KISSING TIME by Eugene Field: Summary, Meaning & Analysis
A father cherishes the simple daily ritual of kissing his little one, letting the sights and sounds of a summer morning — larks, bees, and gentle breezes — create the perfect atmosphere.
The poem
'T is when the lark goes soaring And the bee is at the bud, When lightly dancing zephyrs Sing over field and flood; When all sweet things in nature Seem joyfully achime-- 'T is then I wake my darling, For it is kissing time! Go, pretty lark, a-soaring, And suck your sweets, O bee; Sing, O ye winds of summer, Your songs to mine and me; For with your song and rapture Cometh the moment when It's half-past kissing time And time to kiss again! So--so the days go fleeting Like golden fancies free, And every day that cometh Is full of sweets for me; And sweetest are those moments My darling comes to climb Into my lap to mind me That it is kissing time. Sometimes, maybe, he wanders A heedless, aimless way-- Sometimes, maybe, he loiters In pretty, prattling play; But presently bethinks him And hastens to me then, For it's half-past kissing time And time to kiss again!
A father cherishes the simple daily ritual of kissing his little one, letting the sights and sounds of a summer morning — larks, bees, and gentle breezes — create the perfect atmosphere. Each stanza returns to the same joyful refrain: it’s "kissing time," and then "time to kiss again." This poem is a heartfelt love letter from a parent to a toddler, beautifully woven with the language of nature.
Line-by-line
'T is when the lark goes soaring / And the bee is at the bud,
Go, pretty lark, a-soaring, / And suck your sweets, O bee;
So--so the days go fleeting / Like golden fancies free,
Sometimes, maybe, he wanders / A heedless, aimless way--
Tone & mood
Warm, playful, and openly sentimental. Field doesn’t shy away from his intentions — he wants you to embrace the pure joy of a parent with a small child, and the poem's lively rhythm (anapestic, nearly song-like) conveys that feeling throughout. There's a subtle hint of nostalgia in "the days go fleeting," but it never crosses into sadness. This is a genuinely happy poem, no doubt about it.
Symbols & metaphors
- The lark — The lark flying high at dawn is a classic symbol of joy and the beginning of a new day. In this context, it also marks the moment when the speaker wakes his child — morning, birdsong, and kisses are all connected.
- The bee at the bud — The bee collecting nectar reflects the speaker absorbing sweetness from his child. Both are naturally attracted to what is sweet and good. This subtle, organic parallel flows throughout the poem.
- Kissing time — More than a charming phrase, "kissing time" acts like a personal clock — a ritual that defines the day and adds significance. It implies that love, rather than hours or appointments, is what truly shapes a life.
- The child climbing into the lap — This physical gesture represents the entire relationship: trust, closeness, and the child's longing for connection. The child returns not out of obligation, but from genuine desire — and that's what matters.
Historical context
Eugene Field was an American journalist and poet in the latter half of the 19th century, best remembered for his children's poems such as "Wynken, Blynken, and Nod" and "Little Boy Blue." He wrote a column for the Chicago Morning News, infusing much of his poetry with his love for children—having eight of his own. "Kissing Time" is a prime example of Victorian domestic poetry, celebrating home life and family emotions as worthy of sincere literary exploration. The poem's lyrical, song-like quality mirrors the era's preference for verses that could be recited aloud or even set to music. Field passed away at 45, and knowing he wrote about children during such a brief life adds an extra layer of poignancy to his work.
FAQ
The speaker is a parent—most likely a father, considering Field's own experiences—sharing moments about his young son. The use of "he" in the last stanza makes it clear that the child is a boy. The poem speaks both to the child and to the reader, drawing us into this intimate morning routine.
It's a fun little joke. If "kissing time" represents a moment on the clock, then "half-past kissing time" suggests that moment has just passed — which means it's time to kiss again. This playful refrain makes affection feel like a joyful, never-ending cycle.
The poem features a loose anapestic meter — lines that often finish with a da-da-DUM rhythm — creating a lively, almost musical vibe. Each stanza follows an ABCBDEFE rhyme scheme, where the second and fourth lines rhyme. It has a song-like quality, which was precisely what Field aimed for.
Both, really. It’s told from a parent’s perspective, which means it’s *about* a child. However, the straightforward language, the playful rhythm, and the warmth of the topic make it easy for a child to read, too. Field often blurred that line.
Field draws on nature to evoke a mood of simple, unadulterated joy. Larks, bees, and soft breezes were common symbols of happiness in Victorian poetry, yet Field presents them as a mere backdrop instead of the focal point—they're just part of the natural world, while the true warmth unfolds in the interactions between parent and child.
"Achime" is an old-fashioned or poetic term for "ringing" or "chiming." Therefore, "joyfully achime" suggests that all of nature is celebrating joyfully, similar to a chorus of bells. Even in Field's era, this phrase was somewhat antiquated, selected for its musicality as much as for what it conveys.
Field portrays the child with a relatable personality — small children do wander off and get distracted. However, the key is that the child always returns. This small detail adds authenticity to the poem, making it feel genuine rather than idealized, and it makes the return even sweeter.
The small, repeated moments of affection between a parent and child are what truly make life sweet. The days fly by, Field acknowledges, but they’re packed with good moments — and the best of those is when the child climbs into your lap.