The Annotated Edition
Songs of Parting (missives) by Walt Whitman
This isn’t a poem but rather a preface by William Michael Rossetti for his 1868 selection of Whitman's works.
- Poet
- Walt Whitman
- Core theme
- Art
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
The first three designations explain themselves. The fourth, _Leaves of Grass_, is not so specially applicable...
Editor's note
Rossetti begins by outlining the five sections of his anthology. He acknowledges that the title *Leaves of Grass* doesn't perfectly match the poems included, but he chose to keep it because it holds significant meaning. This straightforward admission creates an open and honest atmosphere for what comes next.
Comparatively few of Whitman's poems have been endowed by himself with titles properly so called...
Editor's note
Here, Rossetti explains one of his more direct editorial choices: assigning titles to poems that Whitman chose not to title. Whitman usually relied on his opening lines as headers, but Rossetti believes this approach is too cumbersome for a collection intended for new readers. He's open about the changes he made and what he kept as is, demonstrating a level of editorial honesty that was quite rare for that time.
With these remarks I commend to the English reader the ensuing selection from a writer whom I sincerely believe to be...
Editor's note
This is the core of the preface. Rossetti sets aside the usual editorial concerns and presents a straightforward argument: instead of questioning whether Whitman adheres to the same rules as other poets, we should consider whether he is *powerful*, *new*, and *rousing*. He concludes with Abraham Lincoln's famous comment — 'Well, he looks like a man' — which serves as a down-to-earth endorsement that transcends literary discussions.
Walt Whitman occupies at the present moment a unique position on the globe...
Editor's note
Rossetti highlights Whitman's confidence, suggesting he is doing for American poetry what Columbus did for the continent and Washington did for the nation — creating something completely original. Rather than ridiculing this lofty self-image, Rossetti treats it with respect and contends it holds significant truth. By likening Whitman to Columbus and Washington, Rossetti emphasizes just how immense he views Whitman's aspirations and accomplishments.
"Poets are the unacknowledged legislators of the world." Shelley, who knew what he was talking about...
Editor's note
Rossetti concludes by referencing Shelley's well-known line to suggest that Whitman is the poet best equipped to truly *legislate* — to influence how a democracy perceives and expresses its identity. He foresees that Whitman's voice will resonate and be recognized wherever English is spoken, and that future generations of democratic visionaries will regard him as both a herald and a source of inspiration.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- Leaves of Grass
- The title of Whitman's life's work serves as a symbol of his poetic identity—organic, distinctly American, and defying neat categorization. Rossetti retains the name even when it seems out of place because it represents something bigger than any individual section.
- Columbus / Washington
- These two figures symbolize the act of founding — of creating something truly new. Rossetti uses them to portray Whitman not as a literary craftsman polishing an old tradition but as a creator of something entirely original.
- Lincoln's verdict
- Lincoln's straightforward comment — 'Well, he looks like a man' — symbolizes democratic common sense breaking past the barriers set by literary elites. It conveys that, regardless of what the critics might say, the most quintessentially American figure acknowledged Whitman as genuine.
- The unacknowledged legislator
- Borrowed from Shelley, this phrase captures the notion that poets subtly mold the moral and political imagination of society, even without official power. Rossetti uses it in reference to Whitman to suggest that his impact will resonate within democracy itself, not merely in the realm of literary history.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Is this actually a poem? It reads like an essay.
It isn't a poem. It's Rossetti's editorial preface to his 1868 anthology of Whitman's work. While it falls under the heading Songs of Parting (missives) in the collection, the content is prose that critiques and advocates, rather than being poetry.
Who is the author — Whitman or Rossetti?
The author is William Michael Rossetti, not Whitman. Rossetti put together and edited this selection, writing the preface to share his editorial choices and highlight Whitman's significance for British readers.
Why did Rossetti give titles to Whitman's poems?
Whitman usually started his poems with their first lines instead of giving them separate titles, which Rossetti thought were too lengthy and cumbersome for someone trying to recall or suggest a particular poem. He created shorter, catchier titles while preserving any original titles that Whitman had assigned.
What does Rossetti mean when he says not to ask if Whitman is like other poets?
He's cautioning readers against evaluating Whitman using the criteria set for poets like Keats or Tennyson — regular meter, traditional form, refined language. Whitman intentionally defies those conventions. Rossetti argues that the important questions are more straightforward: is he impactful? Does he evoke emotions? Is he original?
What is the Lincoln quote about, and why does Rossetti use it?
Lincoln reportedly remarked about Whitman, "Well, he looks like a man," suggesting that Whitman had the demeanor and presence of a truly substantial human being. Rossetti interprets this as a form of democratic validation—if the most American president acknowledged Whitman's authenticity, that should carry more weight than any critic's objection.
What does Rossetti mean by Whitman being a 'founder' like Columbus or Washington?
He means Whitman thought he was crafting a completely new kind of poetry that matched America's vastness and democratic values — not just refining European traditions but beginning anew. Rossetti takes this claim seriously and argues that it's fundamentally true, rather than merely a grandiose illusion.
Where does the line 'Poets are the unacknowledged legislators of the world' come from?
It originates from Percy Bysshe Shelley's prose essay A Defence of Poetry (written in 1821 and published in 1840). Rossetti references it to suggest that poets influence a society's values and imagination even without formal power, asserting that Whitman is the poet most capable of achieving this for American democracy.
Why was this preface important for Whitman's reputation?
After Rossetti's 1868 anthology, Whitman was mostly unheard of in Britain and remained a contentious figure in America. Rossetti's edition, bolstered by his Pre-Raphaelite reputation, brought Whitman to the attention of British readers, who reacted positively. This recognition across the Atlantic played a crucial role in legitimizing Whitman in the U.S. and paved the way for his lasting global reputation today.
Citation
Cite this poem
MLA
Whitman, Walt. "Songs of Parting (missives)." Storgy, https://storgy.com/poems/songs-of-parting-missives-walt-whitman/.
APA
Whitman, W. (n.d.). Songs of parting (missives). Storgy. https://storgy.com/poems/songs-of-parting-missives-walt-whitman/
Row A — Thesis
1 ptIn the prose preface to his edited selection of Whitman's verse, William Michael Rossetti constructs an argument that is itself a kind of poetry: by framing critical evaluation through a series of urgent rhetorical questions—'Is he …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
- Common student errors
Available on any Storgy plan — model paragraphs, band callouts, and common student errors for every poem.
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