The Annotated Edition
Creeds by Henry Wadsworth Longfellow
In just two lines, Longfellow notes that Christianity has divided into various factions — Lutheran, Catholic, and Calvinist — and poses the poignant question: amid all this debate over doctrine, where has the true spirit of Christianity gone.
- Core theme
- Doubt
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Lutheran, Popish, Calvinistic, all these creeds and doctrines three
Editor's note
Longfellow identifies the three main branches of Western Christianity during his time: Lutheranism, which follows Martin Luther; Roman Catholicism, referred to dismissively as 'Popish' in relation to the Pope; and Calvinism, the Reformed tradition inspired by John Calvin. By listing them in one breath, he presents them as mere items in a catalogue rather than as sacred traditions, which already hints at a skeptical and somewhat sardonic tone. The term 'creeds and doctrines' highlights the emphasis on rules and systems rather than on genuine faith. The second line introduces a twist: while all three branches are present and thriving, the speaker questions where *Christianity itself* has gone. This suggests that the disputes over doctrine have overshadowed the essence of the religion. It’s a classic rhetorical technique: accept the premise, then reveal the underlying issue.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The three creeds (Lutheran, Popish, Calvinistic)
- They represent institutional religion as a whole—the way any belief system can harden into rival organizations that care more about their own identity than the ideals they were founded on.
- The number three
- Three holds significant weight in Christian tradition, symbolizing the Trinity and the three days leading up to the resurrection. Counting squabbling denominations with this number instead of focusing on sacred concepts carries a subtle, ironic twist.
- Christianity (unnamed, absent)
- The term 'Christianity' shows up in the poem merely as something that *cannot be found*. This absence is crucial; it symbolizes the original spirit that fades away when doctrine takes control.
§06Form & structure
Form & structure
- Meter
- trochaic octameter
- Rhyme
- AA
§07Historical context
Historical context
§08FAQ
Questions readers ask
Is this poem actually by Longfellow, or did he translate it?
It's probably a translation or a close adaptation of a German epigram. Longfellow was an accomplished linguist and translator, and this type of two-line satirical verse was quite popular in Germany. He published it under his own name, so it's credited to him, but the main idea was already making the rounds in European literature.
What does 'Popish' mean?
'Popish' is a negative term for Roman Catholicism, linked to the Pope. During Longfellow's era, it was often used by Protestants as a way to dismissively refer to Catholics. By placing it alongside the other two terms, Longfellow shows a similar (albeit mild) irreverence toward all three denominations.
What is the poem's structure?
It's a couplet—just two lines—written in trochaic octameter, which creates a long, flowing rhythm that feels chant-like and almost ceremonial. That rhythm adds to the humor: the poem sounds like an official statement while poking fun at formal religion.
What is Longfellow actually criticizing?
He's criticizing sectarianism—the tendency of religious groups to get so wrapped up in their own doctrines and differences that they forget the common values they all profess to share. He's not going after Christianity itself; instead, he's questioning whether the institution has strayed from its own core ideals.
Is this poem anti-religious?
Not quite. It's more of an insider's critique. Longfellow isn't claiming that religion is worthless; rather, he's arguing that the practice of religion, divided into competing groups, has shifted to focus more on identity and power instead of genuine faith. The question at the end suggests that Christianity ought to be present — the issue is that it seems elusive.
Why is the poem so short?
The brevity is the key. An epigram delivers its message in the smallest amount of space, allowing the wit to land all at once. If the same idea were expressed in a longer poem, it would lose its impact. With just two lines, you get both the setup and the punchline nearly at the same time.
What does the poem mean by 'where Christianity may be'?
It means: if these three denominations are all competing to claim they represent true Christianity, and they resemble rival institutions more than the teachings of Christ, then where is the genuine spirit of the religion? This is a rhetorical question — the speaker implies it has been drowned out by the noise.
Citation
Cite this poem
MLA
Longfellow, Henry Wadsworth. "Creeds." Storgy, https://storgy.com/poems/creeds-henry-wadsworth-longfellow/.
APA
Longfellow, H. W. (n.d.). Creeds. Storgy. https://storgy.com/poems/creeds-henry-wadsworth-longfellow/
The study desk
Teaching materials and reference tools prepared for this poem.
Adjacent texts in the archive
Read next
- In the same key
Dover Beach
Matthew Arnold
Read & analyze - In the same key
God's Grandeur
Gerard Manley Hopkins
Read & analyze - In the same key
The Collar
George Herbert
Read & analyze - In the same key
The World Is Too Much with Us
William Wordsworth
Read & analyze - In the same key
Pied Beauty
Gerard Manley Hopkins
Read & analyze - In the same key
The Pulley
George Herbert
Read & analyze