The Annotated Edition
PRAYER by H. D.
A speaker who has lost their creative spark turns to a goddess — most likely Athena or a Muse-like figure — pleading for the inspiration and skill that once allowed them to create beautiful works.
- Poet
- H. D.
- Era
- Modernist (1924)
- Themes
- art, despair, hope
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
White, O white face-- / from disenchanted days
Editor's note
The poem begins in the middle of a conversation, suggesting that the speaker has been in the presence of this divine figure for some time. The word "White" evokes purity, separation, and the chill of a goddess's light — H.D. often links whiteness to the divine feminine. The phrase "Disenchanted days" quickly establishes the tone: life has lost its magic, and the speaker feels drained.
wither alike dark rose / and fiery bays:
Editor's note
The dark rose (representing beauty and passion) and the bay laurel (symbolizing poetic achievement and victory) have both faded away. The bay laurel, known as the traditional crown for poets and heroes, signifies a loss of both artistic identity and the recognition that accompanies it. Everything the speaker once cherished has wilted alongside these symbols.
no gift within our hands, / nor strength to praise,
Editor's note
The speaker changes to "our" — emphasizing that this loss is shared, not just personal. They have nothing to present to the goddess: no valuable gift, no song of praise. In traditional prayer, one typically brings an offering; here, the speaker comes empty-handed, reflecting a sense of spiritual vulnerability.
only defeat and silence; / though we lift hands, disenchanted,
Editor's note
Lifting hands is an ancient gesture of prayer, but here, the hands are "disenchanted" — devoid of their former power. The repeated use of "disenchanted" from the start emphasizes that the loss of creative energy is the main injury the poem seeks to mend.
of small strength, nor raise / branch of the laurel
Editor's note
Once more, the laurel shows up, but now it's something the speaker literally can't lift. This physical weakness reflects their creative paralysis. They can't even manage the ritual gestures of honor, much less create any real art.
but fold the garment / on the riven locks,
Editor's note
Instead of making triumphant offerings, the speaker can only express mourning by draping cloth over hair that has been "riven," which means torn or split. This gesture reflects grief and submission instead of celebration.
yet hear, all-merciful, and touch / the fore-head, dim, unlit of pride and thought,
Editor's note
The actual petition begins here. The forehead — the center of thought and creativity — is portrayed as "dim" and "unlit," resembling a lamp that has extinguished. The speaker pleads with the goddess to touch it and reignite its light. The term "all-merciful" carries an unexpected gentleness; it reflects the tone of Christian prayer applied to a pagan goddess, showcasing H.D.'s unique blend of religious influences.
Mistress--be near! / Give back the glamour to our will,
Editor's note
"Mistress" directly names the goddess — it's commanding, intimate, and urgent. "Glamour" evokes its older sense of a magical spell or enchantment, going beyond mere surface beauty. The speaker yearns for that divine energy to be infused back into their will and thoughts. This moment represents the emotional high point of the poem.
the thought; give back the tool, / the chisel; once we wrought
Editor's note
The prayer turns into a list of items to be restored: thought, tool, chisel. The shift to the chisel is significant—H.D. focuses on the craft of creation, the tangible act of molding material. "Once we wrought" evokes a recollection of past expertise, and the remainder of the poem explores that memory.
things not unworthy, / sandal and steel-clasp;
Editor's note
The double negative "not unworthy" carries a subtle pride — the speaker isn't one to brag, but they recognize the quality of the work. The items mentioned (sandal, steel-clasp, silver, coat with leaf-pattern) are all beautifully crafted everyday objects from ancient Greece. H.D. is paying tribute to the artisans behind these lovely functional pieces, rather than merely celebrating grand monuments.
silver and metal, hammered for the ridge / of shield and helmet-rim;
Editor's note
The imagery shifts to martial craft—shields and helmets. This links the goddess being addressed to Athena, who is both the patron of wisdom and warfare, as well as the divine protector of skilled craftspeople. The hammering resonates with a physical, rhythmic quality; H.D. immerses you in the tangible labor of creation.
white silver with the dark hammered in, / belt, staff and magic spear-shaft
Editor's note
The final images unite the poem's color scheme — a contrast of white and dark, mirroring the speaker's current darkness against the goddess's white light. The "magic spear-shaft / with the gilt spark at the point and hilt" concludes the poem with a burst of light and strength, showcasing the pinnacle of craftsmanship — and what the speaker longs to regain.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The laurel branch
- In classical tradition, poets and victors were crowned with bay laurel. Here, it symbolizes creative achievement and recognition—both of which the speaker has lost. The inability to even lift a branch indicates a complete artistic collapse.
- The dim forehead
- The forehead is where thought and inspiration reside. Referring to it as "dim" and "unlit" suggests a lamp that has gone out. The goddess's touch aims to reignite it — to bring back the spark of creative intelligence.
- The chisel and tool
- These represent the practical tools of creation — craft, discipline, skill. Requesting the chisel back isn't just about seeking inspiration; it's about regaining the ability to turn that inspiration into something tangible.
- White and dark
- The poem weaves together the contrast of white (the goddess's face, silver, light) and dark (the hammered darkness of the metalwork, the withered roses). This interplay highlights the tension between divine illumination and human struggle, showcasing the beauty that arises from their combination.
- The spear-shaft with the gilt spark
- The final image of the poem presents a weapon that doubles as a work of art, adorned with a glimmer of gold. It embodies creative power at its peak — intentional, exact, and radiant. This is what the speaker hopes to harness once more.
- Folded garment / riven locks
- A gesture of mourning and submission rooted in ancient ritual. The speaker cannot convey triumph or beauty, only sorrow. This signals that the prayer arises from a place of true loss, not mere performance.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Read next