The Annotated Edition
Letter from the Reverend Homer Wilbur, M.a., Enclosing the Epistle by James Russell Lowell
This satirical letter-poem is from James Russell Lowell's *Biglow Papers* series, penned in 1861 as the Civil War was beginning.
- Core theme
- Freedom
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
JAALAM, 15th Nov., 1861. / It is not from any idle wish to obtrude my humble person...
Editor's note
The prose frame letter is penned by the fictional Reverend Homer Wilbur, a pompous clergyman from a small town in Massachusetts who serves as the editor and supporter of Hosea Biglow's verses. He tends to bury straightforward points under Latin quotes and lengthy digressions about his genealogy, weather records, and his son heading off to war. Lowell is poking fun at a certain type of pretentiousness found in learned New England circles, yet Wilbur manages to convey a genuine emotional impact when he talks about strapping on his son's armor after the Battle of Bull Run. The editors of *The Atlantic* humorously cut him off mid-sentence, which is the punchline.
It's some consid'ble of a spell sence I hain't writ no letters, / An' ther' 's gret changes hez took place in all polit'cle metters:
Editor's note
Sawin begins with a casual apology for being quiet for so long, then dives into a down-to-earth reflection on political failure. He uses the image of bread that never rose to convey that defeated politicians and lost causes rarely make a comeback — yet people continue to give it a shot. The tone feels cynical and weary, and his dialect (with dropped g's and phonetic spelling) clearly identifies Sawin as a gritty, everyday person rather than a refined gentleman.
I spose you're kin' o' cur'ous, now, to know why I hain't writ. / Wal, I've ben where a litt'ry taste don't somehow seem to git
Editor's note
Sawin describes his time in prison as a 'vicyvarsy house' where honest people can't enter and those who don't belong can't leave. He humorously paints jail as an odd hotel with a meticulous landlord. This indirectness reflects his character; he rarely admits to any wrongdoing, instead presenting his troubles as events that happened *to* him.
This world is awfle contrary: the rope may stretch your neck / Thet mebby kep' another chap frum washin' off a wreck;
Editor's note
A philosophical digression on the randomness of fate, illustrated by uneven potato patches and coin flips. Sawin is trying to make sense of his bad luck and encouraging both himself and the reader not to lose hope. The image of a 'nussin' Brigadier that gets some Ink to shed' pokes fun at incompetent Union officers—Lowell's satire hits multiple targets at once.
When I writ last, I'd ben turned loose by thet blamed nigger, Pomp, / Ferlorner than a musquash, ef you'd took an' dreened his swamp;
Editor's note
Sawin brings in a backstory from a previous *Biglow Papers* installment: he was left stranded in the South after being abandoned by an enslaved man named Pomp. His trek through the bayous on a rickety bridge made of logs and alligators is presented with a touch of dark humor, but the detail of his wooden leg (lost during the Mexican War, for which he also receives a pension) repeatedly symbolizes how the American military-industrial system grinds men down and discards them as mere comic props.
Wal, I gut in at last where folks wuz civerlized an' white, / Ez I diskivered to my cost afore 'twarn't hardly night;
Editor's note
The moment Sawin arrives at 'civilization,' he faces accusations of kettle theft, is tarred and feathered, paraded through town, and bombarded with rotten eggs — all without a fair trial. Lowell's irony cuts deep: the South's self-proclaimed status as a bastion of chivalry and honor is revealed as mere mob violence masked in the guise of law and hospitality. The tar-and-feathering scene is depicted in grotesque comic detail, with Sawin coming out looking like a 'Fejee Thanksgivin'' turkey.
Thet I felt some stuck up is wut it's nat'ral to suppose, / When poppylar enthusiasm hed funnished me sech clo'es;
Editor's note
After the violence, the community holds a formal meeting and passes resolutions celebrating Sawin as a martyr for liberty and Southern virtue — despite the fact that they just tortured him. Lowell is ridiculing the Southern tendency to cloak brutality in the guise of honor and principle. The funds collected for Sawin amount to almost nothing, as Southern gentlemen sign pledges they never plan to fulfill — a sharp critique of Confederate finance and the Cotton Loan.
I warn't so bad off, arter all; I needn't hardly mention / That Guv'ment owed me quite a pile for my arrears o' pension,--
Editor's note
Sawin collects his Union pension in gold before his state secedes, and then he humorously points out that Confederate bonds are only worth something for buying drinks if you have a knife. This moment represents Lowell's clearest critique of Confederate economic policy — highlighting the ridiculousness of a currency propped up by cotton and enslaved people, the breakdown of small change, and the false notion that the entire system is morally equivalent to that of the Biblical patriarchs. The Jacob-and-Esau analogy with Jefferson Davis is especially pointed.
Ez fur ez human foresight goes, we made an even trade: / She gut an overseer, an' I a fem'ly ready-made,
Editor's note
Sawin talks about his marriage to the Widow Shannon in starkly transactional terms. She gains a plantation manager, while he acquires a ready-made family and a stake in her cotton land and enslaved people—referred to as 'the curse of Canaan,' alluding to the Biblical justification for slavery. The dark humor here is unsettling: Sawin has completely internalized the values of the slave economy, viewing human lives as mere entries in a ledger.
My objec', though, in writin' now warn't to allude to sech, / But to another suckemstance more dellykit to tech,--
Editor's note
The letter's true purpose finally comes to light: Sawin wants his Northern correspondent to inform his first wife, Jerusha, that he is seeking a divorce. His reasons accumulate in an almost comical, legalistic fashion — his wrongful imprisonment, his state's secession (which he argues nullifies his marriage), his newfound religion, and ultimately the claim that Jerusha is now an 'alien enemy' whose property he can seize. Lowell uses this domestic absurdity to illustrate how the logic of secession, when taken seriously, undermines all ordinary human responsibilities.
Besides, I couldn't do no else; Miss S. suz she to me, / 'You've sheered my bed,'
Editor's note
The Widow Shannon effectively coerced Sawin into marriage by threatening to have the grand jury reconvene. Sawin frames this as a sensible business deal, claiming it demonstrates the value of education — she sought someone capable of conversing with visiting preachers. The poem concludes with Sawin heading off to "let a leetle law in / To Cynthy's hide" — meaning he intends to whip an enslaved woman named Cynthia — which leaves the reader with a chilling sense of unthinking cruelty, underscoring the satirical intent.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The wooden leg
- Sawin lost his leg while serving in the Mexican War and receives a pension for it. He considers this his most dependable asset — more reliable, he jokes, than his actual leg. It symbolizes how the American state utilizes working-class men as cannon fodder and then offers them just enough compensation to ensure their loyalty for future conflicts.
- Tar and feathers
- The tar-and-feathering scene reveals the darker side of Southern 'hospitality' and 'civilization.' What is often labeled as honor, chivalry, and law in the South is depicted as mob violence, merely dressed up with a veneer of formal procedure.
- Confederate bonds and the missing small change
- The South's failure to produce small currency—since its wealth is tied up in cotton and enslaved people—serves as Lowell's representation of the deep contradictions within the Confederate economy and the slave system. You can't sustain a modern society using human beings as currency.
- The Widow Shannon's plantation ('the curse of Canaan')
- The widow's estate, which includes enslaved individuals referenced through the Biblical 'curse of Canaan'—a common pro-slavery theological argument—shows how the slave system taints every human relationship it affects, transforming marriage into a mere property transaction.
- Latin quotations (in Wilbur's letter)
- Wilbur's frequent use of Latin tags reflects his learning and his wish to be respected, yet they also obscure his true feelings — his sorrow about sending his son to war and his genuine beliefs about slavery — beneath a facade of performance. They illustrate how education can sometimes mask honest expression.
- The interrupted letter (the asterisks)
- Both Wilbur's letter and the poem are left unfinished—cut off by editors and trailing off mid-sentence. This structure reflects the poem's central idea: the Civil War is an interruption, a matter still unresolved, a sentence the nation hasn't been permitted to finish.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Who is actually speaking in this poem — Biglow, Wilbur, or Sawin?
Three voices. The Reverend Homer Wilbur writes the lengthy prose frame letter at the top. Hosea Biglow is credited as the author of the verse series, though he doesn't appear directly here. Birdofredum Sawin writes the dialect verse letter that forms the poem itself. Lowell created all three as fictional characters, and the layering is deliberate — it allows him to satirize New England pomposity (Wilbur), celebrate the straightforward virtue of Yankees (Biglow), and reveal moral corruption (Sawin) simultaneously.
Why is the poem written in such strange spelling?
Lowell intentionally captured the spoken dialect of rural New England and the American South as he experienced it. The phonetic spellings ('sence,' 'hain't,' 'wal,' 'polit'cle') serve as both a political and stylistic choice: Lowell felt that everyday American speech was more genuine and lively than refined literary English, and that a poem in dialect could connect with readers in ways that formal verse could not. It also portrays Sawin as uneducated and self-deceiving, exactly as Lowell intended.
What is Sawin being satirized for, exactly?
Sawin is a satirical portrayal of the Northern man who heads South, embraces the values of the slave economy for his own gain, and then wraps his self-serving actions in the guise of principle. His support for slavery isn't rooted in genuine belief — it's driven by the status it brings him, along with a wife, a farm, and access to cheap whiskey. Lowell highlights that the slave system relied not only on true believers but also on opportunists like Sawin, who participated for the benefits it provided.
What is the 'curse of Canaan' reference about?
It references Genesis 9:25, where Noah curses Canaan, Ham's son, to be 'a servant of servants.' During the antebellum period, pro-slavery theologians in the South used this passage to claim that Black people were meant to be enslaved by divine design. Lowell has Sawin casually mention it, treating it as if it were merely a detail in a property description. This is precisely the point — the theological justification has become so ingrained in the economic system that it no longer feels like an argument; it sounds just like a deed description.
Why does Wilbur's letter get cut off by the editors?
It's a joke at Wilbur's expense — he tends to ramble so much that even the imaginary editors of The Atlantic have to intervene and cut him off. But it also has a structural role: it highlights that this is a crafted, mediated text rather than an actual letter, and it prevents Wilbur's real emotion (his sorrow about his son going to war) from overshadowing the satirical tone.
What does Sawin's pension represent?
Sawin lost his leg in the Mexican War—a conflict that Lowell criticized in the first Biglow Papers, calling it an unjust land grab aimed at expanding slavery. The pension he receives is the government’s compensation for that sacrifice. Ironically, Sawin uses this Union pension money to live comfortably in the Confederacy. Together, the loss of his leg and the pension illustrate how the American state cultivates loyalty among soldiers through small material rewards, even for wars with questionable motives.
Is this poem anti-Southern, or is it more complicated than that?
It's a more complex issue. Lowell is aiming at the slave system and the moral cowardice that upholds it, rather than targeting Southern people as a whole. In his letter, Wilbur clearly expresses his uncertainty about how much of Sawin's account to trust, and the most striking parts of the poem highlight how Northern opportunism supports the Confederacy. However, the tar-and-feathering scene and the sections on Confederate finances are straightforward critiques of Southern institutions and the illusion of Southern honor.
What does Sawin mean when he says secession makes Jerusha an 'alien enemy' whose property he can confiscate?
He is using the logic of Confederate confiscation in relation to his own marriage. The Confederacy enacted laws that permitted the seizure of property owned by Union citizens. Sawin extends this idea to a ridiculous personal extreme: since his first wife Jerusha is now a citizen of a foreign nation (the Union), he believes he can legally strip her of her claim on him. Lowell illustrates that if secession is taken to its logical conclusion, it dissolves all human connections—such as marriage, debt, and obligation—and replaces them with a raw exercise of power.
Citation
Cite this poem
MLA
Lowell, James Russell. "Letter from the Reverend Homer Wilbur, M.a., Enclosing the Epistle." Storgy, https://storgy.com/poems/letter-from-the-reverend-homer-wilbur-m-a-enclosing-the-epistle-james-russell-lowell/.
APA
Lowell, J. R. (n.d.). Letter from the reverend homer wilbur, m.a., enclosing the epistle. Storgy. https://storgy.com/poems/letter-from-the-reverend-homer-wilbur-m-a-enclosing-the-epistle-james-russell-lowell/
Row A — Thesis
1 ptIn James Russell Lowell's 'Letter from the Reverend Homer Wilbur, M.A., Enclosing the Epistle,' the satirical frame of a pompous clergyman's preface and a vernacular soldier's confession work together to expose the self-serving mythology …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
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