest that the speaker will die and leave the beloved behind. Either way, the urgency is what matters.

§04Tone & mood

How this poem feels

The tone is quiet and mournful—there's no anger towards aging here, just a clear-eyed, nearly calm acceptance of it. Shakespeare isn't looking for sympathy; he's presenting a case. The mood deepens gradually through the three quatrains as the images shift from a full season to the fading light of a fire, but the couplet rises a bit into something that feels almost tender. It’s a sorrowful poem that concludes with a hint of warmth.

§05Symbols & metaphors

Symbols & metaphors

Bare winter boughs
The leafless tree in late autumn represents the speaker's aging body and the loss of youthful vitality. The almost bare branches — "or none, or few" — imply a life that's nearly spent, but still holds on.
Twilight
The brief light after sunset symbolizes the limited time the speaker has remaining. They've already passed their peak (sunset), and darkness — death — is quickly approaching.
The dying fire
The ember resting in its own ash serves as the poem's most concise symbol of mortality. The fire's fuel—youth—has turned into the very thing that extinguishes it, reflecting the self-destructive nature of human life.
Black night
Night is referred to as "Death's second self" — sleep serves as a nightly practice for the enduring slumber of death. It "seals up all in rest," hinting at an end and a sense of closure.
Bare ruin'd choirs
The monastery choir lofts, now roofless and silent, reflect both spiritual and cultural loss intertwined with natural decay. This imagery conveys that what has vanished is not merely a structure, but an entire realm filled with meaning and music.

§06Form & structure

Form & structure

Meter
iambic pentameter
Rhyme
ABAB CDCD EFEF GG

§07Historical context

Historical context

Shakespeare wrote his 154 sonnets, likely during the 1590s, but they didn’t see publication until 1609. Sonnet 73 is part of the first group (Sonnets 1–126), directed at a young man often referred to as the Fair Youth. By the time Shakespeare was composing these poems, he was in his thirties—not old by today’s standards, but considered middle-aged in a time when people didn’t live as long. The poem also carries a specific cultural significance for Elizabethan England: the phrase "bare ruin'd choirs" likely alludes to the monasteries that Henry VIII dissolved between 1536 and 1541, leaving roofless ruins that dotted the English landscape. For Shakespeare's early readers, these ruins were a vivid reminder of a violent loss of institutions, adding a political and religious depth to the imagery that goes beyond mere descriptions of nature.

§08FAQ

Questions readers ask

It explores aging and the inevitability of death. Shakespeare employs three extended metaphors — autumn, twilight, and a dying fire — to illustrate for the beloved what nearing the end of life resembles, then contends that this understanding should enhance their love instead of lessening it.

Quiz

Test your knowledge

10 questions about this poem. Free, no sign-up required.

Take the quiz

Read next

Poems in the same key

Similar poems

ODE TO A NIGHTINGALE. — John KeatsWhen I Have Fears That I May Cease to Be — John KeatsDo Not Go Gentle into That Good Night — Dylan ThomasBecause I Could Not Stop for Death — Emily Dickinson

More by William Shakespeare

Browse all William Shakespeare poems →

Themes in this poem

Poems about lovePoems about mortalityPoems about naturePoems about time