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The Wind Sleepers by H. D.

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A restless group of spirits, swept along by the wind, calls on the living to construct an altar and offer songs to help them find peace.

Poet
H. D.
Composed
1916 · Modernist
Core theme
Death
The PoemFull text

The Wind Sleepers

H. D., 1916

Whiter than the crust left by the tide, we are stung by the hurled sand and the broken shells. We no longer sleep in the wind-- we awoke and fled through the city gate. Tear-- tear us an altar, tug at the cliff-boulders, pile them with the rough stones-- we no longer sleep in the wind, propitiate us. Chant in a wail that never halts, pace a circle and pay tribute with a song. When the roar of a dropped wave breaks into it, pour meted words of sea-hawks and gulls and sea-birds that cry discords.

Public domain

Sourced from Project Gutenberg

Study actions

§01Quick summary

What this poem is about

A restless group of spirits, swept along by the wind, calls on the living to construct an altar and offer songs to help them find peace. Forced from their natural home by the sea and the storm, they seek to be remembered and honored. Essentially, the poem is a poignant plea from the displaced dead, urging the living not to forget their existence.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. Whiter / than the crust / left by the tide,

    Editor's note

    The speakers compare their complexion to the pale salt crust left on rocks by the sea — they appear bleached, lifeless, as if they've been discarded by the ocean. This vivid opening image instantly conveys that they are not living beings but rather remnants, much like the debris a wave washes ashore.

  2. We no longer sleep / in the wind--

    Editor's note

    The title's phrase lands here. These spirits once rested in the breeze—they were part of the wild, open air by the coast. Now, that rest is lost. They "awoke and fled through the city gate," which means they've been driven from the natural world into the human realm, or perhaps even out of the world of the living completely. The city gate represents a boundary between these worlds.

  3. Tear-- / tear us an altar,

    Editor's note

    The tone shifts from description to an urgent command. The spirits insist on a ritual: an altar crafted from cliff boulders and rough stones—raw, unpolished, taken directly from the landscape they originated in. The repeated word "tear" conveys genuine violence and desperation. The phrase "propitiate us" stands out: to propitiate means to appease an angry or restless spirit, confirming that these are the dead seeking the rites they are owed.

  4. Chant in a wail / that never halts,

    Editor's note

    The living are taught how to mourn: a continuous, circular chant — no pauses, no end. Walking in a circle is an ancient ritual, and the insistence that it "never stops" implies that the grief owed to these spirits isn't just a one-time act but a lasting responsibility.

  5. When the roar of a dropped wave / breaks into it,

    Editor's note

    The sea interrupts the ritual, demanding that the chant incorporate its presence. The "meted words" — meticulously measured and rationed — must encompass the cries of sea-hawks, gulls, and various seabirds. These birds produce "discords," not harmonies. The tribute to the dead isn't intended to be beautiful or comforting; it should echo the stark, fragmented coast from which these spirits originated.

§04Tone & mood

How this poem feels

The tone is urgent and commanding, carrying a stark, elemental edge. H.D. removes any warmth or sentimentality—the voices here are not grieving; they are demanding. The language has a ritual solemnity to it, resembling an ancient inscription or a priest's directive. Yet beneath that, there's something raw and almost threatening. The spirits aren’t seeking comfort; they are insisting on being recognized.

§05Symbols & metaphors

Symbols & metaphors

Wind
The wind is where these restless spirits naturally dwell — it embodies the wild, untamed essence of those who haven't been mourned properly. To "sleep in the wind" was their way of finding rest, and when they lose that sleep, it indicates their feeling of being lost and unsettled.
The altar of rough stones
The altar made from cliff boulders and uncut stones reflects a straightforward, authentic way of worship—no polish, no civilization. It links the mourning ritual directly to the rugged coastal landscape where the spirits lived, indicating that the tribute to them should also be unrefined and sincere.
The city gate
The gate separates the natural world from the human world, as well as the living from the dead. Escaping through it implies that the spirits have been forced out of their rightful place—they’ve crossed a boundary that they cannot return from.
Sea-hawks, gulls, and sea-birds
These birds are the voices of the coast—harsh and discordant, lacking melody. By insisting on including these cries in their tribute, the spirits make it clear that mourning should reflect the rawness of the wild world, rather than being softened into something more comfortable for the living.
The tide-crust
The white residue left by the retreating tide is how the spirits see themselves — a remnant, a trace, something the sea has left behind and forsaken. It defines their identity as the discarded dead right from the outset.

§06Form & structure

Form & structure

Meter
free verse

§07Historical context

Historical context

H.D. (Hilda Doolittle) was a key figure in Imagism, a movement from the early 20th century that called for clear, sharp images while moving away from the sentimentality of Victorian poetry. She wrote "The Wind Sleepers" at a time when Greek lyric poetry and mythology were particularly influential on her. The poem's structure, featuring ritual commands and a collective voice, resonates with the style of ancient Greek choral odes and the idea of appeasing the restless dead. H.D. divided her life between America and Europe, and her work often explores themes of displacement, exile, and the quest for belonging. This poem embodies those themes: its sea-coast setting reflects her admiration for the Aegean world, and the call for propitiation demonstrates her genuine engagement with ancient religious practices, treating them as emotionally relevant rather than mere historical curiosities.

§08FAQ

Questions readers ask

Who is speaking in this poem?

The speakers represent a collective "we" — a group of restless spirits or the deceased who were once part of the coastal wind and sea. They speak directly to the living, urging them to carry out mourning rituals. H.D. doesn't specify their names, which helps maintain their mythic and universal quality instead of linking them to a single narrative.

What does 'propitiate us' mean?

To propitiate means to appease or pacify a spirit or god with offerings and rituals. In ancient Greek and Roman religions, those who died unburied or without mourning were believed to be restless and possibly threatening. The spirits in this context operate under that same belief — they require a ritual, and until they receive it, they won't find peace.

What is Imagism and how does this poem fit into it?

Imagism was a poetic movement that H.D. co-founded around 1912–1913, with Ezra Pound as a key supporter. The principles were straightforward: choose the precise word, eliminate unnecessary embellishments, and allow a concrete image to convey the emotion. This poem exemplifies that approach — "whiter than the crust left by the tide" conveys more emotion than an entire paragraph of description could, and every word in the piece serves a purpose.

Why does the chant have to be continuous and never halt?

The demand for a continuous chant highlights the age-old belief that mourning is a lasting duty rather than a fleeting moment. Since the spirits are forever displaced, the tribute to them must also endure. This concept echoes the sea itself — waves are relentless, and the song dedicated to those the sea has taken should be just as unceasing.

What is the significance of the 'city gate'?

The city gate serves as a threshold — a boundary separating the wild natural world from the organized human realm, and symbolically, the living from the dead. The spirits passing through it indicate that they’ve been driven out from their natural resting places and now find themselves in a liminal state, which is why they rely on the living to carry out these rites.

Why does the tribute have to include 'discords' rather than beautiful music?

The spirits arise from a rugged, unforgiving coastline — the sounds of that place aren’t harmonious. Gulls and sea-hawks don’t sing sweetly. By insisting on these dissonances, the spirits are demanding that the mourning be genuine and reflect their true nature, rather than be polished into something that comforts the living. The tribute must reflect the harsh reality of their origins.

Is this poem connected to Greek mythology?

Not tied to a specific myth, it captures the essence of ancient Greek religious practices. H.D. drew significant inspiration from Greek lyric poetry and the belief that the deceased need proper rites. Elements like the collective chanting, the construction of altars, and the term "propitiate" all originate from that realm. Consider it less a retelling of a myth and more a poem that resonates within the same emotional and spiritual space.

What is the overall message of the poem?

At its core, the poem insists that we must remember and honor the dead — and those who have been displaced — rather than forget them. The spirits remain restless because they haven't been mourned as they should be. This poem calls for acknowledgment: grief is essential, and the living have a duty to offer the dead a genuine, lasting, and heartfelt tribute.

Citation

Cite this poem

MLA

D., H. "The Wind Sleepers." 1916. Storgy, https://storgy.com/poems/the-wind-sleepers-h-d/.

APA

D., H. (1916). The wind sleepers. Storgy. https://storgy.com/poems/the-wind-sleepers-h-d/

TeacherAP Lit Q1 scaffold — preview

Row A — Thesis

1 pt

In H. D.'s 'The Wind Sleepers,' the speaker's community of exiled, elemental figures not only laments displacement but issues an imperious demand for ritual recognition, insisting that those who have been scoured by sea and wind deserve …

  • Row B — Evidence + Commentary4 pts
  • Row C — Sophistication1 pt
  • Common student errors
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