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PRELIMINARY NOTE by James Russell Lowell: Summary, Meaning & Analysis

James Russell Lowell

This "Preliminary Note" is a playful mock obituary for the fictional Reverend Homer Wilbur, a made-up clergyman from New England known for editing Lowell's satirical *Biglow Papers*.

The poem
[It is with feelings of the liveliest pain that we inform our readers of the death of the Reverend Homer Wilbur, A.M., which took place suddenly, by an apoplectic stroke, on the afternoon of Christmas day, 1862. Our venerable friend (for so we may venture to call him, though we never enjoyed the high privilege of his personal acquaintance) was in his eighty-fourth year, having been born June 12, 1779, at Pigsgusset Precinct (now West Jerusha) in the then District of Maine. Graduated with distinction at Hubville College in 1805, he pursued his theological studies with the late Reverend Preserved Thacker, D.D., and was called to the charge of the First Society in Jaalam in 1809, where he remained till his death. 'As an antiquary he has probably left no superior, if, indeed, an equal,' writes his friend and colleague, the Reverend Jeduthun Hitchcock, to whom we are indebted for the above facts; 'in proof of which I need only allude to his "History of Jaalam, Genealogical, Topographical, and Ecclesiastical," 1849, which has won him an eminent and enduring place in our more solid and useful literature. It is only to be regretted that his intense application to historical studies should have so entirely withdrawn him from the pursuit of poetical composition, for which he was endowed by Nature with a remarkable aptitude. His well-known hymn, beginning "With clouds of care encompassed round," has been attributed in some collections to the late President Dwight, and it is hardly presumptuous to affirm that the simile of the rainbow in the eighth stanza would do no discredit to that polished pen.' We regret that we have not room at present for the whole of Mr. Hitchcock's exceedingly valuable communication. We hope to lay more liberal extracts from it before our readers at an early day. A summary of its contents will give some notion of its importance and interest. It contains: 1st, A biographical sketch of Mr. Wilbur, with notices of his predecessors in the pastoral office, and of eminent clerical contemporaries; 2d, An obituary of deceased, from the Punkin-Falls 'Weekly Parallel;' 3d, A list of his printed and manuscript productions and of projected works; 4th, Personal anecdotes and recollections, with specimens of table-talk; 5th, A tribute to his relict, Mrs. Dorcas (Pilcox) Wilbur; 6th, A list of graduates fitted for different colleges by Mr. Wilbur, with biographical memoranda touching the more distinguished; 7th, Concerning learned, charitable, and other societies, of which Mr. Wilbur was a member, and of those with which, had his life been prolonged, he would doubtless have been associated, with a complete catalogue of such Americans as have been Fellows of the Royal Society; 8th, A brief summary of Mr. Wilbur's latest conclusions concerning the Tenth Horn of the Beast in its special application to recent events, for which the public, as Mr. Hitchcock assures us, have been waiting with feelings of lively anticipation; 9th, Mr. Hitchcock's own views on the same topic; and, 10th, A brief essay on the importance of local histories. It will be apparent that the duty of preparing Mr. Wilbur's biography could not have fallen into more sympathetic hands. In a private letter with which the reverend gentleman has since favored us, he expresses the opinion that Mr. Wilbur's life was shortened by our unhappy civil war. It disturbed his studies, dislocated all his habitual associations and trains of thought, and unsettled the foundations of a faith, rather the result of habit than conviction, in the capacity of man for self-government. 'Such has been the felicity of my life,' he said to Mr. Hitchcock, on the very morning of the day he died, 'that, through the divine mercy, I could always say, _Summum nec metuo diem, nec opto_. It has been my habit, as you know, on every recurrence of this blessed anniversary, to read Milton's "Hymn of the Nativity" till its sublime harmonies so dilated my soul and quickened its spiritual sense that I seemed to hear that other song which gave assurance to the shepherds that there was One who would lead them also in green pastures and beside the still waters. But to-day I have been unable to think of anything but that mournful text, "I came not to send peace, but a sword," and, did it not smack of Pagan presumptuousness, could almost wish I had never lived to see this day.' Mr. Hitchcock also informs us that his friend 'lies buried in the Jaalam graveyard, under a large red-cedar which he specially admired. A neat and substantial monument is to be erected over his remains, with a Latin epitaph written by himself; for he was accustomed to say, pleasantly, "that there was at least one occasion in a scholar's life when he might show the advantages of a classical training."' The following fragment of a letter addressed to us, and apparently intended to accompany Mr. Biglow's contribution to the present number, was found upon his table after his decease.--EDITORS ATLANTIC MONTHLY.]

Public domain · sourced from Project Gutenberg

Quick summary
This "Preliminary Note" is a playful mock obituary for the fictional Reverend Homer Wilbur, a made-up clergyman from New England known for editing Lowell's satirical *Biglow Papers*. Lowell presents it as though it were an actual notice in a literary magazine, featuring a grand tribute from a pompous colleague and an extensive list of unpublished manuscripts. The humor lies in the portrayal of Wilbur as a lovable, pompous small-town scholar, gently poking fun at the self-importance found in New England's intellectual circles, while also acknowledging the genuine sorrow of the Civil War era.
Themes

Line-by-line

It is with feelings of the liveliest pain that we inform our readers of the death of the Reverend Homer Wilbur...
Lowell begins with a typical Victorian literary obituary formula but quickly introduces humor by adding ridiculous details like the made-up town of 'Pigsgusset Precinct (now West Jerusha)' and the equally fictional 'Hubville College.' The overly serious tone of the editorial voice establishes the satirical vibe for what comes next.
'As an antiquary he has probably left no superior, if, indeed, an equal,' writes his friend and colleague, the Reverend Jeduthun Hitchcock...
The tribute from Hitchcock is a spot-on parody of the self-serving nature of Victorian clerical praise. While the compliments sound impressive, they lack substance, and the mention of Wilbur's hymn being confused with President Dwight's work is a clever jab at the blandness common in pious New England poetry. Lowell isn't just poking fun at one individual; he's taking aim at an entire literary tradition.
We regret that we have not room at present for the whole of Mr. Hitchcock's exceedingly valuable communication...
The numbered list of the letter's contents is the comic centerpiece of the piece. Each item is funnier than the last, starting with a reasonable biography and spiraling into absurd minutiae like 'societies with which, had his life been prolonged, he would doubtless have been associated.' Item 8, which discusses Wilbur's thoughts on the 'Tenth Horn of the Beast,' hints at the old man's quirky theological fixations, while item 9 shows that Hitchcock is on the same wavelength.
In a private letter with which the reverend gentleman has since favored us, he expresses the opinion that Mr. Wilbur's life was shortened by our unhappy civil war...
The tone changes here. The Civil War interrupts the comedy, and Wilbur's last words resonate deeply. His failure to read Milton's 'Hymn of the Nativity' on Christmas morning, substituted by the ominous phrase 'I came not to send peace, but a sword,' reflects a man whose faith in human self-governance and the solace of tradition has been broken by the war. Lowell uses this fictional character to convey a genuine cultural sorrow.
Mr. Hitchcock also informs us that his friend 'lies buried in the Jaalam graveyard, under a large red-cedar which he specially admired...'
The last detail about Wilbur composing his own Latin epitaph adds a humorous touch: even in death, the scholar can't help but flaunt his classical education. The editor's note at the very end, which says the fragment was 'found upon his table after his passing,' wraps up the narrative and seamlessly transitions the reader to the next part of the *Biglow Papers*.

Tone & mood

The tone is playfully satirical and mock-serious. Lowell adopts the formal, self-satisfied voice of a mid-19th-century literary magazine while giving a knowing nod to the reader through outrageous place names, exaggerated accolades, and a list of achievements that becomes more and more absurd. Beneath the humor, however, there’s a sincere undertone of mourning: the grief from the Civil War that appears in Wilbur's last morning is genuine, and Lowell allows it to resonate without undercutting it with another joke.

Symbols & metaphors

  • The Reverend Homer WilburWilbur represents a specific archetype: the educated, well-intentioned, somewhat self-important New England clergyman-scholar. His world of local history, classical references, and easygoing faith is being overtaken by the forces of modernity and conflict.
  • Milton's 'Hymn of the Nativity'For Wilbur, this poem is a yearly tradition that brings him spiritual peace and a sense of divine order. His failure to read it on his last Christmas morning marks the total breakdown of that inner world, overwhelmed by the Civil War.
  • The Latin epitaphWilbur's Latin inscription, written by himself, reflects the traditional New England belief in classical learning as a symbol of civilization and personal dignity. It’s charming yet slightly ridiculous, serving as a final expression of scholarly pride.
  • The red-cedar treeCedars have long been seen as symbols of mourning and resilience. The fact that Wilbur 'specially admired' this tree adds a personal, gentle touch to his burial, contrasting with the humor around it.
  • 'I came not to send peace, but a sword'This biblical quotation, which takes the place of Milton in Wilbur's mind on his last day, represents the very split of the Civil War: the brutal conflict of a Christian nation ripping itself apart, something Wilbur struggles to reconcile with his faith.

Historical context

James Russell Lowell published *The Biglow Papers* in two series: the first during the Mexican-American War (1846–48) and the second during the Civil War (1861–65). He created the fictional Reverend Homer Wilbur as a pompous editorial voice who introduces and annotates the dialect verses of the straightforward Yankee farmer Hosea Biglow. This "Preliminary Note" was published in the *Atlantic Monthly* as a preface to the second series, announcing Wilbur's death and effectively retiring the character. Lowell was a Harvard professor, an abolitionist, and one of the most notable literary figures of 19th-century America. The piece captures his dual impulse: to satirize the parochialism and self-importance of New England intellectual culture while also lamenting how the Civil War disrupted the comfortable certainties of that world. The date of Wilbur's death, Christmas Day 1862, situates him at the darkest midpoint of the war.

FAQ

No. Wilbur is a made-up character created by Lowell for *The Biglow Papers*, a long-running satirical piece. Wilbur acts as the mock-scholarly editor who presents and comments on the dialect poems of another fictional character, Hosea Biglow. The entire obituary is an intricate joke, crafted to sound entirely believable.

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