The Annotated Edition
When You Are Old by W. B. Yeats
Yeats envisions his beloved, Maud Gonne, as an older woman reflecting on her life.
- Poet
- W. B. Yeats
- Year
- 1893
- Form
- lyric
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
When you are old and gray and full of sleep, / And nodding by the fire, take down this book,
Editor's note
Yeats begins by envisioning his beloved in the distant future—aged, weary, sitting by a fire. The command to "take down this book" feels personal, as if the poem is a letter addressed to her for her to read years down the line. The imagery of the fire and her drowsiness creates a mood of serene contemplation, almost dreamlike. It's a tender moment, capturing just her and the recollection of her younger self.
How many loved your moments of glad grace, / And loved your beauty with love false or true;
Editor's note
Here, Yeats distinguishes himself from the crowd of admirers. Many people adored her — but their affection was linked to her external beauty and charm, which he describes as either "false or true" without much concern for the distinction, as it misses the essential point regardless. The term "glad grace" encapsulates her effortless magnetism, the type that attracts those who don’t dig any deeper.
But one man loved the pilgrim soul in you, / And loved the sorrows of your changing face.
Editor's note
This is the emotional heart of the poem. "Pilgrim soul" stands out as one of Yeats's most powerful phrases—it evokes a restless, searching spirit, one that is on a journey rather than being simply ornamental. He expresses that he loved not only her beauty but also her complexity and sadness, and how her face evolved over the years. This is a bold statement that his love was more profound and genuine than anyone else's.
And bending down beside the glowing bars / Murmur, a little sadly, how love fled
Editor's note
The old woman leans toward the fire's warm grate and quietly talks to herself — or perhaps to the memory of love — reflecting on how it slipped away. The word "fled" carries weight: love didn't just fade away; it ran. It hints that she once had the opportunity to embrace this profound love but chose not to, leaving her only able to whisper about what she has lost.
And paced upon the mountains overhead / And hid his face amid a crowd of stars.
Editor's note
Love is portrayed as a figure that has gone to the mountains and then faded into the stars — vast, distant, and unreachable. The image transitions from the cozy warmth of the fireside to the chilling expanse of the night sky. This striking change in scale makes the loss feel both permanent and cosmic. Love didn’t just exit the room; it vanished from the world altogether.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The book
- The book the old woman takes down is Yeats's own collected verse — the poem itself. This self-referential act connects reading with remembering and presents the poem as a gift that she can truly appreciate only in her old age.
- The fire / glowing bars
- The fireside evokes feelings of warmth, home, and the final flickers of a life well-lived. It’s a timeless symbol of aging and contemplation. The "glowing bars" of the grate also suggest a hint of confinement — a life now spent in small, tranquil spaces.
- The pilgrim soul
- A pilgrim is someone on a spiritual journey without a specific endpoint. By referring to her soul as a pilgrim, Yeats celebrates her restlessness and idealism—traits he admired that transcended mere physical beauty. It lifts her inner life to a level that feels almost sacred.
- The mountains
- The mountains symbolize distance and the unattainable. When love retreats to the mountains, it indicates a withdrawal from the everyday human world into something vast and beyond reach.
- The stars
- Love hiding "amid a crowd of stars" implies it has merged into the vast and indifferent universe. Stars are stunning yet distant and unapproachable—a fitting metaphor for a love that was given but never fully embraced.
§06Form & structure
Form & structure
- Form
- lyric
§07Historical context
Historical context
§08FAQ