The Annotated Edition
THE ROCK-A-BY LADY by Eugene Field
These two brief poems by Eugene Field cherish the enchanting moments of bedtime and the playful interactions between parents and children.
- Poet
- Eugene Field
- Themes
- childhood, dreams, family
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
The Rock-a-By Lady from Hushaby street / Comes stealing; comes creeping;
Editor's note
Field introduces a soft, almost fairy-tale character who quietly glides through the night. The made-up street name 'Hushaby' clearly indicates that this is a world designed just for children. While the words 'stealing' and 'creeping' might seem ominous, in this context they simply describe how she moves gently to avoid waking the child before she's ready to help them drift off to sleep.
There is one little dream of a beautiful drum-- / "Rub-a-dub!" it goeth;
Editor's note
This stanza highlights the actual toys that a child from the 1880s would have cherished: drums, sugar-plums, popguns, tin tops, and trumpets. Field cleverly chooses to name tangible items instead of using vague phrases like 'nice dreams.' The onomatopoeic words ('Rub-a-dub,' 'bang,' 'hum,' 'bloweth') add a lively and noisy quality to the stanza, which is amusing considering it's about the dreams of a sleeping child.
And dollies peep out of those wee little dreams / With laughter and singing;
Editor's note
The dreams spread out from toys into a whole fantasy world: dolls, shimmering streams, stars playing peek-a-boo, the moon, and fairies. The imagery rises upward ('up, up, and up') toward the Mother Moon, creating a feeling of gentle lift and flight in the stanza. The phrase 'stars peek-a-boo' is a charming detail that links the universe to a child's game.
Would you dream all these dreams that are tiny and fleet? / They'll come to you sleeping;
Editor's note
Field directly engages the child (and the parent reading aloud) with a soft invitation. The final stanza closely resembles the opening one, echoing the same lines about the Rock-a-By Lady. This circular structure reflects the gentle rocking of a cradle, providing the lullaby with a pleasing, sleepy feeling of closure.
On afternoons, when baby boy has had a splendid nap, / And sits, like any monarch on his throne, in nurse's lap,
Editor's note
The opening of 'Booh!' uses humor to set the scene. Referring to the baby as a 'monarch on his throne' is a fun exaggeration that any parent will relate to: babies truly rule their surroundings with total authority. The detail of the nurse's lap anchors the poem in the cozy, affluent Victorian home that Field wrote about.
Sometimes the rascal tries to make believe that he is scared, / And really, when I first began, he stared, and stared, and stared;
Editor's note
Field captures a genuine truth about babies: the first time you play peekaboo, they’re completely bewildered. The way their lower lip quivers, combined with adults calling it a "cruel shame," creates a funny and affectionate memory of a game that needed a bit of time to click. The repetition of "stared, and stared, and stared" perfectly mimics the baby's wide-eyed, frozen response.
He laughs and kicks his little heels in rapturous glee, and then / In shrill, despotic treble bids me "do it all aden!"
Editor's note
Now the baby is fully in on the joke and asks for more. 'Aden' is how a child mispronounces 'again,' and Field spells it out phonetically to match the baby's voice perfectly. The word 'despotic' is amusing because it's a big political term used for a toddler's bossy request. The father's comment that he will keep playing because he is the child's 'progenitor' (a fancy way of saying 'dad') adds a touch of gentle self-deprecating humor.
And it is, oh, such fun I am sure that we shall rue / The time when we are both too old to play the game "Booh!"
Editor's note
The poem concludes with a subtly bittersweet tone. The father understands that this moment won’t last forever: soon enough, the child will outgrow peekaboo, and the father will age out of the game too. It’s a simple, sincere recognition of time moving on, nestled within an otherwise joyful poem.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- Poppies
- Poppies have long been linked to sleep, primarily due to their connection with opium. In Field's work, they serve as the defining characteristic of the Rock-a-By Lady, embodying sleep itself. For a child, poppies are just beautiful flowers; for an adult, they evoke the deeper notion of serene, peaceful unconsciousness.
- The Rock-a-By Lady
- She embodies sleep and the dream state, a gentle figure you can trust with a child. By naming sleep, giving it a street address, and a physical presence, Field transforms falling asleep into a friendly visit rather than just a natural occurrence.
- The Mother Moon
- The moon rules the dream world at the peak of the poem's rising imagery. Referring to her as 'Mother' links her to nurturing, safety, and the feminine energy that flows throughout the lullaby. She represents the ultimate destination for the dreaming child.
- The game of 'Booh!'
- Peekaboo is one of the oldest and most universal games played between parents and children. In the poem, it represents a whole range of simple, joyful interactions that mark early parenthood. The father's fear of the day when they are 'both too old' for it turns the game into a symbol of how quickly time passes and how fleeting childhood can be.
- Toys (drum, sugar-plum, popgun, tin top, trumpet)
- The Victorian-era toys mentioned in the dream stanza aren’t just random decorations. They embody the tangible world of a child's wishes: noise, sweetness, movement, and play. By specifying real objects, Field grounds the fantasy in something a child can vividly imagine and desire.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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