The Annotated Edition
A SECOND LETTER FROM B. SAWIN, ESQ. by James Russell Lowell
Birdofredum Sawin, an ordinary soldier, writes home after his experience in the Mexican-American War, listing what the war has cost him: one leg, one eye, one arm (mostly), six broken ribs, and a severe case of fever.
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
I spose you wonder ware I be; I can't tell, fer the soul o' me, / Exacly ware I be myself,--meanin' by thet the holl o' me.
Editor's note
Sawin begins with a dark pun: he genuinely doesn’t know where all of himself is, as parts of him have been left behind in Mexico. The joke about not knowing "the holl o' me" introduces the list of lost body parts that comes next and hints at the poem’s main technique—employing comic understatement to reveal something profound and unsettling.
Wen I left hum, I hed two legs, an' they worn't bad ones neither, / (The scaliest trick they ever played wuz bringin' on me hither,)
Editor's note
Sawin talks about his leg amputation with a surprising lack of emotion, holding his own legs accountable for taking him to war in the first place. He responds to the surgeon's reasoning—that the leg was 'mortifyin'' (gangrenous), which justified the amputation—with a wry comment that both legs share the blame for his enlistment. He adds that his wooden prosthetic has at least one perk: it can't get drunk.
I've lost one eye, but thet's a loss it's easy to supply / Out o' the glory thet I've gut, fer thet is all my eye;
Editor's note
Here Lowell packs a double meaning into 'all my eye,' a Victorian slang phrase that means 'nonsense' or 'rubbish.' The glory Sawin was promised turns out to be worthless — it’s, quite literally, all eye and nothing more. He also points out that officers focus on the 'fattest pickins,' highlighting the class divide between officers who benefit and enlisted men who suffer.
Ware's my left hand? Oh, darn it, yes, I recollect wut's come on 't; / I haint no left arm but my right, an' thet's gut jest a thumb on 't;
Editor's note
The casual, almost oblivious way Sawin recalls losing his left arm stands out as one of the poem's most haunting moments. He feels so worn down that he needs to pause and tally his missing pieces. The reference to six uncounted broken ribs, along with his sudden concern about a pension for his wife, deepens the image of a man whom the state has exhausted and cast aside.
I spose you think I'm comin' back ez opperlunt ez thunder, / With shiploads o' gold images an' varus sorts o' plunder;
Editor's note
Sawin now directly challenges the recruiting propaganda. He was promised that Mexico was a land of opportunity, brimming with wealth, easy gold, and churches filled with silver just waiting to be claimed. The truth, however, left him with only rocks in his pockets. Those who remained home and delivered speeches — "sold us to the buzzards" — are portrayed here as the true profiteers of the war's empty promises.
One day a reg'lar shiver-de-freeze, an' next ez good ez bakin',-- / One day abrilin' in the sand, then smoth'rin' in the mashes,--
Editor's note
This stanza captures the physical hardships of campaigning in Mexico: the fluctuating fevers and heat, the swamps, and the climate that shifts from drought to flood. Sawin's analogy of the weather as a teapot is both down-to-earth and humorous, yet the real kicker is that the only lasting memento he brings back is a persistent 'shakin' fever.' The dark humor in claiming that the fever at least gives him 'some gret shakes' is classic Lowell.
But then, thinks I, at any rate there's glory to be hed,-- / Thet's an investment, arter all, thet mayn't turn out so bad;
Editor's note
Sawin attempts to find solace in glory when gold eludes him, yet he realizes that glory, much like pay, only reaches the ranks of generals and colonels. The privates are 'jest the grist thet's put into War's hoppers' — mere raw material fed into a machine. The concluding couplet of this section delivers the poem's most piercing message: officers receive glory as a bonus, while enlisted men are left with nothing but murder.
Wal, arter I gin glory up, thinks I at least there's one / Thing in the bills we aint bed yit, an' thet's the GLORIOUS FUN;
Editor's note
The third false promise — fun and revelry in the 'halls of Montezuma' — falls apart just as quickly. Sawin stood guard in the sun, catching the aroma of the generals' dinner wafting through the door. The only 'revelry' he encountered was being roused by reveille. The stark difference between the officers enjoying their feast inside and the soldier cooking outside paints a clear picture of the war's class divide.
They say the quarrel's settled now; for my part I've some doubt on 't, / 't'll take more fish-skin than folks think to take the rile clean on 't;
Editor's note
With the war behind him, Sawin looks ahead. He's too shattered to enter battle once more, so he thinks about politics or writing — the two fields that demand the least physical effort. His skepticism regarding the peace settlement ('it'll take more fish-skin,' meaning more diplomatic finesse than most realize) establishes the poem's final satirical focus: how military injuries are turned into political leverage.
Now, ez the people's gut to hev a milingtary man, / An' I aint nothin' else jest now, I've hit upon a plan;
Editor's note
Sawin's campaign platform satirizes the hero-worship culture in American politics. His qualifications include a wooden leg, one eye, half an arm, a lack of principles, and a memorable nickname ('Old Timbertoes'). Lowell is clearly poking fun at the fascination with military candidates — Zachary Taylor ran for president on this very premise in 1848. The poem's most quoted line humorously states that "there ain't no kin o' quality in can'idates so useful ez a wooden leg — except a wooden head."
There's one thing I'm in doubt about: in order to be Presidunt, / It's absolutely ne'ssary to be a Southern residunt;
Editor's note
The poem's final turn is its most politically charged. Sawin remarks, with a touch of mock seriousness, that a president must be a Southern resident and own an enslaved person. He urges his correspondent to help raise money to buy him "a low-priced baby" to meet the qualifications — and proposes framing the purchase as a stance against slavery to win over Northern voters who "hate an' cus the very thing they vote fer every day." This represents Lowell's most straightforward critique of Northern complicity in slavery.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The wooden leg
- Sawin's prosthetic leg is the poem's main symbol. It represents all that the war provided to the common soldier in return for what it took away: a substitute that is subpar, dehumanizing, and — as the political satire suggests — strangely more functional than the original. It also brings to life the notion of the soldier as an interchangeable component in a machine.
- Glory
- Glory is viewed as a commodity, something that's promised in recruitment talks and then given solely to the officers. Lowell repeats the term to illustrate how intangible rewards are used to push men to endure real suffering. The pun 'thet's all my eye'—referring to both his lost eye and meaning 'nonsense'—completely undermines the idea.
- The halls of Montezuma
- The phrase, which has become a part of military mythology, captures the dream of conquest — filled with wealth, adventure, and exotic pleasures. Sawin's take on those halls is standing outside in the sun, catching the scent of someone else's dinner. This symbol reveals the disparity between the narrative presented to recruits and the actual experience of enlisted life.
- The teapot
- Sawin's down-to-earth analogy comparing Mexico's climate to his wife Prudence's broken teapot — swinging between drought and flood — serves two purposes. It makes the unfamiliar landscape relatable to a New England audience while also gently nudging the reader to remember the home Sawin departed from and the everyday life that the war has irrevocably altered.
- The account ledger (in the prose coda)
- The mock balance sheet at the poem's end — counting Sawin's wounds against his 'rewards' like dividing three cheers in Faneuil Hall — turns the human cost of war into mere numbers. The structure itself is satirical: treating a man's body as a line item reveals how the state truly values its soldiers.
- The low-priced baby
- Sawin's request for friends to gather funds to purchase an enslaved person so he can qualify for the presidency highlights the brutal hypocrisy of the North. It exposes what polite political language often conceals: that supporting certain candidates meant endorsing slavery, regardless of one's proclaimed beliefs.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Read next