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The Annotated Edition

MARCH by Henry Wadsworth Longfellow

Summary, meaning, line-by-line analysis & FAQ.

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March is a single-stanza poem where the month itself voices its frustration.

Poet
Henry Wadsworth Longfellow
Themes
anger, identity, nature
The PoemFull text

MARCH

Henry Wadsworth Longfellow

I Martius am! Once first, and now the third! To lead the Year was my appointed place; A mortal dispossessed me by a word, And set there Janus with the double face. Hence I make war on all the human race; I shake the cities with my hurricanes; I flood the rivers and their banks efface, And drown the farms and hamlets with my rains.

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

March is a single-stanza poem where the month itself voices its frustration. Once the first month of the year, March is furious after a Roman ruler demoted it to third place, handing the crown to January. In retaliation, March unleashes storms, floods, and hurricanes upon humanity. It’s like a mythological temper tantrum masquerading as a weather forecast.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. I Martius am! Once first, and now the third!

    Editor's note

    The entire poem is a dramatic monologue delivered by the month of March, referring to itself by its Latin name, *Martius*. Right from the start, the opening exclamation establishes the mood: this is a speaker who feels both proud and wronged, eager for recognition of its grievances. The shift from "once first" to "now the third" represents the core wound that fuels the entire piece. In terms of history, the Roman calendar used to start in March — named after Mars, the god of war. Longfellow taps into this historical context to give March a valid reason for its complaint. Structurally, the line is also clever: it begins with "I" and ends with "third," linking the speaker's identity directly to its demotion in one seamless thought.

§04Tone & mood

How this poem feels

The tone is both indignant and theatrical. March talks like a dethroned king — loud, full of himself, and ready for a fight. Beneath it all lies a dark humor, since the "revenge" March talks about is really just typical stormy weather. This makes his grand rage feel amusing and surprisingly relatable. Longfellow maintains a straight face the whole time, which enhances the comedy.

§05Symbols & metaphors

Symbols & metaphors

Janus with the double face
Janus is the Roman god of beginnings and doorways, often shown with two faces gazing in opposite directions. In this context, he symbolizes January, the month that took March's place at the start of the year. The "double face" suggests a sense of duplicity — to March, Janus appears as a usurper who can't even face one direction truthfully.
Hurricanes and floods
The storms that March brings are both real (March weather is known for being unpredictable) and a reflection of wounded pride manifesting as destructive force. The turmoil of the weather echoes March's emotional upheaval — unable to reclaim its place in the calendar, it lashes out at the world instead.
The mortal who dispossessed March
This unnamed figure refers to the Roman king Numa Pompilius, who reformed the calendar around 713 BCE and added January and February, moving March from first to third. Referring to him as "a mortal" highlights the audacity of a human being able to challenge a cosmic order — and do so with nothing more than "a word," a decree.

§06Historical context

Historical context

Longfellow wrote a series of short poems that give each month a unique personality, and "March" is one of them. He was part of a long tradition of calendar poetry that dates back to classical times, but instead of just focusing on the weather or farming themes, he allowed each month to express its own character and voice. The poem's historical details are spot on. The earliest Roman calendar, credited to Romulus, had ten months and started in March. Later, King Numa Pompilius added January and February, pushing March to the third position. January is named after Janus, the two-faced god of beginnings — a move that March, named for Mars the god of war, seems to have never quite accepted. Longfellow published these poems about the months in the 1870s, towards the end of his career, when he was exploring different personas and voices. The poem itself consists of a single eight-line stanza in iambic pentameter with an ABABBCBC rhyme scheme, which gives it a neat, structured form that contrasts effectively with the energetic content.

§07FAQ

Questions readers ask

It's a dramatic monologue delivered by the month of March. March expresses its anger over being moved from the first month of the Roman calendar to third place after a king reformed the calendar, placing January at the top. In retaliation, March unleashes storms and floods upon humanity.

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