The Annotated Edition
SOME TIME by Eugene Field
A father gazes at his sleeping child, filled with a love so profound that he knows the child won't fully comprehend it yet.
- Poet
- Eugene Field
- Themes
- family, love, memory
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Last night, my darling, as you slept, / I thought I heard you sigh,
Editor's note
The poem begins with a soft, personal moment: the speaker hears a faint sound coming from the child's crib and goes to see what's happening. That little sigh is enough to wake a parent from their own sleep. The scene feels completely ordinary, and that's exactly the point — the love here resides in the simple, everyday act of watching over a sleeping child. At the end of this stanza, we see the refrain for the first time: *you are too young to know it now, but some time you shall know.* The parent already understands that this love is something the child can't see yet, and is at peace with that.
Some time when, in a darkened place / Where others come to weep,
Editor's note
This stanza marks a significant shift in the poem: it leaps ahead to the speaker's own funeral. The "darkened place" likely refers to a funeral home or church, while the "face / Calm in eternal sleep" describes the speaker's deceased face. The child, now an adult, gazes down at that still, wrinkled face, and there's a slight change in the refrain: *some time you **may** know.* That switch from "shall" to "may" feels genuine. The speaker isn't sure that the depth of parental love will be fully understood at that moment, only that it's possible.
Look backward, then, into the years, / And see me here to-night--
Editor's note
The final stanza invites the adult child to do something extraordinary: to reach back into memory to this very night and scene. The speaker is crafting the poem in real time — *notice how my tears fall as I write* — and encourages the future reader (his own child) to experience that moment. The kiss referenced earlier in the poem is offered again across the years. The refrain reverts to "shall" in the last line, bringing back the certainty that was momentarily softened in the second stanza. The poem concludes like a sealed letter, written now, waiting to be opened by grief.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The sleeping child
- Innocence that truly doesn't recognize the emotional world around it. The child's sleep isn't a metaphor for death — it's real sleep — but it does form a one-sided closeness where the parent perceives everything while the child perceives nothing.
- The kiss on the brow
- A gesture that runs through the entire poem. In the first stanza, it’s offered to a living, sleeping child, and it's remembered in the last stanza as "the kiss of long ago." This same physical act serves as a connection spanning a lifetime.
- The darkened place / the calm face
- The speaker's own corpse is described without hesitation. The "patient smile" on the lifeless face hints at a life marked by quiet resilience. By presenting his death in such straightforward terms, Field removes any sentimentality, allowing the poem's grief to resonate more profoundly.
- Tears falling as I write
- The act of writing the poem becomes part of the poem itself. The tears serve as evidence — a direct testament to the future child that this love was genuine and felt on this particular night.
- The refrain ("some time you shall / may know")
- The repeated line acts as the backbone of the poem. The slight shift — changing "shall" to "may" in the middle stanza before reverting to "shall" — reflects the speaker's journey through confidence, doubt, and ultimately, a decision about whether love can genuinely be conveyed beyond time and death.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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