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A THIRD LETTER FROM B. SAWIN, ESQ. by James Russell Lowell: Summary, Meaning & Analysis

James Russell Lowell

Birdofredum Sawin, a clumsy veteran of the Mexican-American War, writes home to explain why he’s stepping back from the presidential race and backing Zachary Taylor — mainly because Taylor is so ambiguous that anyone can project their own beliefs onto him.

The poem
[Upon the following letter slender comment will be needful. In what river Selemnus has Mr. Sawin bathed, that he has become so swiftly oblivious of his former loves? From an ardent and (as befits a soldier) confident wooer of that coy bride, the popular favor, we see him subside of a sudden into the (I trust not jilted) Cincinnatus, returning to his plough with a goodly sized branch of willow in his hand; figuratively returning, however, to a figurative plough, and from no profound affection for that honored implement of husbandry (for which, indeed, Mr. Sawin never displayed any decided predilection), but in order to be gracefully summoned therefrom to more congenial labors. It should seem that the character of the ancient Dictator had become part of the recognized stock of our modern political comedy, though, as our term of office extends to a quadrennial length, the parallel is not so minutely exact as could be desired. It is sufficiently so, however, for purposes of scenic representation. An humble cottage (if built of logs, the better) forms the Arcadian background of the stage. This rustic paradise is labelled Ashland, Jaalam, North Bend, Marshfield, Kinderhook, or Bâton Rouge, as occasion demands. Before the door stands a something with one handle (the other painted in proper perspective), which represents, in happy ideal vagueness, the plough. To this the defeated candidate rushes with delirious joy, welcomed as a father by appropriate groups of happy laborers, or from it the successful one is torn with difficulty, sustained alone by a noble sense of public duty. Only I have observed, that, if the scene be laid at Bâton Rouge or Ashland, the laborers are kept carefully in the backgrouud, and are heard to shout from behind the scenes in a singular tone resembling ululation, and accompanied by a sound not unlike vigorous clapping. This, however, may be artistically in keeping with the habits of the rustic population of those localities. The precise connection between agricultural pursuits and statesmanship I have not been able, after diligent inquiry, to discover. But, that my investigations may not be barren of all fruit, I will mention one curious statistical fact, which I consider thoroughly established, namely, that no real farmer ever attains practically beyond a seat in the General Court, however theoretically qualified for more exalted station. It is probable that some other prospect has been opened to Mr. Sawin, and that he has not made this great sacrifice without some definite understanding in regard to a seat in the cabinet or a foreign mission. It may be supposed that we of Jaalam were not untouched by a feeling of villatic pride in beholding our townsman occupying so large a space in the public eye. And to me, deeply revolving the qualifications necessary to a candidate in these frugal times, those of Mr. S. seemed peculiarly adapted to a successful campaign. The loss of a leg, an arm, an eye, and four fingers reduced him so nearly to the condition of a _vox et præterea nihil_ that I could think of nothing but the loss of his head by which his chance could have been bettered. But since he has chosen to balk our suffrages, we must content ourselves with what we can get, remembering _lactucas non esse dandas, dum cardui sufficiant_,--H.W.] I spose you recollect thet I explained my gennle views In the last billet thet I writ, 'way down frum Veery Cruze, Jest arter I'd a kin' o' ben spontanously sot up To run unannermously fer the Preserdential cup; O' course it worn't no wish o' mine, 'twuz ferflely distressin', But poppiler enthusiasm gut so almighty pressin' Thet, though like sixty all along I fumed an' fussed an' sorrered, There didn't seem no ways to stop their bringin' on me forrerd: Fact is, they udged the matter so, I couldn't help admittin' The Father o' his Country's shoes no feet but mine 'ould fit in, 10 Besides the savin' o' the soles fer ages to succeed, Seein' thet with one wannut foot, a pair'd be more 'n I need; An', tell ye wut, them shoes'll want a thund'rin sight o' patchin', Ef this ere fashion is to last we've gut into o' hatchin' A pair o' second Washintons fer every new election,-- Though, fer ez number one's consarned, I don't make no objection. I wuz agoin' on to say thet wen at fust I saw The masses would stick to 't I wuz the Country's father-'n-law, (They would ha' hed it _Father_, but I told 'em 'twouldn't du, Coz thet wuz sutthin' of a sort they couldn't split in tu, 20 An' Washinton hed hed the thing laid fairly to his door, Nor darsn't say 'tworn't his'n, much ez sixty year afore,) But 'taint no matter ez to thet; wen I wuz nomernated, 'Tworn't natur but wut I should feel consid'able elated, An' wile the hooraw o' the thing wuz kind o' noo an' fresh, I thought our ticket would ha' caird the country with a resh. Sence I've come hum, though, an' looked round, I think I seem to find Strong argimunts ez thick ez fleas to make me change my mind; It's clear to any one whose brain aint fur gone in a phthisis, Thet hail Columby's happy land is goin' thru a crisis, 30 An' 'twouldn't noways du to hev the people's mind distracted By bein' all to once by sev'ral pop'lar names attackted; 'Twould save holl haycartloads o' fuss an' three four months o' jaw, Ef some illustrous paytriot should back out an' withdraw; So, ez I aint a crooked stick, jest like--like ole (I swow, I dunno ez I know his name)--I'll go back to my plough. Wenever an Amerikin distinguished politishin Begins to try et wut they call definin' his posishin, Wal, I, fer one, feel sure he ain't gut nothin' to define; It's so nine cases out o' ten, but jest thet tenth is mine; 40 An' 'taint no more 'n proper 'n' right in sech a sitooation To hint the course you think'll be the savin' o' the nation; To funk right out o' p'lit'cal strife aint thought to be the thing, Without you deacon off the toon you want your folks should sing; So I edvise the noomrous friends thet's in one boat with me To jest up killick, jam right down their hellum hard alee, Haul the sheets taut, an', layin' out upon the Suthun tack, Make fer the safest port they can, wich, _I_ think, is Ole Zack. Next thing you'll want to know, I spose, wut argimunts I seem To see thet makes me think this ere'll be the strongest team; 50 Fust place, I've ben consid'ble round in bar-rooms an' saloons Agetherin' public sentiment, 'mongst Demmercrats and Coons, An' 'taint ve'y offen thet I meet a chap but wut goes in Fer Rough an' Ready, fair an' square, hufs, taller, horns, an' skin; I don't deny but wut, fer one, ez fur ez I could see, I didn't like at fust the Pheladelphy nomernee: I could ha' pinted to a man thet wuz, I guess, a peg Higher than him,--a soger, tu, an' with a wooden leg; But every day with more an' more o' Taylor zeal I'm burnin', Seein' wich way the tide thet sets to office is aturnin'; 60 Wy, into Bellers's we notched the votes down on three sticks,-- 'Twuz Birdofredum _one_, Cass _aught_ an Taylor _twenty-six_, An' bein' the on'y canderdate thet wuz upon the ground, They said 'twuz no more 'n right thet I should pay the drinks all round; Ef I'd expected sech a trick, I wouldn't ha' cut my foot By goin' an' votin' fer myself like a consumed coot; It didn't make no deff'rence, though; I wish I may be cust, Ef Bellers wuzn't slim enough to say he wouldn't trust! Another pint thet influences the minds o' sober jedges Is thet the Gin'ral hezn't gut tied hand an' foot with pledges; 70 He hezn't told ye wut he is, an' so there aint no knowin' But wut he may turn out to be the best there is agoin'; This, at the on'y spot thet pinched, the shoe directly eases, Coz every one is free to 'xpect percisely wut he pleases: I want free-trade; you don't; the Gin'ral isn't bound to neither;-- I vote my way; you, yourn; an' both air sooted to a T there. Ole Rough an' Ready, tu, 's a Wig, but without bein' ultry; He's like a holsome hayin' day, thet's warm, but isn't sultry; He's jest wut I should call myself, a kin' of _scratch_ ez 'tware, Thet aint exacly all a wig nor wholly your own hair; 80 I 've ben a Wig three weeks myself, jest o' this mod'rate sort, An' don't find them an' Demmercrats so defferent ez I thought; They both act pooty much alike, an' push an' scrouge an' cus; They're like two pickpockets in league fer Uncle Samwells pus; Each takes a side, an' then they squeeze the ole man in between 'em, Turn all his pockets wrong side out an' quick ez lightnin' clean 'em; To nary one on 'em I'd trust a secon'-handed rail No furder off 'an I could sling a bullock by the tail. Webster sot matters right in thet air Mashfiel' speech o' his'n; 'Taylor,' sez he, 'aint nary ways the one thet I'd a chizzen, 90 Nor he aint fittin' fer the place, an' like ez not he aint No more 'n a tough ole bullethead, an' no gret of a saint; But then,' sez he, 'obsarve my pint, he's jest ez good to vote fer Ez though the greasin' on him worn't a thing to hire Choate fer; Aint it ez easy done to drop a ballot in a box Fer one ez 'tis fer t'other, fer the bull-dog ez the fox?' It takes a mind like Dannel's, fact, ez big ez all ou' doors, To find out thet it looks like rain arter it fairly pours; I 'gree with him, it aint so dreffle troublesome to vote Fer Taylor arter all,--it's jest to go an' change your coat; 100 Wen he's once greased, you'll swaller him an' never know on 't, scurce, Unless he scratches, goin' down, with them 'ere Gin'ral's spurs. I've ben a votin' Demmercrat, ez reg'lar as a clock, But don't find goin' Taylor gives my narves no gret 'f a shock; Truth is, the cutest leadin' Wigs, ever sence fust they found Wich side the bread gut buttered on, hev kep' a edgin' round; They kin' o' slipt the planks frum out th' ole platform one by one An' made it gradooally noo, 'fore folks khow'd wut wuz done, Till, fur 'z I know, there aint an inch thet I could lay my han' on, But I, or any Demmercrat, feels comf'table to stan' on, 110 An' ole Wig doctrines act'lly look, their occ'pants bein' gone, Lonesome ez steddies on a mash without no hayricks on. I spose it's time now I should give my thoughts upon the plan, Thet chipped the shell at Buffalo, o' settin' up ole Van. I used to vote fer Martin, but, I swan, I'm clean disgusted,-- He aint the man thet I can say is fittin' to be trusted; He aint half antislav'ry 'nough, nor I aint sure, ez some be, He'd go in fer abolishin' the Deestrick o' Columby; An', now I come to recollec', it kin' o' makes me sick 'z A horse, to think o' wut he wuz in eighteen thirty-six. 120 An' then, another thing;--I guess, though mebby I am wrong, This Buff'lo plaster aint agoin' to dror almighty strong; Some folks, I know, hev gut th' idee thet No'thun dough'll rise, Though, 'fore I see it riz an 'baked, I wouldn't trust my eyes; 'Twill take more emptins, a long chalk, than this noo party's gut, To give sech heavy cakes ez them a start, I tell ye wut. But even ef they caird the day, there wouldn't be no endurin' To stan' upon a platform with sech critters ez Van Buren;-- An' his son John, tu, I can't think how thet 'ere chap should dare To speak ez he doos; wy, they say he used to cuss an' swear! 130 I spose he never read the hymn thet tells how down the stairs A feller with long legs wuz throwed thet wouldn't say his prayers. This brings me to another pint: the leaders o' the party Aint jest sech men ez I can act along with free an' hearty; They aint not quite respectable, an' wen a feller's morrils Don't toe the straightest kin' o' mark, wy, him an' me jest quarrils. I went to a free soil meetin' once, an' wut d'ye think I see? A feller was aspoutin' there thet act'lly come to me, About two year ago last spring, ez nigh ez I can jedge, An' axed me ef I didn't want to sign the Temprunce pledge! 140 He's one o' them that goes about an' sez you hedn't oughter Drink nothin', mornin', noon, or night, stronger 'an Taunton water. There's one rule I've ben guided by, in settlin' how to vote, ollers,-- I take the side thet _isn't_ took by them consarned teetotallers. Ez fer the niggers, I've ben South, an' thet hez changed my min'; A lazier, more ongrateful set you couldn't nowers fin', You know I mentioned in my last thet I should buy a nigger, Ef I could make a purchase at a pooty mod'rate figger; So, ez there's nothin' in the world I'm fonder of 'an gunnin', I closed a bargain finally to take a feller runnin'. 150 I shou'dered queen's-arm an' stumped out, an' wen I come t' th' swamp, 'Tworn't very long afore I gut upon the nest o' Pomp; I come acrost a kin' o' hut, an', playin' round the door, Some little woolly-headed cubs, ez many 'z six or more. At fust I thought o' firin', but _think twice_ is safest ollers; There aint, thinks I, not one on 'em but's wuth his twenty dollars, Or would be, ef I hed 'em back into a Christian land,-- How temptin' all on 'em would look upon an auction-stand! (Not but wut _I_ hate Slavery, in th' abstract, stem to starn,-- I leave it ware our fathers did, a privit State consarn.) 160 Soon 'z they see me, they yelled an' run, but Pomp wuz out ahoein' A leetle patch o' corn he hed, or else there aint no knowin' He wouldn't ha' took a pop at me; but I hed gut the start, An' wen he looked, I vow he groaned ez though he'd broke his heart; He done it like a wite man, tu, ez nat'ral ez a pictur, The imp'dunt, pis'nous hypocrite! wus 'an a boy constrictur. 'You can't gum _me_, I tell ye now, an' so you needn't try, I 'xpect my eye-teeth every mail, so jest shet up,' sez I. 'Don't go to actin' ugly now, or else I'll let her strip, You'd best draw kindly, seein' 'z how I've gut ye on the hip; 170 Besides, you darned ole fool, it aint no gret of a disaster To be benev'lently druv back to a contented master, Ware you hed Christian priv'ledges you don't seem quite aware on, Or you'd ha' never run away from bein' well took care on; Ez fer kin' treatment, wy, he wuz so fond on ye, he said, He'd give a fifty spot right out, to git ye, 'live or dead; Wite folks aint sot by half ez much; 'member I run away, Wen I wuz bound to Cap'n Jakes, to Mattysqumscot Bay; Don' know him, likely? Spose not; wal, the mean old codger went An' offered--wut reward, think? Wal, it worn't no _less_ 'n a cent.' 180 Wal, I jest gut 'em into line, an' druv 'em on afore me; The pis'nous brutes, I'd no idee o' the ill-will they bore me; We walked till som'ers about noon, an' then it grew so hot I thought it best to camp awile, so I chose out a spot Jest under a magnoly tree, an' there right down I sot; Then I unstrapped my wooden leg, coz it begun to chafe, An' laid it down 'longside o' me, supposin' all wuz safe; I made my darkies all set down around me in a ring, An' sot an' kin' o' ciphered up how much the lot would bring; But, wile I drinked the peaceful cup of a pure heart an' min' 190 (Mixed with some wiskey, now an' then), Pomp he snaked up behin', An' creepin' grad'lly close tu, ez quiet ez a mink, Jest grabbed my leg, an' then pulled foot, quicker 'an you could wink, An', come to look, they each on' em hed gut behin' a tree, An' Pomp poked out the leg a piece, jest so ez I could see, An' yelled to me to throw away my pistils an' my gun, Or else thet they'd cair off the leg, an' fairly cut an' run. I vow I didn't b'lieve there wuz a decent alligatur Thet hed a heart so destitoot o' common human natur; However, ez there worn't no help, I finally give in 200 An' heft my arms away to git my leg safe back agin. Pomp gethered all the weapins up, an' then he come an' grinned, He showed his ivory some, I guess, an' sez, 'You're fairly pinned; Jest buckle on your leg agin, an' git right up an' come, 'T wun't du fer fammerly men like me to be so long frum hum.' At fust I put my foot right down an' swore I wouldn't budge. 'Jest ez you choose,' sez he, quite cool, 'either be shot or trudge.' So this black-hearted monster took an' act'lly druv me back Along the very feetmarks o' my happy mornin' track, An' kep' me pris'ner 'bout six months, an' worked me, tu, like sin, 210 Till I hed gut his corn an' his Carliny taters in; He made me larn him readin', tu (although the crittur saw How much it hut my morril sense to act agin the law), So'st he could read a Bible he'd gut; an' axed ef I could pint The North Star out; but there I put his nose some out o' jint, Fer I weeled roun' about sou'west, an', lookin' up a bit, Picked out a middlin' shiny one an' tole him thet wuz it. Fin'lly he took me to the door, an' givin' me a kick, Sez, 'Ef you know wut's best fer ye, be off, now, double-quick; The winter-time's a comin' on, an' though I gut ye cheap, 220 You're so darned lazy, I don't think you're hardly woth your keep; Besides, the childrin's growin' up, an' you aint jest the model I'd like to hev 'em immertate, an' so you'd better toddle!' Now is there anythin' on airth'll ever prove to me Thet renegader slaves like him air fit fer bein' free? D' you think they'll suck me in to jine the Buff'lo chaps, an' them Rank infidels thet go agin the Scriptur'l cus o' Shem? Not by a jugfull! sooner 'n thet, I'd go thru fire an' water; Wen I hev once made up my mind, a meet'nhus aint sotter; 229 No, not though all the crows thet flies to pick my bones wuz cawin',-- I guess we're in a Christian land,-- Yourn,

Public domain · sourced from Project Gutenberg

Quick summary
Birdofredum Sawin, a clumsy veteran of the Mexican-American War, writes home to explain why he’s stepping back from the presidential race and backing Zachary Taylor — mainly because Taylor is so ambiguous that anyone can project their own beliefs onto him. In his letter, Sawin shares a botched attempt to capture an enslaved man named Pomp, which ends with Sawin being captured himself, forced into labor, and eventually dismissed for being too lazy. Lowell uses Sawin's thick dialect and self-serving reasoning to critique American political cynicism, pro-slavery justifications, and the empty spectacle of electoral democracy.
Themes

Line-by-line

I spose you recollect thet I explained my gennle views / In the last billet thet I writ, 'way down frum Veery Cruze,
Sawin begins by reminding us that he's previously written from Veracruz (during the Mexican War) about his 'spontaneous' run for president. His self-deprecating humor is heavy; he acts like he was reluctantly pulled into the race, despite his vanity being clear in every line. The misspellings and dialect spelling ('spose,' 'thet,' 'gennle') instantly indicate that Lowell is channeling a specific type of loud, semi-literate American political voice.
Fact is, they udged the matter so, I couldn't help admittin' / The Father o' his Country's shoes no feet but mine 'ould fit in,
Sawin genuinely compares himself to George Washington — the 'Father of his Country.' Lowell's satire hits hardest in this moment: the difference between Washington's greatness and Sawin's is vast, yet Sawin is oblivious to it. The joke about needing just one shoe because he lost a leg in the war is darkly humorous, contrasting the inflated self-image with a stark reminder of the true cost of the war that Sawin has already overlooked.
I wuz agoin' on to say thet wen at fust I saw / The masses would stick to 't I wuz the Country's father-'n-law,
Sawin opts for 'father-in-law' of the country instead of 'father,' since Washington has already claimed that title. Here, Lowell is poking fun at the entire process of turning war heroes into presidential candidates — a clear dig at the Zachary Taylor campaign, which was doing just that in 1848. This stanza highlights how candidates are shaped more by public excitement than by real qualifications.
Sence I've come hum, though, an' looked round, I think I seem to find / Strong argimunts ez thick ez fleas to make me change my mind;
Sawin announces he’s stepping back from the race, presenting it as a noble self-sacrifice for the nation’s benefit. However, as the editor’s preface suggests, the truth is that he’s been promised something in return — perhaps a cabinet position or a foreign assignment. Lowell is taking aim at the typical act of the 'reluctant' politician who bows out while secretly negotiating for a better offer.
Next thing you'll want to know, I spose, wut argimunts I seem / To see thet makes me think this ere'll be the strongest team;
Sawin shares his reasons for supporting Zachary Taylor, affectionately nicknamed 'Ole Rough an' Ready.' First, he cites a bar-room poll, noting he's been talking to folks in saloons. His second, more telling point is that Taylor hasn't made any promises or taken firm positions, which allows voters to envision him however they please. Lowell identifies a persistent issue in democratic politics: the allure of the blank-slate candidate.
Another pint thet influences the minds o' sober jedges / Is thet the Gin'ral hezn't gut tied hand an' foot with pledges;
This is the satirical core of the poem. Sawin praises Taylor specifically *because* he stands for nothing. The reasoning — 'I want free trade, you don't, and he hasn't taken a stance, so we're both satisfied' — is framed as wisdom. Lowell illustrates how ambiguity turns into a political asset and how voters participate in their own deception.
Webster sot matters right in thet air Mashfiel' speech o' his'n; / 'Taylor,' sez he, 'aint nary ways the one thet I'd a chizzen,
Sawin references Daniel Webster's well-known Marshfield speech, where Webster — despite deeming Taylor unfit — encouraged his supporters to vote for him regardless. Lowell's Sawin sees this as brilliant. The satire is sharp: Webster, one of America's most revered speakers, is depicted as someone who convinces himself to support a candidate he openly calls a 'bullethead.' Sawin's respect for this logic highlights how completely party loyalty has supplanted principle.
I spose it's time now I should give my thoughts upon the plan, / Thet chipped the shell at Buffalo, o' settin' up ole Van.
Sawin turns to Martin Van Buren, the Free Soil Party candidate nominated at the Buffalo convention. His objections reveal a stunning lack of sincerity: Van Buren isn't anti-slavery *enough*, yet Sawin clearly doesn't care about slavery at all. His true objection comes to light quickly — a Free Soil speaker once asked him to sign a temperance pledge. Lowell illustrates how voters disguise trivial personal grievances as noble political stances.
Ez fer the niggers, I've ben South, an' thet hez changed my min'; / A lazier, more ongrateful set you couldn't nowers fin',
The poem features its most unsettling and significant section. Sawin recounts the pursuit of an enslaved man named Pomp, framing it in terms of sport ('gunnin'') and commerce (calculating the auction value of Pomp's children). Lowell presents Sawin with every pro-slavery justification of the time — paternalism, Biblical arguments, and the notion that enslaved individuals are 'ungrateful' — allowing these views to expose their own contradictions through the speaker's ignorance. The remark 'Not but wut I hate Slavery, in th' abstract' sharply critiques Northern complicity.
Wal, I jest gut 'em into line, an' druv 'em on afore me; / The pis'nous brutes, I'd no idee o' the ill-will they bore me;
The tables turn: Pomp outsmarts Sawin, steals his wooden leg, and holds him hostage until Sawin gives up his weapons. This twist is both funny and sharp — the man who intended to enslave others ends up doing forced labor for six months. Lowell makes the irony clear: Sawin is treated just as he planned to treat Pomp, and he sees it as monstrous.
Pomp gethered all the weapins up, an' then he come an' grinned, / He showed his ivory some, I guess, an' sez, 'You're fairly pinned;
Pomp's dialogue is dignified and calm, which sharply contrasts with Sawin's bluster. He refers to himself as a "family man" with responsibilities, echoing the same domestic language Sawin used to justify his recapture. Lowell portrays Pomp as having the moral high ground without sentimentalizing him; Pomp is simply competent, rational, and able to act freely in ways that Sawin cannot understand.
He made me larn him readin', tu (although the crittur saw / How much it hut my morril sense to act agin the law),
Sawin has to teach Pomp to read — which is against slave codes — and help him locate the North Star for navigation. When Sawin tries to undermine this by pointing to the wrong star, it reveals a small, petty act of defiance that Lowell uses to demonstrate that Sawin's character remains unchanged. The 'morril sense' that Sawin talks about is purely for his own benefit; he doesn’t actually oppose slavery, just the personal inconvenience it causes him.
Now is there anythin' on airth'll ever prove to me / Thet renegader slaves like him air fit fer bein' free?
Sawin concludes that Pomp's intelligence, courage, and self-sufficiency indicate he is *unfit* for freedom, which serves as the poem's final, harsh irony. Each quality Pomp displayed—strategic thinking, leadership, literacy, and devotion to family—is twisted by Sawin into proof of dangerous insubordination. Lowell prompts the reader to connect the dots: these are precisely the attributes that not only make freedom attainable but also warranted.

Tone & mood

The tone is mainly comedic but carries a cold edge beneath. Lowell adopts the voice of a braggart and fool, delivering plenty of slapstick—just look at the wooden-leg heist, which is downright farcical. Yet, the comedy never allows the reader to relax completely, as the targets are serious: the 1848 election, the Mexican War, and especially the North's readiness to accept slavery as long as it remained hidden. The dialect spelling adds a lightness on the surface, but the content darkens with each stanza. By the end, the humor has soured into something that feels more like an indictment.

Symbols & metaphors

  • The wooden legSawin lost his leg in the Mexican War, and Lowell uses it throughout the *Biglow Papers* to highlight the genuine human cost of imperial ventures — a cost that Sawin himself seems to have forgotten as he promotes the next conflict. When Pomp steals the leg, it transforms into a symbol of liberation: the very instrument of Sawin's military pride is turned against him.
  • The ploughSawin's 'return to the plough' refers to the Roman ideal of Cincinnatus — the citizen-soldier who relinquishes power to go back to farming. However, Lowell's editor-narrator quickly deflates this notion: Sawin possesses neither a plough nor a farm, and he shows no genuine appreciation for hard work. The plough is merely a piece of political theater, a prop in the act of pretending to embrace civic virtue.
  • Ole Rough an' Ready (Zachary Taylor)Taylor embodies the concept of the blank-slate candidate — a figure whose charm lies in not having defined positions. He illustrates how democratic politics can confuse ambiguity with strength and fame with competence.
  • The North StarWhen Pomp asks Sawin to identify the North Star — the guiding star that freedom-seekers relied on during their journey on the Underground Railroad — Sawin intentionally leads him astray. The North Star represents freedom and self-determination in the poem, and Sawin's deception is his final effort to exert control.
  • The bar-room pollSawin's approach to measuring public opinion—canvassing saloons—reflects a distortion of democratic deliberation. According to Lowell, public sentiment is shaped in environments filled with misinformation and distractions, and this is then wrongly perceived as the people's will.
  • Pomp's childrenThe 'woolly-headed cubs' Sawin meets at the hut's door are quickly given dollar values. This reflects the dehumanizing logic of slavery boiled down to its economic essence. The fact that Sawin makes this calculation instinctively—despite claiming to despise slavery 'in the abstract'—highlights Lowell's strongest critique of Northern complicity.

Historical context

James Russell Lowell published the *Biglow Papers* (First Series) from 1846 to 1848, initially in the *Boston Courier*. He wrote it as a satirical response to the Mexican-American War and the spread of slavery into new territories. The character Birdofredum Sawin—a Massachusetts soldier who goes to Mexico, loses several limbs, and returns morally hollow—serves as Lowell's way of critiquing American militarism and the self-deception of Northern voters who opposed slavery in principle but did nothing to change it in practice. This third letter appears during the 1848 presidential campaign, when the Whig Party nominated General Zachary Taylor (a slaveholder with no clear political stance), the Democrats nominated Lewis Cass, and the new Free Soil Party put forth former president Martin Van Buren. As a committed abolitionist, Lowell used the poem to challenge all three candidates and to highlight the cynicism of figures like Daniel Webster, who supported Taylor despite deeming him unfit. The dialect spelling throughout is intentional; Lowell aimed to argue that authentic American speech deserves a place in serious literature.

FAQ

Sawin is a completely fictional character — a comic invention by Lowell for the *Biglow Papers*. He’s portrayed as a farm boy from Massachusetts who signed up for the Mexican-American War, lost a leg, an arm, an eye, and several fingers, and returned home with his politics confused, while his morals exist only in his imagination. Lowell uses Sawin as a satirical voice: every statement he makes aims to highlight the faulty reasoning and moral cowardice found in a particular type of American voter.

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