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The Annotated Edition

To Daffodils by Robert Herrick

Summary, meaning, line-by-line analysis & FAQ.

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A speaker observes daffodils wilting and pleads with them to linger a bit longer — only to realize that humans fade just as quickly.

Core theme
Mortality
The PoemFull text

To Daffodils

Robert Herrick

Fair daffodils, we weep to see You haste away so soon; As yet the early-rising sun Has not attain'd his noon. Stay, stay, Until the hasting day Has run But to the evensong; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a spring; As quick a growth to meet decay, As you, or anything. We die, As your hours do, and dry Away, Like to the summer's rain; Or as the pearls of morning's dew, Ne'er to be found again.

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

A speaker observes daffodils wilting and pleads with them to linger a bit longer — only to realize that humans fade just as quickly. The poem reflects on the brevity of life, using the flowers to highlight our own mortality. By the end, the speaker isn't just lamenting the daffodils; instead, they’re grieving the reality that we all vanish without leaving a mark.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. Fair daffodils, we weep to see / You haste away so soon;

    Editor's note

    The speaker speaks to the daffodils with a sense of sadness over their fleeting beauty. The term "haste" introduces the poem's main concern: time flies by too quickly. It's important to note the use of "we" instead of "I" — Herrick includes all of humanity in this shared experience of loss. The sun hasn’t even hit noon yet, emphasizing how short-lived the flowers' bloom truly is.

  2. We have short time to stay, as you, / We have as short a spring;

    Editor's note

    Here the poem shifts focus from the flowers to us. The daffodils were never merely daffodils — they served as a warm-up for this confession. "As short a spring" resonates on two levels: the season and the springtime of human life. The stanza culminates in "We die," two stark words standing alone on their own line, impossible to soften or overlook. The final images — summer rain, morning dew — are lovely yet fleeting, which is precisely the point.

§04Tone & mood

How this poem feels

The tone is tender and mournful, yet avoids melodrama. Herrick addresses the flowers as one might talk to a friend who's departing too soon — with heartfelt sadness and a quiet acceptance that the situation is beyond our control. The rhythm has a soft, hymn-like quality that creates a sense of shared grief, as if all of humanity is sighing in unison.

§05Symbols & metaphors

Symbols & metaphors

Daffodils
The daffodils represent human life. They bloom vibrantly and fade quickly, serving as a natural symbol for how short our time on earth is. Herrick doesn't need to explain this — by the second stanza, the comparison is clear.
Morning dew
Dew appears when you wake up and vanishes before the day really starts. As a final image, it encapsulates the poem's main point: life is genuine and beautiful, yet it fades away without a trace.
Summer's rain
A summer rain shower is short, refreshing, and easily forgotten. Herrick uses this imagery to imply that human lives, though vibrant during their time, don't leave a lasting impact on the world.
Evensong
Evensong is the evening prayer service in the Christian tradition. Mentioning it here connects the poem to the daily religious rhythm of morning, noon, evening, and night, suggesting that death is more like a final prayer — a natural conclusion instead of a disaster.
The sun's journey
The sun's journey from dawn to noon to evening mirrors a human lifespan within a single day. This metaphor, one of the oldest in poetry, is employed subtly by Herrick, making the connection feel natural and inevitable rather than contrived.

§06Historical context

Historical context

Robert Herrick was an English poet and clergyman in the 17th century, spending much of his life as a country vicar in Devon. He wrote in the Cavalier style, a group of poets known for their short, elegant lyrics focused on love, beauty, and the fleeting nature of time. "To Daffodils" fits perfectly into the *carpe diem* theme, which means "seize the day" and has been a common thread in European poetry since Roman times. Herrick's most renowned poem, "To the Virgins, to Make Much of Time," delivers a similar message but with more urgency. In contrast, "To Daffodils" feels quieter and more resigned, reflecting a man who has seen enough seasons change to understand that rushing doesn't make a difference. The poem appeared in his 1648 collection *Hesperides*, written during a time of political turmoil in England when the Civil War had cost Herrick his parish.

§07FAQ

Questions readers ask

The poem suggests that human life is as brief and delicate as a daffodil's bloom. In the first stanza, we find ourselves empathizing with the flowers, while in the second stanza, we come to the realization that we should extend that same empathy to ourselves. Ultimately, it's a reflection on mortality presented as a dialogue with a flower.

Adjacent texts in the archive