The Annotated Edition
Homer Wilbur, A.m by James Russell Lowell
This poem takes the form of a satirical letter from Birdofredum Sawin, a Northern man who has relocated to the South, married into a slave-owning family, and now passionately defends both the Confederacy and slavery.
- Core theme
- Faith
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
I hed it on my min' las' time, when I to write ye started, / To tech the leadin' featurs o' my gittin' me convarted;
Editor's note
Sawin starts off by sharing how he came to embrace Southern religion and culture. The laid-back, chatty tone frames the entire poem as a letter from someone oblivious to how much he is condemning himself. The use of dialect spelling—'hed,' 'min,' 'featurs'—clearly indicates that this is a humorous voice, distinct from Lowell's own.
You know up North, though secs an' things air plenty ez you please, / Ther' warn't nut one on 'em thet come jes' square with my idees:
Editor's note
Sawin shares his thoughts on why Northern religion didn't work for him: it required real good deeds ('Covenants o' Works'), which he found to be a hassle. Instead, he seeks a faith that offers rewards without the need for moral effort. This is Lowell's initial satirical jab — Sawin's 'theology' is essentially self-interest masquerading as spiritual insight.
When I fus' sot up with Miss S., sez she to me, sez she, / 'Without you git religion, Sir, the thing can't never be;
Editor's note
The true motivation behind Sawin's conversion comes to light: he aims to marry Miss S., a wealthy Southern woman, who insists that he adopt her faith. The religion he embraces is specifically crafted to rationalize slavery — "It takes the Southun pint o' view to raise ten bales a nigger." Lowell emphasizes that Sawin's conversion is purely transactional.
Wal, so I went along an' hearn most an impressive sarmon / About besprinklin' Afriky with fourth-proof dew o' Harmon:
Editor's note
Sawin recounts the camp meeting where he experienced his 'conversion.' The preacher's sermon distorts Scripture — particularly the 'curse of Ham' and the notion that the Bible was intended solely for white people — to justify slavery. Lowell presents these arguments through Sawin's approving paraphrase, allowing the reader to grasp just how empty and self-serving they truly are.
This leads me to another pint on which I've changed my plan / O' thinkin' so's't I might become a straight-out Southun man.
Editor's note
Having established his religious beliefs, Sawin now focuses on shaping his social identity. He immerses himself in pro-Confederate publications like DeBow's Review, fabricates an aristocratic ancestry, and indulges in the fantasy of a Southern chivalric order. This satire critiques the pretentiousness of Southern 'first families' and highlights how effortlessly a social climber can adopt an ideology that flatters his self-image.
For all thet, I warn't jest at fust in favor o' secedin'; / I wuz for layin' low a spell to find out where 'twuz leadin',
Editor's note
Sawin acknowledges that he was initially undecided about secession, holding off to see which side would serve his interests better. He made his decision only after witnessing President Buchanan surrendering forts and arms to the South without putting up a fight. This passage sharply criticizes Buchanan's willingness to appease the South and highlights the self-serving motivations that led many to join the Confederate cause.
Jeff hez it of all sorts an' kines, an' sarves it out ez wanted, / So's't every man gits wut he likes an' nobody ain't scanted;
Editor's note
Sawin admires Jefferson Davis's grip on the Confederate press, which only publishes news approved by the government. Lowell leverages Sawin's admiration to underscore a critical observation about propaganda and authoritarianism: Sawin genuinely favors controlled misinformation over a free press because comforting lies are easier to accept than uncomfortable truths. This passage serves as a strikingly contemporary critique of state media.
I've chose my side, an' 'tain't no odds ef I wuz drawed with magnets, / Or ef I thought it prudenter to jine the nighes' bagnets;
Editor's note
In the lengthy closing section, Sawin shifts to criticizing Northern democratic dysfunction — pointing to corrupt politicians, frequent changes in office, and unqualified candidates — as his rationale for remaining Confederate. Lowell is executing something intricate here: while some of Sawin's critiques of Northern politics hold some truth, they originate from a person justifying slavery and treason, which completely undermines his arguments. The poem concludes abruptly, with Sawin signing off as a future Confederate officer, leaving the punchline to resonate in the ensuing silence.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The camp meeting conversion
- Sawin's religious 'conversion' highlights how ideology, particularly when it aligns with material interests, is packaged as a spiritual experience. The tent, the nearby keg of liquor, and the loud preacher: Lowell reveals the scene's lack of true holiness, illustrating that what Sawin 'receives' is not faith but rather a green light for exploitation.
- The family tree
- Sawin recruits someone to create a noble family history for him. This crafted aristocratic background embodies the myth of Southern 'first families'—the notion that slaveholders inherently belonged to a ruling class by birth. Lowell reveals that this fantasy can be bought by any opportunist ready to pay for it.
- Jeff Davis's hat (the Constitution)
- Sawin commends Davis for keeping the Constitution 'in his hat' — implying he interprets it however he wishes, on the spot. This image illustrates Lowell's point that Confederate constitutionalism was little more than an act: the document was referenced when it suited them and overlooked otherwise.
- The shinplaster (paper money)
- Sawin likens Confederate propaganda to worthless paper currency: it only holds value if everyone chooses to believe in it. This analogy is twofold — it ridicules both Confederate finances and their management of news, implying that the entire Southern war effort relies on a shared illusion.
- The fence
- Sawin's early strategy of 'settin' on the fence' symbolizes moral cowardice — hesitating to choose a side until it's clear who will prevail. Lowell employs this image to criticize not only Sawin but also the wider group of Northerners who were indecisive about slavery and secession due to their economic or social interests.
- The lickin'
- The term 'lickin'' (referring to a beating) shows up repeatedly in the poem across different situations — from slaveholders punishing enslaved individuals to bar-room fights that showcase Southern masculinity, as well as military losses. Lowell integrates it into a cohesive theme that ties together the Confederacy's social structure, its culture of violence, and its eventual downfall in the war.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Who is the speaker of this poem, and is he meant to be taken seriously?
The speaker is Birdofredum Sawin, a recurring comic figure in Lowell's Biglow Papers. He’s definitely not meant to be taken seriously—he’s a satirical character, a self-serving opportunist whose every argument reveals his own moral emptiness. Lowell employs dramatic irony here: Sawin believes he’s presenting a compelling case for the Confederacy, but the reader is intended to see through his facade at every turn.
Why is the poem written in such heavy dialect spelling?
Lowell intentionally used a New England dialect in his writing, both to create humor and to connect with a wider audience. This choice also serves a satirical purpose: it portrays Sawin as both uneducated and pompous, effectively undermining his claims to Southern aristocracy. Lowell saw poetry as a means of promoting democratic ideals, and incorporating vernacular speech was key to that vision.
What is the 'Covenant of Works' that Sawin complains about?
In Protestant theology, a 'Covenant of Works' refers to the belief that salvation depends on moral actions—essentially, doing good in the world. Sawin dismisses this concept because he prefers a religion that offers rewards (like the right to own enslaved people) without requiring any ethical conduct. His critique serves as a satirical commentary on how proslavery theology often favored comfort and profit over real moral principles.
What is the 'curse of Ham' argument the preacher makes?
The 'curse of Ham' comes from a passage in Genesis where Noah curses Canaan, the son of Ham. In the antebellum South, proslavery theologians distorted this narrative to argue that Black Africans descended from Ham and were therefore destined by God to be enslaved. This argument gained traction but faced significant backlash. Lowell presents it in Sawin's supportive summary to highlight just how self-serving this reasoning truly was.
Who is 'Jeff' in the poem?
Jefferson Davis was the President of the Confederate States of America. Sawin admires Davis for his authoritarian efficiency—managing the press, quashing dissent, and operating without legislative constraints. Lowell leverages Sawin's admiration to make a sharp argument: the Confederacy's 'efficiency' reflected the efficiency of a dictatorship, and anyone who praised it was essentially endorsing the demise of democratic governance.
Is Lowell being fair to the North in this poem, or is it just pro-Union propaganda?
It’s more nuanced than simple propaganda. In the lengthy closing section, Sawin points out genuine failures of Northern democracy—such as corrupt politicians, unqualified candidates, patronage systems, and rotation in office. Some of these criticisms resonate. Lowell doesn’t argue that the North is flawless; instead, he asserts that its shortcomings, despite being significant, do not excuse slavery or treason. By placing this critique in Sawin's words, it acknowledges the issues while removing any justification for the Confederate cause.
What does 'shinplaster' mean in the poem?
A shinplaster refers to a low-denomination paper currency that often had questionable value, typically used during financial crises when real money was hard to come by. Sawin employs it as a metaphor for Confederate propaganda: similar to worthless currency, it only holds value if people choose to believe in it. This imagery serves as a clever critique of both Confederate finances and their control over information.
What is the overall argument Lowell is making through this poem?
Lowell argues that the Confederacy arose from a mix of self-interest, theological deception, social pretension, and political cowardice. He suggests that individuals like Sawin, who supported it for personal gain, are not exceptions but rather typical representatives. Additionally, he warns the North that its own democratic flaws pose a genuine risk. While the poem is set during wartime, its critique extends to how ordinary people justify moral failures across different periods.
Citation
Cite this poem
MLA
Lowell, James Russell. "Homer Wilbur, A.m." Storgy, https://storgy.com/poems/homer-wilbur-a-m-james-russell-lowell/.
APA
Lowell, J. R. (n.d.). Homer wilbur, a.m. Storgy. https://storgy.com/poems/homer-wilbur-a-m-james-russell-lowell/
Row A — Thesis
1 ptIn James Russell Lowell's satirical dramatic monologue 'Homer Wilbur, A.M.,' the speaker Birdofredum Sawin—a Northern opportunist who has married into a Southern slaveholding family—unconsciously indicts himself at every turn. Lowell …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
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