The Annotated Edition
Gay, Esq., Editor of the National Anti-Slavery Standard by James Russell Lowell
This poem is a satirical letter from a slippery political candidate who manages to answer every question while saying nothing at all.
- Core theme
- Freedom
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Dear Sir,--You wish to know my notions / On sartin pints thet rile the land;
Editor's note
The candidate starts off by expressing his straightforward honesty, asserting that he's blunt and not easily manipulated. This is ironic, as what follows suggests quite the opposite. His use of dialect spelling ("sartin," "thet") indicates that Lowell is adopting a folksy, relatable persona, which is just another form of political disguise.
So, to begin at the beginnin' / An' come direcly to the pint,
Editor's note
He claims he'll be direct, but then he hedges. He says the country's foundations are "out o' jint," yet he won't say who's to blame. The phrase "I jest let on I smell a rat" captures his approach perfectly: he suggests there’s wrongdoing without actually making any accusations. It comes off as daring while ultimately saying nothing.
Thet is, I mean, it seems to me so, / But, ef the public think I'm wrong,
Editor's note
Having just mentioned he suspects something's off, he quickly retracts that statement. He’s willing to go along with whatever the public believes. The claim about being "stiddier on the fence" than anyone else serves as the poem's main punchline, delivered plainly: he’s not pretending to be neutral; he’s *proud* of it. The fence is where he stands.
I'm an eclectic; ez to choosin' / 'Twixt this an' thet, I'm plaguy lawth;
Editor's note
"Eclectic" in this context implies a lack of strong convictions. He switches sides when one appears to be losing, yet holds onto both as long as the outcome remains uncertain. The stanza concludes with a jab at politicians who use the Constitution as an excuse for inaction—they shape their positions for maximum flexibility instead of sticking to principles.
Ez fer the war, I go agin it,-- / I mean to say I kind o' du,--
Editor's note
This stanza is the most pointed in the poem. He criticizes the Mexican-American War but quickly undermines his stance. While he states, "Abstract war is horrid," the lines "civilization does get forward / Sometimes upon a powder-cart" allow him to support the war in practice, even as he opposes it in theory. Lowell is targeting the same rhetorical maneuver that real politicians employed in the 1840s.
About thet darned Proviso matter / I never hed a grain o' doubt.
Editor's note
The Wilmot Proviso raised a critical debate about allowing slavery in territories acquired from Mexico. The candidate asserts he has a clear stance on the issue but instead responds to an unrelated topic: his opposition to a National Bank. This blatant deflection is almost comical. "Yes, Sir, I *am* agin a Bank" serves as the punchline to a clever evasion disguised as honesty.
Ez to the answerin' o' questions, / I'm an off ox at bein' druv,
Editor's note
An "off ox" refers to the one on the far side of a yoke, making it tougher to steer. The speaker claims he can't be easily influenced, but the stanza is actually about how he sidesteps making any clear commitments. His stance is "pooty gen'ally all round," a phrase that carries no real meaning and is designed to convey just that.
I don't appruve o' givin' pledges; / You'd ough' to leave a feller free,
Editor's note
He suggests that voters shouldn't count on candidates to keep their promises, presenting his own evasiveness as a form of civic virtue. The phrase "Ez long 'z the people git their rattle" (referring to their noise, their entertainment) implies he believes voters just want to feel acknowledged rather than actually receive anything of substance. It's a cynical statement wrapped in a folksy charm.
Ez to the slaves, there's no confusion / In _my_ idees consarnin' them,--
Editor's note
He insists he has perfect clarity on slavery, yet delivers a remarkable non-answer in the poem: "I think they air an Institution / A sort of--yes, jest so,--ahem." The italics and the "ahem" indicate he’s literally struggling to say the word. When questioned about whether he owns slaves, he deflects to the fact that he doesn’t drink — a complete non sequitur that reveals his fear of the question.
Ez to my princerples, I glory / In hevin' nothin' o' the sort;
Editor's note
The final stanza lays out the poem's main argument clearly: he has no principles and takes pride in that. He identifies as neither a Whig nor a Tory — just "jest a canderdate." The closing punchline, referring to him as a "peri-Wig" (a periwig, which is an old-fashioned powdered wig), connects his hollow politics to an image of outdated, performative respectability. The spelling play on "Whig" hits the satire spot on.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The fence
- Sitting on the fence serves as the poem's main symbol for political cowardice. The candidate doesn't merely accept fence-sitting — he takes pride in it, claiming that no one can sit "stiddier" than he does. The fence symbolizes a conscious choice to avoid taking a moral stance, especially regarding slavery.
- The nose
- "A nose that won't be led" opens the poem as a declaration of independence. However, a nose that "smells a rat" without identifying the rat is ineffective. The nose symbolizes the divide between the *appearance* of principled instinct and the reality of calculated evasion.
- The peri-Wig
- The closing pun reduces the candidate's identity to just a costume — a powdered wig that men of a past era wore to show status and authority. It implies that his entire political persona is merely a theatrical disguise, lacking substance. The Whig party pun directly connects this image to the empty party politics that Lowell critiques.
- The Constitution
- Invoked by "prudent statesman" as a place to "stand," the Constitution here serves not as a document of principles but rather as a rhetorical prop — a shield to hide behind while leaving all options open. Lowell illustrates how the language of civic virtue can be manipulated to dodge civic responsibility.
- The powder-cart
- "Civlyzation doos git forrid / Sometimes upon a powder-cart" is the candidate's way of supporting war while feigning opposition. The powder-cart, a vehicle loaded with explosive gunpowder, symbolizes the brutal truth of the Mexican-American War that genteel political language sought to disguise.
§06Historical context
Historical context
§07FAQ
Questions readers ask
What is this poem actually about?
It's a phony political letter crafted by a candidate who dodges every question with vague responses. Lowell is poking fun at the politicians of the 1840s who avoided taking a firm stance on slavery and the Mexican-American War, prioritizing their election prospects over doing what was right.
Why is it written in such strange spelling?
The dialect spelling captures the way rural New England Yankees speak. Lowell employed it throughout The Biglow Papers to craft a fictional character — a straightforward farmer — whose down-to-earth wisdom reveals the ridiculousness of refined political jargon. The misspellings are a purposeful literary choice, not errors.
What is the Wilmot Proviso, and why does the candidate dodge it?
The Wilmot Proviso was a proposed law aimed at banning slavery in any territory acquired by the U.S. from Mexico following the Mexican-American War. This topic stirred intense political debate in the late 1840s. The candidate avoids addressing it directly because a candid answer could alienate voters in both the North and the South. Instead, he shifts the conversation to a question about a National Bank — a classic political distraction.
Who is Sydney Howard Gay, and why is the poem dedicated to him?
Sydney Howard Gay was the editor of the National Anti-Slavery Standard, the newspaper for the American Anti-Slavery Society. Lowell dedicated the poem to him to show his support — Gay was a person who did take a clear stance against slavery, contrasting sharply with the evasive candidate that the poem critiques.
What does "peri-Wig" mean at the end?
It's a pun. A periwig is the big powdered wig that people wore in the 17th and 18th centuries—a costume piece that indicates status but lacks real substance. "Peri-Wig" also resembles "Whig," the name of the political party. Lowell suggests that the candidate's whole identity is just a costume, and that the Whig party is equally empty.
What is *The Biglow Papers* and where does this poem fit in it?
The Biglow Papers (First Series, 1848) is a collection of satirical poems that Lowell published in the Boston Courier before releasing them as a book. The poems are narrated by Hosea Biglow, a straightforward Yankee farmer, and include humorous editorial commentary from a fictional parson named Homer Wilbur. This particular poem is one of the "candidate letters," a recurring segment in which politicians provide self-defeating answers to voter inquiries.
Is Lowell being mean to ordinary rural people with the dialect writing?
No — quite the opposite. The dialect empowers the rural voice with authority and humor. The punchline is always on the politicians and the educated elite, never on the farmers. Hosea Biglow and his neighbors can see through the nonsense that the respectable press takes seriously. The dialect serves as a weapon directed upward, not downward.
What does the long prose preface have to do with the poem?
The preface, penned by the fictional editor Homer Wilbur, serves as a satire in its own way — a grandiose, meandering essay about human curiosity and the art of letter-writing that pokes fun at the self-important introductions typical of 19th-century publications. It sets up the punchline that the content to follow is a serious political document, while it’s really a clever exercise in avoiding directness. The humor lies in the stark contrast between the ornate presentation and the hollow substance.
Citation
Cite this poem
MLA
Lowell, James Russell. "Gay, Esq., Editor of the National Anti-Slavery Standard." Storgy, https://storgy.com/poems/gay-esq-editor-of-the-national-anti-slavery-standard-james-russell-lowell/.
APA
Lowell, J. R. (n.d.). Gay, esq., editor of the national anti-slavery standard. Storgy. https://storgy.com/poems/gay-esq-editor-of-the-national-anti-slavery-standard-james-russell-lowell/
Row A — Thesis
1 ptIn James Russell Lowell's satirical poem, the speaker's ostentatious evasions—his proud declaration that 'I'm a straight-spoken kind o' creetur' paired with every subsequent dodge—enact a central irony: the candidate's elaborate performance …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
- Common student errors
Available on any Storgy plan — model paragraphs, band callouts, and common student errors for every poem.
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Teaching materials and reference tools prepared for this poem.
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