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EUGENE FIELD. by Eugene Field: Summary, Meaning & Analysis

Eugene Field

This piece is a lengthy, humorous letter-essay by Eugene Field written during his time in bed with an illness.

The poem
BUENA PARK, NOVEMBER 15, 1893. I am still sick abed and I find it hard to think out and write a letter. Read between the lines and the love there will comfort you more than my faulty words can. I have often thought, as I saw him through his later years espousing the noblest causes with true-hearted zeal, of what he once said in the old "Saints' and Sinners' Corner" when a conversation sprang up on the death of Professor David Swing. His words go far to explain to me that somewhat reckless humor which oftentimes made it seem that he loved to imitate and hold in the pillory of his own inimitable powers of mimicry some of the least attractive forms of the genus _parson_ he had seen and known. He said: "A good many things I do and say are things I have to employ to keep down the intention of those who wanted me to be a parson. I guess their desire got into my blood, too, for I have always to preach some little verses or I cannot get through Christmastide." He had to get on with blood which was exquisitely harmonious with the heart of the Christ. He was not only a born member of the Society for the Prevention of Sorrow to Mankind, but he was by nature a champion of a working Society for the Prevention of Cruelty to Animals. This society was composed of himself. He wished to enlarge the membership of this latter association, but nobody was as orthodox in the faith as to the nobility of a balky horse, and he found none as intolerant of ill-treatment toward any and every brute, as was he. Professor Swing had written and read at the Parliament of Religions an essay on the Humane Treatment of the Brutes, which became a classic before the ink was dry, and one day Field proposed to him and another clergyman that they begin a practical crusade. On those cold days, drivers were demanding impossible things of smooth-shod horses on icy streets, and he saw many a noble beast on his knees, "begging me," as he said, "to get him a priest." Field's scheme was that the delicate and intelligent seer, David Swing, and his less refined and less gentle contemporary should go with him to the City Hall and be sworn in as special policemen and "do up these fellows." His clear blue eye was like a palpitating morning sky, and his whole thin and tall frame shook with passionate missionary zeal. "Ah," said he, as the beloved knight of the unorthodox explained that if he undertook the proposed task he would surely have to abandon all other work, "I never was satisfied that you were orthodox." His other friend had already fallen in his estimate as to fitness for such work. For, had not Eugene Field once started out to pay a bill of fifteen dollars, and had he not met a semblance of a man on the street who was beating a lengthily under-jawed and bad-eyed bull-dog of his own, for some misdemeanor? "Yea, verily," confessed the poet-humorist, who was then a reformer. "Why didn't you have him arrested, Eugene?" "Why, well, I was going jingling along with some new verses in my heart, and I knew I'd lose the _tempo_ if I became militant. I said, 'What'll you take for him?' The pup was so homely that his face ached, but, as I was in a hurry to get to work, I gave him the fifteen dollars, and took the beast to the office." For a solitary remark uttered at the conclusion of this relation and fully confirmed as to its justness by an observation of the dog, his only other human prop for this enterprise was discarded. "Oh, you won't do," he said. Christianity was increasingly dear to him as the discovery of childhood and the unfolding of its revelations. Into what long disquisitions he delighted to go, estimating the probable value of the idea that all returning to righteousness must be a child's returning. He saw what an influence such a conception has upon the hard and fast lines of habit and destiny to melt them down. He had a still greater estimate of the importance of the fact that Jesus of Nazareth came and lived as a child; and the dream of the last year of his life was to write, in the mood of the Holy-Cross tale, a sketch of the early years of the Little Galilean Peasant-Boy. This vision drifted its light into all his pictures of children at the last. He knew the "Old Adam" in us all, especially as he reappeared in the little folk. "But I don't believe the depravity is total, do you?" he said, "else a child would not care to hear about Mary's Little One;"--and then he would go on, following the Carpenter's Son about the cottage and over the hill, and rejoicing that, in following Him thus, he came back to his own open-eyed childhood, "But, you know," said he, "my childhood was full of the absurdities and strenuosities" (this last was his word) "of my puritan surroundings. Why, I never knew how naturally and easily I can get back into the veins of an old puritan grandfather that one of my grandmothers must have had--and how hard it is for me to behave there, until I read Alice Morse Earle's 'The Sabbath in New England.' I read that book nearly all night, if haply I might subdue the confusion and sorrows that were wrought in me by eating a Christmas pie on that feast-day. The fact is, my immediate ecclesiastical belongings are Episcopalian. I am of the church of Archbishop Laud and King Charles of blessed memory. I like good, thick Christmas pie, 'reeking with sapid juices,' full-ripe and zealous for good or ill. But my 'Separatist' ancestors all mistook gastric difficulties for spiritual graces, and, living in me, they all revolt and want to sail in the Mayflower, or hold town-meetings inside of me after feast-day." Then, as if he had it in his mind,--poor, pale, yellow-skinned sufferer,-- to attract one to the book he delighted in, he related that he fell asleep with this delicious volume in his hand, and this is part of the dream he sketched afterward: "I went alone to the meeting-house the which those who are sinfully inclined toward Rome would call a 'church,' and it was on the Sabbath day. I yearned and strove to repent me of the merry mood and full sorry humors of Christmastide. For did not Judge Sewall make public his confession of having an overwhelming sense of inward condemnation for having opposed the Almighty with the witches of Salem? I fancied that one William F. Poole of the Newberry Library went also to comfort me and strengthen, as he would fain have done for the Judge. Not one of us carried a cricket, though Friend Poole related that he had left behind a 'seemly brassen foot-stove' full of hot coals from his hearthstone. On the day before, Pelitiah Underwood, the wolf-killer, had destroyed a fierce beast; and now the head thereof was 'nayled to the meetinghouse with a notice thereof.' It grinned at me and spit forth fire such as I felt within me. I was glad to enter the house, which was 'lathed on the inside and so daubed and whitened over workmanlike.' I had not been there, as it bethought me, since the day of the raising, when Jonathan Strong did 'break his thy,' and when all made complaint that only £9 had been spent for liquor, punch, beere, and flip, for the raising, whereas, on the day of the ordination, even at supper-time, besides puddings of corn meal and 'sewet baked therein, pyes, tarts, beare-stake and deer-meat,' there were 'cyder, rum-bitters, sling, old Barbadoes spirit, and Josslyn's nectar, made of Maligo raisins, spices, and syrup of clove gillyflowers'--all these given out freely to the worshippers over a newly made bar at the church door-- God be praised! As I mused on this merry ordination, the sounding-board above the pulpit appeared as if to fall upon the pulpit, whereon I read, after much effort: '_Holiness is the Lord's_.' The tassels and carved pomegranates on the sounding-board became living creatures and changed themselves into grimaces, and I was woefully wrought upon by the red cushion on the pulpit, which did seem a bag of fire. As the minister was heard coming up the winding stairs unseen, and, yet more truly, as his head at length appeared through the open trap-doorway, I thought him Satan, and, but for friend Poole, I had cried out lustily in fear. Terror fled me when I considered that none might do any harm there. For was not the church militant now assembled? Besides, had they not obeyed the law of the General Court that each congregation should carry a 'competent number of pieces, fixed and complete with powder and shot and swords, every Lord's-day at the meeting-house?' And, right well equipped 'with psalm-book, shot and powder-horn' sat that doughty man, Shear Yashub Millard along with Hezekiah Bristol and four others whose issue I have known pleasantly in the flesh here; and those of us who had no pieces wore 'coats basted with cotton-wool, and thus made defensive against Indian arrows.' Yet it bethought me that there was no defence against what I had devoured on Christmas day. I had rather been the least of these,--even he who 'blew the Kunk'--than to be thus seated there and afeared that the brethren in the 'pitts' doubted I had true religion. That I had found a proper seat--even this I wot not; and I quaked, for had not two of my kin been fined near unto poverty for 'disorderly going and setting in seats not theirs by any means,' so great was their sin. It had not yet come upon the day when there was a 'dignifying of the meeting.' Did not even the pious Judge Sewall's second spouse once sit in the foreseat when he thought to have taken her into 'his own pue?' and, she having died in a few months, did not that godly man exclaim: 'God in his holy Sovereignity put my wife out of the Foreseat'? Was I not also in recollection by many as one who once 'prophaned the Lord's Day in ye meeting-house, in ye times of ye forenoone service, by my rude and Indecent acting in Laughing and other Doings by my face with Tabatha Morgus, against ye peace of our Sovereign Lord ye King, His crown and Dignity?'" At this, it appears that I groaned in my sleep, for I was not only asleep here and now, but I was dreaming that I was asleep there and then, in the meeting-house. It was in this latter sleep that I groaned so heavily in spirit and in body that the tithing-man, or awakener, did approach me from behind, without stopping to brush me to awakening by the fox-taile which was fixed to the end of his long staffe, or even without painfully sticking into my body his sharp and pricking staffe which he did sometimes use. He led me out bodily to the noone-house, where I found myself fully awakened, but much broken in spirit. Then and there did I write these verses, which I send to you: "Mother," says I, "is that a pie?" in tones akin to scorning; "It is, my son," quoth she, "and one full ripe for Christmas morning! It's fat with plums as big as your thumbs, reeking with sapid juices, And you'll find within all kinds of sin our grocery store produces!" "O, well," says I, "Seein' it's _pie_ And is guaranteed to please, ma'am, By your advice, I'll take a slice, If you'll kindly pass the cheese, ma'am!" But once a year comes Christmas cheer, and one should then be merry, But as for me, as you can see, I'm disconcerted, very; For that pesky pie sticks grimly by my organs of digestion, And that 't will stay by me till May or June I make no question. So unto you, Good friends and true, I'll tip this solemn warning: At every price, Eschew the vice Of eating pie in the morning.

Public domain · sourced from Project Gutenberg

Quick summary
This piece is a lengthy, humorous letter-essay by Eugene Field written during his time in bed with an illness. It combines fond memories of his friend and fellow humorist David Swing with a playful mock-Puritan dream sequence about indulging in Christmas pie. The narrative culminates in a brief comic poem, where Field adopts the role of a stern moralist cautioning against eating pie in the morning — all while hinting that he would gladly do it again. It serves as a personal tribute, an absurdist comedy, and a self-deprecating confession about his troubled stomach.
Themes

Line-by-line

BUENA PARK, NOVEMBER 15, 1893. / I am still sick abed and I find it hard to think out and write a letter.
Field opens with a dateline and candidly admits that he is unwell and having a tough time writing. The instruction to "read between the lines" establishes the tone for the entire piece: the genuine message is one of warmth and affection, rather than the words on the page. This setup also allows him to meander, dream, and joke — after all, he’s a sick man doing his best.
I have often thought, as I saw him through his later years espousing the noblest causes...
Field reflects on his memories of David Swing, a cherished preacher and freethinker from Chicago. When he shares the story of Swing's death, it leads him to delve into his own complex feelings about religion and preaching. His admission that he feels compelled to "preach some little verses" during Christmas, or else he struggles to endure the season, is significant: it reveals that his humor and moral seriousness stem from the same source, just expressed in different ways.
He had to get on with blood which was exquisitely harmonious with the heart of the Christ.
This section honors Field's character by portraying him as someone who was naturally kind to all living beings. The tale of the ugly bulldog stands out — Field spends fifteen dollars, originally set aside for a bill, to save a plain dog from an unkind owner. This illustrates that Field's compassion was both spontaneous and complete, demonstrating that he prioritized maintaining his creative "tempo" alongside his moral instincts, rather than placing one above the other.
Christianity was increasingly dear to him as the discovery of childhood and the unfolding of its revelations.
Here, Field reflects on his theology, which centers around the innocence of childhood. He believed that embracing goodness meant adopting a child's openness, and his unfinished dream was to write about Jesus' boyhood. The passage describing his Puritan ancestors "living in him" and rebelling after Christmas dinner is both humorous and deeply insightful: he experienced his heritage as a physical, internal debate.
Then, as if he had it in his mind,--poor, pale, yellow-skinned sufferer,-- / to attract one to the book he delighted in...
Field transitions into a dream sequence, crafted in a purposely mock-archaic style that mimics Puritan diary entries and legal records. This dream is filled with real historical details — Judge Sewall's public confession, the armed congregation, the disputes over seating — all presented for comedic effect. The humor lies in the fact that Field, a man who savored Christmas pie with delight, finds himself haunted in his dream by the ghost of his Puritan conscience.
At this, it appears that I groaned in my sleep...
The frame collapses in a charming manner here: Field shares that he was dreaming he was asleep within another dream, and his groan in that inner dream caused him to wake up in the outer dream. The tithing-man — whose literal role was to poke sleeping churchgoers awake with a stick — leads him out, and Field finds himself waking up in the "noone-house" (a warming shelter outside the meetinghouse). This humorous setup lays the groundwork for the poem that follows.
"Mother," says I, "is that a pie?" in tones akin to scorning;
The first stanza of the embedded poem presents a lighthearted domestic scene: the speaker feigns suspicion about the Christmas pie but quickly relents and requests a slice with cheese. The rhythm is lively and reminiscent of music hall merriment, and the punchline revolves around the word "sin" — the grocery store’s ingredients are humorously labeled as "all kinds of sin," perfectly capturing the Puritan perspective that Field has been poking fun at throughout.
But once a year comes Christmas cheer, and one should then be merry,
The second stanza packs a humorous moral punch. Field confesses that the pie is still in his stomach and will remain there until May or June, then earnestly advises the reader to "eschew the vice of eating pie in the morning." The humor lies in the contrast between the lofty, sermon-like tone and the utterly trivial topic. This is the "little sermon" he mentioned he always had to deliver at Christmas — and naturally, it’s about pie.

Tone & mood

The tone is warm, rambling, and gently humorous throughout — it's the voice of a witty, well-read man writing from his sickbed to someone he cares about. Underneath the jokes, there's genuine tenderness, particularly in the tribute to David Swing and in Field's thoughts on childhood and faith. The mock-Puritan dream sequence elevates the humor to something nearly farcical, packed with archaic spelling and ridiculous historical details. By the time the poem reaches its conclusion, the tone has settled into the lighthearted self-deprecation of a man who knows exactly what he's doing: delivering a sermon about pie.

Symbols & metaphors

  • The Christmas pieThe pie is the central comic symbol of the entire piece. It represents earthly pleasure, holiday indulgence, and the body's stubborn refusal to align with the soul's higher aspirations. In the Puritan dream, it brings about guilt and indigestion in equal measure. Field uses it to gently poke fun at both Puritan austerity and his own struggle to resist a delightful temptation.
  • The bulldogThe bulldog that Field buys on impulse for fifteen dollars may not be pretty or charming; in fact, he describes its face as something that "ached" from its own homeliness. Yet, this "ugly" dog symbolizes Field's instinctive and practical compassion. Its lack of conventional beauty is precisely what makes the rescue significant, demonstrating that his kindness isn't dependent on charm or any form of reward.
  • The Puritan ancestorsField's imagined Puritan ancestors, who "live in him" and rise up after Christmas dinner, symbolize the ongoing struggle between enjoyment and moral duty. Instead of being a source of shame, they provide comedic relief — like internal hecklers navigating the Mayflower within his gut. They also embody the preaching instinct he could never fully escape.
  • The child / childhoodChildhood in this piece isn't just nostalgia; it's a form of theology. Field truly thought that moral renewal meant embracing a child's openness. His unfinished ambition to write about the boyhood of Jesus stands out as the most profound moment in the entire letter. The child represents a self that hasn't yet been hardened by habits and doctrines.
  • The tithing-man's staffThe Puritan church officer who nudges dozing congregants awake with a stick serves as a humorous representation of conscience — an outside force that demands awareness and conformity. His gentle guidance of Field, without the stick, reflects a small kindness that parallels Field's own compassionate approach to the moral shortcomings of others.

Historical context

Eugene Field wrote this piece in November 1893, just shy of two years before his passing in 1895. His declining health is evident from the very first line, and the letter comes from his home in Buena Park, Chicago. By this time, Field had become one of America’s most cherished newspaper columnists, known for his children's poems and his humor column "Sharps and Flats" in the Chicago Morning News. He honors his friend David Swing in this letter, a well-known Chicago preacher who faced heresy charges in 1874 but was acquitted, earning him a special place in the city's intellectual circles. Swing passed away in October 1894, which means he was still alive when Field wrote this; the letter captures Field's reflections on their friendship and common beliefs. The mock-Puritan dream is inspired by Alice Morse Earle's 1891 book "The Sabbath in New England," which Field clearly enjoyed, pulling out humorous historical details about colonial church life.

FAQ

It’s both, and that’s the point. The work is a personal letter or essay that culminates in a brief comic poem. Field was a newspaper columnist, and this blend—part anecdote, part dream, part verse—was quintessentially his style. The poem at the end is the "little sermon" he claimed he always needed to share at Christmas.

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