H. LAWRENCE
New York
B. W. Huebsch
1916
Copyright, 1916, by
The Annotated Edition
H. LAWRENCE by D. H. Lawrence
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It seems that only the copyright and publication information for D.
- Poet
- D. H. Lawrence
- Themes
- death, identity, love
§01Quick summary
What this poem is about
It seems that only the copyright and publication information for D. H. Lawrence's 1916 collection (published by B. W. Huebsch, New York) was provided, rather than the actual text of the poem. Without the lines of the poem, a complete analysis isn't possible, so the details below rely on what is known about Lawrence's poetry from this era and the collection itself.
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
[Poem text not supplied]
Editor's note
No poem lines were included in the submission—only the copyright page from Lawrence's 1916 Huebsch collection was provided. Please provide the complete poem text so we can create a stanza-by-stanza breakdown.
§04Tone & mood
How this poem feels
Cannot determine this without the text of the poem.
§05Symbols & metaphors
Symbols & metaphors
- [Unknown]
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- [Unknown]
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§06Historical context
Historical context
D. H. Lawrence published several poetry collections in 1916, with *Amores* (London: Duckworth) and *New Poems* being the most notable. The New York publisher B. W. Huebsch was his main supporter in America throughout the 1910s, promoting his work during a time when it faced censorship in Britain. At this point, Lawrence was navigating the chaos of World War One, had just married Frieda Weekley, and was under surveillance by British authorities who suspected his pro-German leanings. His poetry from this time captures a blend of intense personal feelings, vivid descriptions of nature, and a strong rejection of industrial modernity — themes that would continue to shape his later novels.
§07FAQ
Questions readers ask
The copyright page mentions a 1916 publication by B. W. Huebsch in New York, aligning with Lawrence's American editions from that year. However, we can't verify the specific poem title and collection without access to the complete text.
Lawrence wrote free verse that feels like it's meant to be spoken — raw, physical, and charged with emotion. He focused on capturing a vivid moment rather than sticking to formal rules, and his poems often shift rapidly between tenderness and rage.
His British publisher, Duckworth, took care of his UK editions, while B. W. Huebsch in New York was an adventurous American publisher open to pushing boundaries with their authors. Lawrence's work stirred enough controversy in Britain that having a distinct American outlet was very important to him.
Love, desire, nature, death, and a profound skepticism about modern industrial life. He was also navigating the grief and dislocation caused by World War One, even if he seldom confronted the war directly.
He is much better known as a novelist — *Sons and Lovers*, *The Rainbow*, and *Lady Chatterley's Lover* are his standout works — but serious poetry readers believe his verse deserves just as much recognition. Philip Larkin, for instance, considered Lawrence one of the great English poets of the twentieth century.
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