The Annotated Edition
In Trouble and Shame by D. H. Lawrence
A speaker gazes at a sunset and envisions stepping through it like a doorway, shedding their body, shame, and pain like a traveler leaving behind their bags.
- Poet
- D. H. Lawrence
- Core theme
- Despair
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
I LOOK at the swaling sunset / And wish I could go also
Editor's note
The speaker observes a **swaling** sunset as it burns and fades, feeling an immediate pull toward it. The word "also" carries subtle weight here—it suggests that the light is leaving, and the speaker wishes to follow. This sunset isn't merely a beautiful view; it's a way out.
I wish that I could go / Through the red doors where I could put off
Editor's note
The sunset's colours solidify into a picture: **red doors** against a **black-purple bar** (the horizon). Lawrence piles up three burdens the speaker wishes to discard — shame, pain, and the body itself. The similes are relatable and calm: shame feels like shoes left on a porch, pain like an old coat. The body is described as "luggage of some departed traveller / Gone one knows not where" — the soul has already departed; the flesh is merely unclaimed baggage.
Then I would turn round, / And seeing my cast-off body lying like lumber,
Editor's note
The final three lines pack an emotional punch. The liberated self turns around, glances at the cast-off body — now just **lumber**, lifeless wood — and bursts into laughter. There’s no sorrow here, no heaviness. The laughter is key: freedom from shame and physical pain is envisioned as simple, genuine joy.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The sunset / red doors
- The sunset serves as both a literal event and a threshold — a gateway from the physical world. Describing it as **red doors** transforms a natural occurrence into an architectural passage, something you have the option to step through.
- The black-purple bar
- The dark line on the horizon serves as a wall between the world of the living and whatever lies beyond. It keeps the speaker away from the freedom they long for.
- Shoes and garments
- Shame and pain are portrayed as everyday clothing — items you can just leave at the door. This familiar setting makes the idea of letting go feel achievable instead of imaginary.
- Luggage of a departed traveller
- The body is like forgotten luggage, suggesting that the true self — the traveler — has already moved on. The physical form is secondary, not fundamental.
- Lumber
- Dead, useless wood. By the final stanza, the body has shifted from being luggage to mere lumber — reduced to something without purpose, left only to be discarded.
§06Form & structure
Form & structure
- Meter
- free verse
§07Historical context
Historical context
§08FAQ
Questions readers ask
Is this poem about wanting to die?
It's about seeking to escape pain and shame instead of a simple desire for death. The speaker envisions leaving the body behind like you would with luggage — emphasizing the relief of freedom rather than death itself. The last image is laughter, not sorrow.
What does 'swaling' mean?
Swaling is a dialect term from the English Midlands, where Lawrence grew up. It refers to burning or singeing, often in the context of controlled moorland fires. In this case, it captures the sunset as a self-consuming blaze, burning brightly.
What is the 'black-purple bar'?
It's the dark line on the horizon at sunset, the space in the sky between the fiery colors above and the earth below. Lawrence transforms it into a threshold or barrier—the thing that separates the speaker from the freedom that lies beyond.
Why does the speaker laugh at the end?
Because the release is envisioned as pure joy, not sadness. Seeing the body lying there like discarded wood — free from all the shame and pain it bore — the liberated self feels nothing but relief. The laughter captures the entire emotional essence of the poem.
What does 'shame' refer to in this poem?
Lawrence keeps things vague, and that choice seems intentional. It probably stems from his experience with tuberculosis, which was heavily stigmatized back then, but it also reflects a wider feeling of humiliation — the shame of being stuck in a body that’s suffering and failing, along with the potential backlash against his writing.
What is the structure and form of the poem?
The poem consists of three stanzas that vary in length and lacks a consistent rhyme scheme or meter—it's written in free verse. Lawrence employs repetition with phrases like "I wish" and "I could go" to convey a feeling of longing. As the poem progresses, the stanzas shorten, creating a sudden and impactful ending.
What collection is this poem from?
It was published in Amores (1916), which means "loves" in Latin. However, many of the poems in this collection explore themes of pain, loss, and emotional conflict just as much as they do love.
How does Lawrence use imagery in this poem?
He ties abstract feelings to very concrete, everyday objects: shoes left on a porch, clothes laid aside, a traveler’s luggage, a plank of lumber. This keeps the poem grounded and prevents it from drifting into vagueness or sentimentality. The contrast between these simple images and the expansive, blazing sunset creates tension in the poem.
Citation
Cite this poem
MLA
Lawrence, D. H. "In Trouble and Shame." Storgy, https://storgy.com/poems/in-trouble-and-shame-d-h-lawrence/.
APA
Lawrence, D. H. (n.d.). In trouble and shame. Storgy. https://storgy.com/poems/in-trouble-and-shame-d-h-lawrence/
Row A — Thesis
1 ptIn 'In Trouble and Shame,' D. H. Lawrence uses the speaker's longing to dissolve into the sunset as a vehicle for arguing that the body is not a home but a burden — a site of accumulated shame and pain from which the self desperately seeks …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
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