The Annotated Edition
A PROPER TREWE IDYLL OF CAMELOT by Eugene Field
A Proper Trewe Idyll of Camelot is a comic poem that throws a smooth-talking American con artist into the realm of King Arthur and his knights.
- Poet
- Eugene Field
- Themes
- art, freedom, identity
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Whenas ye plaisaunt Aperille shoures have washed and purged awaye / Ye poysons and ye rheums of earth to make a merrie May,
Editor's note
Field opens with a playful nod to Chaucer's well-known April opening from *The Canterbury Tales* — using flowery medieval language to talk about spring cleaning the earth and awakening nature. Right from the first line, he's establishing a mock-medieval romance, giving a wink to readers who will recognize the reference.
Then, wit ye well, ye harte of man ben turned to thoughts of love, / And, tho' it ben a lyon erst, it now ben like a dove!
Editor's note
Spring makes everyone think of love — even the toughest warrior turns soft as a dove. This follows the usual romantic trope, and Field embraces it fully before surprising us later. The old-fashioned grammar ('ben,' 'erst') maintains the playful, parodic tone.
In soche a time ye noblesse liege that ben Kyng Arthure hight / Let cry a joust and tournament for evereche errant knyght,
Editor's note
Arthur announces a tournament, and knights flock in from far and wide — even the famed Joyous-Garde. This is the quintessential Arthurian scene: chivalry, spectacle, and noble camaraderie. Field captures it with warm precision before he begins to tear it apart.
It so befell upon a daye when jousts ben had and while / Sir Launcelot did ramp around ye ring in gallaunt style,
Editor's note
A wounded horseman stumbles into the tournament, foaming at the mouth and about to faint, warning everyone of a terrible evil on the way. It’s pure melodrama — the "medieval horseman with the usual flecks of foam" is a tongue-in-cheek nod to how every Arthurian tale features this kind of frantic messenger.
Then evereche knight girt on his sworde and shield and hied him straight / To meet ye straunger sarasen hard by ye city gate;
Editor's note
The knights prepare for a battle against a monster or a Saracen warrior. Meanwhile, the ladies swoon and scream, terrified that a hippogriff might devour them. Field plays with every cliché in the genre — swooning damsels, brave knights, and a sense of eerie supernatural dread — all to heighten the humor when the stranger actually arrives.
Anon there came a straunger, but not a gyaunt grim, / Nor yet a draggon,--but a person gangling, long, and slim;
Editor's note
The monster is revealed to be a tall American dressed in a cheap suit and a shiny top hat. Field's detailed description of the stranger's eye serves as the poem's comedic highlight — it's the eye of a con artist, a widow-chaser, a manipulator, likened to a dead boiled catfish with capers. The outdated slang ('put-a-nickel-in-and-see-me-work') hits like a punchline.
Then spake Kyng Arthure: "If soe be you mind to do no ill, / Come, enter into Camelot, and eat and drink your fill;
Editor's note
Arthur, always the gracious host, greets the stranger but mishears his name — 'I'm five feet ten' turns into the title 'Sir Fivefeetten.' The humor lies in how Arthur's noble demeanor is entirely misplaced with this con artist, who takes advantage of the royal hospitality without a hint of hesitation.
That night Kyng Arthure's table round with mighty care ben spread, / Ye oder knyghts sate all about, and Arthure at ye heade:
Editor's note
The feast is extravagant, and the drink selection is vast—Field enthusiastically names a dozen medieval wines and ales. Arthur raises his glass in a toast, and soon the entire court is wonderfully inebriated. Meanwhile, the stranger wisely chooses 'willow run' (a mild drink), staying clear-headed while the others indulge.
Now, lithe and listen, lordings all, whiles I do call it shame / That, making cheer with wine and beer, men do abuse ye same;
Editor's note
Field steps into the poem as a self-righteous figure, giving a pretentious lecture about the perils of mixing wine and beer. It parodies the preachy tangents typical of medieval romances, yet it's genuinely amusing because the 'moral' is so trivial, and the hangover description ('ye brenning in ye throat and brasting of ye head') is so striking.
Whenas Aurora from ye east in dewy splendor hied / King Arthure dreemed he saw a snaix and ben on fire inside,
Editor's note
Morning comes, and Arthur wakes up with a brutal hangover, haunted by dreams of snakes and craving an absinthe cocktail. His wife is missing. It turns out every knight finds his wife has disappeared as well. The stranger is nowhere in sight. The disaster is complete — and the twist about where the women have gone is the poem's final punchline.
Oh, then and there was grevious lamentation all arounde, / For nony dame nor damosel in Camelot ben found,--
Editor's note
Every woman in Camelot has fled with the stranger—except for the one he insultingly referred to as 'ye crow,' claiming she couldn't leave because she was too lame. She brings Guinevere's farewell message: the ladies have gone to strike a deal on the Chicago Board of Trade. This punchline shrinks the entire Arthurian legend into a 19th-century financial speculation scheme.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The Stranger's Eye
- The long, grotesque description of the stranger's eye — likening it to a widow's hungry gaze, a winking schemer, and a dead boiled catfish — serves as the poem's main comic symbol. It represents the predatory charm of the American confidence man: calculating, restless, and always elusive.
- Willow Run
- While every knight and king drinks themselves into a stupor, the stranger calmly sips a mild drink. His sobriety symbolizes his edge over the chivalric world — he succeeds not through strength or honor but by maintaining a clear head while everyone else succumbs to drunkenness.
- The Chicago Board of Trade
- The final punchline and the poem's most striking symbol. The Board of Trade — a genuine 19th-century commodity exchange known for its speculation and shrewd transactions — stands for the mercenary, modern American world, which contrasts sharply with Arthurian ideals of love and honor. The ladies aren’t chasing romance; they’re pursuing a business deal.
- The Round Table Feast
- Arthur's lavish banquet, featuring an extensive selection of wines and ales, highlights the excess and self-indulgence lurking beneath Camelot's noble façade. The knights' drunkenness creates an opportunity for the stranger — chivalry undermines itself through its own hospitality.
- The Wounded Messenger
- The foaming, fainting horseman warning of imminent danger is a classic character from Arthurian tales. Field employs this figure to create intense fear, only to shatter that tension when the 'evil' reveals itself to be a tall American wearing a plug hat.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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