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AUGUST by Henry Wadsworth Longfellow: Summary, Meaning & Analysis

Henry Wadsworth Longfellow

This short poem features August speaking for itself, sharing the origin of its name and what it represents.

The poem
The Emperor Octavian, called the August, I being his favorite, bestowed his name Upon me, and I hold it still in trust, In memory of him and of his fame. I am the Virgin, and my vestal flame Burns less intensely than the Lion's rage; Sheaves are my only garlands, and I claim The golden Harvests as my heritage.

Public domain · sourced from Project Gutenberg

Quick summary
This short poem features August speaking for itself, sharing the origin of its name and what it represents. August reveals that it was named after the Roman Emperor Augustus Caesar and that it embodies the harvest — think golden fields of grain instead of the intense heat of July. It's like a month introducing itself at a gathering and sharing its family background.
Themes

Line-by-line

The Emperor Octavian, called the August, / I being his favorite, bestowed his name
The entire poem consists of a single eight-line stanza, known as an octave, which we can naturally divide into two halves. The first four lines introduce the speaker and its origins. August personifies itself and connects its name to Gaius Octavius, who is more widely recognized as Augustus Caesar, the first Roman Emperor. In Latin, the word *august* translates to 'majestic' or 'venerable,' a title the Emperor embraced. By referring to him as its "favorite," the month humorously suggests a personal connection with the most powerful figure of the ancient world, as if Augustus chose August like one would name a cherished child.
I am the Virgin, and my vestal flame / Burns less intensely than the Lion's rage;
The second half transitions from history to astronomy and agriculture. "The Virgin" stands for Virgo, the zodiac sign that emerges in late August and early September. "The Lion" represents Leo, the sign of July, linked to the height of summer’s intense heat. August presents itself as more serene and dignified compared to the fiery Lion — the harshest days of summer are behind us. "Sheaves" refer to bundles of harvested grain, and the final image of "golden Harvests" as a birthright connects the month to abundance and the fruits of hard work. The tone shifts from a sense of proud heritage to a feeling of quiet, earthy contentment.

Tone & mood

Stately and composed. The month carries itself with the quiet confidence of someone who understands their identity and origins. There's a hint of pride in the references to imperial figures, yet it never crosses into arrogance — by the end, the tone shifts to something more pastoral and serene. Longfellow maintains a formal register that's fitting for a Roman emperor while still feeling warm enough to resonate with a harvest field.

Symbols & metaphors

  • The Emperor Octavian / AugustusAugustus Caesar represents the legacy of imperial rule and historical significance. By referencing him, August links the natural calendar to the development of human civilization and authority.
  • The Lion's rageLeo, the zodiac sign of July, represents the height of summer's heat. By comparison, it makes August seem more measured and composed — the fire is starting to fade.
  • Sheaves and golden HarvestsBundled grain symbolizes abundance and the rewards of hard work. The harvest represents August's 'heritage'—what the month proudly offers—connecting it to the results of diligent effort instead of mere spectacle or coercion.
  • The Virgin (Virgo)The zodiac sign Virgo starts in late August and is associated with purity and calmness. The term 'vestal flame' refers to the sacred fire in Rome that was meticulously maintained, further emphasizing that August embodies a sense of control, dignity, and civility instead of chaos.
  • Vestal flameIn ancient Rome, the Vestal Virgins maintained a sacred flame in the Temple of Vesta. This flame embodies a softer, more lasting warmth — the gentle heat of late summer instead of the fierce blaze of midsummer.

Historical context

Longfellow published this poem in *The Poet's Calendar*, a series of twelve short poems—one for each month—featured in his 1882 collection *In the Harbor*, which came out the year he passed away. Each poem gives a month its own voice and character, drawing inspiration from mythology, astronomy, and nature. Longfellow was part of a long-standing tradition of calendar poetry that dates back to ancient Rome, notably seen in Edmund Spenser's *Mutabilitie Cantos*. By 1882, Longfellow was the most popular poet among English speakers, and these later calendar poems highlight his talent for making classical references feel relatable. By allowing August to speak in the first person—proud of its Roman name but modest about its role in the harvest—he emphasizes his enduring interest in connecting the ancient world with everyday American experiences.

FAQ

The month of August takes on the role of the speaker. Longfellow personifies it, allowing it to express its own name and character. This technique is known as *prosopopoeia* — giving an abstract concept a voice as if it were a person.

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