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A BALLAD by James Russell Lowell

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A king inquires with his three daughters about the gifts they desire from a grand fair.

Poet
James Russell Lowell
Themes
art, beauty, love
The PoemFull text

A BALLAD

James Russell Lowell

I 'What fairings will ye that I bring?' Said the King to his daughters three; 'For I to Vanity Fair am bound, Now say what shall they be?' Then up and spake the eldest daughter, That lady tall and grand: 'Oh, bring me pearls and diamonds great, And gold rings for my hand.' Thereafter spake the second daughter, That was both white and red: 10 'For me bring silks that will stand alone, And a gold comb for my head.' Then came the turn of the least daughter, That was whiter than thistle-down, And among the gold of her blithesome hair Dim shone the golden crown. 'There came a bird this morning, And sang 'neath my bower eaves, Till I dreamed, as his music made me, "Ask thou for the Singing Leaves."' 20 Then the brow of the King swelled crimson With a flush of angry scorn: 'Well have ye spoken, my two eldest, And chosen as ye were born; 'But she, like a thing of peasant race, That is happy binding the sheaves;' Then he saw her dead mother in her face, And said, 'Thou shalt have thy leaves.' II He mounted and rode three days and nights Till he came to Vanity Fair, 30 And 'twas easy to buy the gems and the silk, But no Singing Leaves were there. Then deep in the greenwood rode he, And asked of every tree, 'Oh, if you have ever a Singing Leaf, I pray you give it me!' But the trees all kept their counsel, And never a word said they, Only there sighed from the pine-tops A music of seas far away. 40 Only the pattering aspen Made a sound of growing rain, That fell ever faster and faster, Then faltered to silence again. 'Oh, where shall I find a little foot-page That would win both hose and shoon, And will bring to me the Singing Leaves If they grow under the moon?' Then lightly turned him Walter the page, By the stirrup as he ran: 50 'Now pledge you me the truesome word Of a king and gentleman, 'That you will give me the first, first thing You meet at your castle-gate, And the Princess shall get the Singing Leaves, Or mine be a traitor's fate.' The King's head dropt upon his breast A moment, as it might be; 'Twill be my dog, he thought, and said, 'My faith I plight to thee.' 60 Then Walter took from next his heart A packet small and thin, 'Now give you this to the Princess Anne, The Singing Leaves are therein.'

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

A king inquires with his three daughters about the gifts they desire from a grand fair. The two older daughters request jewels and luxurious clothing, while the youngest expresses a wish for something enigmatic known as the "Singing Leaves." The king feels a bit embarrassed by her peculiar request, but her likeness to her late mother tugs at his heartstrings, leading him to promise he will seek them out. Despite his efforts, he can't purchase them at the fair or locate them in the woods. However, his page Walter makes a deal: he will bring the Singing Leaves in return for the first thing the king encounters at his castle gate.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. 'What fairings will ye that I bring?' / Said the King to his daughters three;

    Editor's note

    The king is on his way to "Vanity Fair" — a marketplace that also symbolizes shallow worldly pleasures — and he asks his three daughters what gifts they would like. This setup echoes a classic fairy-tale beginning: three daughters, a father about to leave, and a test of character wrapped in a straightforward question.

  2. Then up and spake the eldest daughter, / That lady tall and grand:

    Editor's note

    The eldest daughter requests pearls, diamonds, and gold rings. Described as "tall and grand," she embodies pride and social ambition. Her request focuses solely on status and appearance.

  3. Thereafter spake the second daughter, / That was both white and red:

    Editor's note

    The second daughter desires fine silks and a gold comb. The phrase "white and red" was a common expression for traditional beauty in medieval and Renaissance poetry. Similar to her sister, she prefers items that are visually impressive to others.

  4. Then came the turn of the least daughter, / That was whiter than thistle-down,

    Editor's note

    The youngest daughter is portrayed with imagery that feels natural and delicate instead of grand. Her crown rests softly in her golden hair — she carries her royal status lightly, almost oblivious to it. This intentional contrast with her sisters distinguishes her as the poem's moral center.

  5. 'There came a bird this morning, / And sang 'neath my bower eaves,

    Editor's note

    The youngest daughter shares that a bird's song sparked her idea to ask for the Singing Leaves. Her wish stems from a dream fueled by music, rather than ambition or vanity. This shows she is someone who pays attention to the world instead of seeking to impress it.

  6. Then the brow of the King swelled crimson / With a flush of angry scorn:

    Editor's note

    The king’s anger is telling. He commends the older daughters for requesting things appropriate for their status, while he brushes off the youngest's desire as something a peasant girl would want. His disdain stems from concerns about social norms — he feels ashamed that his daughter asked for something he can't just purchase. However, when he notices his deceased wife’s features in her face, his anger fades.

  7. He mounted and rode three days and nights / Till he came to Vanity Fair,

    Editor's note

    The king can easily buy gems and silk for his older daughters, but the Singing Leaves aren't available in any market. This signals early in the poem that what the youngest daughter asked for belongs to a different realm altogether — it's something that can't be bought.

  8. Then deep in the greenwood rode he, / And asked of every tree,

    Editor's note

    The king rides into the forest and directly asks the trees for a Singing Leaf. The trees remain quiet, but the pine-tops sigh with "a music of seas far away," while the aspens rustle like rain. Nature answers, but not with words — it shares its own melody, not the item he desires.

  9. 'Oh, where shall I find a little foot-page / That would win both hose and shoon,

    Editor's note

    Frustrated, the king calls out for a page who is willing to search for the Singing Leaves in exchange for clothing—a modest reward. Walter the page steps forward and offers a deal: the king must promise to give him the first thing he encounters at the castle gate when he returns.

  10. The King's head dropt upon his breast / A moment, as it might be;

    Editor's note

    The king hesitates, but in his heart, he figures the first thing he’ll encounter will be his dog. He agrees to the deal. This moment of self-deception is a classic fairy-tale trope — the character makes a promise while trying to escape its true consequences. The reader can sense that the price will be more than just a dog.

  11. Then Walter took from next his heart / A packet small and thin,

    Editor's note

    Walter creates the Singing Leaves from a place of personal connection — a detail that suggests they hold deep meaning for him. He has had them from the beginning. The leaves are meant to be passed on to Princess Anne, and the poem concludes here, leaving the outcome of the bargain open-ended and the true nature of the leaves unclear.

§04Tone & mood

How this poem feels

The tone is warm and storytelling, reminiscent of a ballad sung by firelight. It flows with the easy confidence of folk tradition — short lines, a steady beat, and a realm where kings ride into enchanted forests without much fuss. A gentle moral undercurrent runs through it: the poem quietly admires the youngest daughter's whimsical wish without ever preaching. The king's anger and self-deception are handled with a light touch, almost affectionately. The overall feeling is one of wonder wrapped in a simple, rolling rhythm.

§05Symbols & metaphors

Symbols & metaphors

The Singing Leaves
The core mystery of the poem. You won't find them for sale at Vanity Fair or by simply asking the forest. They appear to symbolize something greater than material worth — perhaps beauty, art, or a type of truth that only those who truly listen (like the youngest daughter, who heard the bird) might even consider seeking.
Vanity Fair
Borrowed from John Bunyan's *Pilgrim's Progress*, this marketplace offers a place where all worldly goods can be purchased. The absence of the Singing Leaves there clearly indicates their nature: they belong to a different, higher realm of existence.
The bird and its song
The bird singing outside the youngest daughter's window inspires her wish. It ties her to nature and to something instinctual, something she hasn’t been taught. While her older sisters' desires stem from social ambition, hers arise from simply listening.
The dead mother's face
When the king sees his deceased wife's face in his youngest daughter, his anger fades away. The mother's essence — reflected in the child — is what eases his heart and compels him to honor his promise. It connects the youngest daughter to love, loss, and a kindness the king once cherished.
The forest
The greenwood lies just beyond the marketplace, a place untouched by ordinary commerce. The trees may not speak, but they express themselves through music — the sighs of pines and the gentle patter of aspen leaves. This forest is where the Singing Leaves could be found, though they can’t just be plucked from a branch.
Walter's packet, kept next to his heart
The Singing Leaves hold a special place in Walter's heart, indicating their value as something personal. This detail shows that the leaves are more than just something to trade; they carry deep feelings, highlighting that Walter's role in this story is much more than just that of a simple errand-boy.

§06Historical context

Historical context

James Russell Lowell wrote this ballad in the mid-1800s, when American poets were captivated by medieval European styles. The literary ballad—a crafted poem that mimics the feel of traditional oral folk ballads—gained popularity across the Atlantic, especially after the success of collections like Percy's *Reliques* and Scott's *Minstrelsy of the Scottish Border*. At that time, Lowell was a Harvard professor, an abolitionist, and one of America's most notable literary figures. "A Ballad" incorporates fairy-tale elements—the three daughters, the leaving king, and the impossible quest—that his readers would have recognized right away. The term "Vanity Fair" directly references John Bunyan's 1678 allegory *The Pilgrim's Progress*, a work familiar to any educated Victorian. This poem appeared as part of a longer narrative, with this excerpt showcasing just the first two cantos of a larger story.

§07FAQ

Questions readers ask

The poem doesn't fully explain them, and that's intentional. They can't be purchased at Vanity Fair or discovered by just asking the forest. The most straightforward interpretation is that they symbolize art, beauty, or spiritual truth — the kind of things that only someone who truly pays attention (like the youngest daughter, who heard the bird) would even desire. Walter keeps them close to his heart, implying they hold significant personal value.

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