The Annotated Edition
GREEKS OF GADARA. by Henry Wadsworth Longfellow
This short dramatic monologue gives voice to the people of Gadara, a pagan community featured in the biblical tale of the Gadarene swine.
- Themes
- death, faith, fear
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
We sacrifice a sow unto Demeter / At the beginning of harvest and another
Editor's note
The speakers begin by defining their religious identity. Sacrificing a sow to Demeter, the goddess of the harvest, and to Dionysus, the god of wine and festivity, during the right seasons was a common Greek religious practice. By mentioning these rituals upfront, the Gadarenes are not admitting guilt — they are claiming legitimacy. Their pigs aren't just livestock; they are part of their worship.
Therefore we prize our herds of swine, and count them / Not as unclean, but as things consecrate
Editor's note
Here, the poem subtly recognizes the Jewish perspective without explicitly stating it. According to Jewish law, pigs are considered unclean. However, the Gadarenes disagree: in *their* tradition, swine hold a sacred status. The term "consecrate" carries significant weight—it changes the interpretation of the entire biblical story. The loss of the herd wasn't just getting rid of something unclean; it was the loss of something revered by these people.
To the immortal gods. O great magician, / Depart out of our coasts; let us alone,
Editor's note
The address shifts from explanation to a heartfelt plea. Referring to Jesus as a "great magician" conveys a sense of genuine awe rather than mockery. The Gadarenes aren’t denying his power; they’re simply terrified of it. The phrase "depart out of our coasts" mirrors the exact wording from the Gospel of Matthew (8:34), anchoring the poem in its source text while allowing the crowd a human voice that the Bible never provides them.
We are afraid of thee.
Editor's note
The poem concludes with a raw, simple admission of fear. There's no anger or hostility—just a genuine sense of dread. Longfellow avoids any simplistic moral judgment. These individuals have just witnessed their sacred animals drown in large numbers, facing an incomprehensible force. The brief, direct final line carries the weight of all that remains unspoken.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The swine
- In the Bible, the pigs play a minor role — merely vessels for demons before becoming victims themselves. In this context, they transform into a key symbol of an entire religious culture. They embody the Gadarenes' beliefs, their seasonal cycles, and their connection to their deities. Their destruction is reinterpreted as an act of desecration.
- Demeter and Dionysus
- These two deities ground the Gadarenes in the Greek religious landscape. Demeter oversees grain and harvest, while Dionysus is in charge of wine and transformation. Together, they span the entire agricultural year, reflecting a community whose faith is deeply intertwined with daily life rather than being abstract or remote.
- The great magician
- This is how the Gadarenes refer to Jesus — not as a god, not as a fraud, but as a magician: someone with genuine and unsettling power that exists beyond their own religious understanding. This label captures their viewpoint accurately. They aren't dismissing him; they're putting him in the only category they have.
- The coasts
- "Our coasts" refers to their territory, borders, and the limits of their known world. When they ask Jesus to depart from their coasts, they are asking him to remain outside the boundaries of their life and culture. This plea is about preserving a way of life, not merely a request for him to leave a specific geographic area.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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