The Annotated Edition
MARCH by Henry Wadsworth Longfellow
March is a single-stanza poem where the month itself voices its frustration.
- Themes
- anger, identity, nature
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
I Martius am! Once first, and now the third!
Editor's note
The entire poem is a dramatic monologue delivered by the month of March, referring to itself by its Latin name, *Martius*. Right from the start, the opening exclamation establishes the mood: this is a speaker who feels both proud and wronged, eager for recognition of its grievances. The shift from "once first" to "now the third" represents the core wound that fuels the entire piece. In terms of history, the Roman calendar used to start in March — named after Mars, the god of war. Longfellow taps into this historical context to give March a valid reason for its complaint. Structurally, the line is also clever: it begins with "I" and ends with "third," linking the speaker's identity directly to its demotion in one seamless thought.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- Janus with the double face
- Janus is the Roman god of beginnings and doorways, often shown with two faces gazing in opposite directions. In this context, he symbolizes January, the month that took March's place at the start of the year. The "double face" suggests a sense of duplicity — to March, Janus appears as a usurper who can't even face one direction truthfully.
- Hurricanes and floods
- The storms that March brings are both real (March weather is known for being unpredictable) and a reflection of wounded pride manifesting as destructive force. The turmoil of the weather echoes March's emotional upheaval — unable to reclaim its place in the calendar, it lashes out at the world instead.
- The mortal who dispossessed March
- This unnamed figure refers to the Roman king Numa Pompilius, who reformed the calendar around 713 BCE and added January and February, moving March from first to third. Referring to him as "a mortal" highlights the audacity of a human being able to challenge a cosmic order — and do so with nothing more than "a word," a decree.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Read next