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The Stork by Eugene Field

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A new baby has arrived, and the poet couldn't be happier.

Poet
Eugene Field
Core theme
Childhood
The PoemFull text

The Stork

Eugene Field

Last night the Stork came stalking, And, Stork, beneath your wing Lay, lapped in dreamless slumber, The tiniest little thing! From Babyland, out yonder Beside a silver sea, You brought a priceless treasure As gift to mine and me! Last night my dear one listened-- And, wife, you knew the cry-- The dear old Stork has sought our home A many times gone by! And in your gentle bosom I found the pretty thing That from the realm out yonder Our friend the Stork did bring. Last night a babe awakened, And, babe, how strange and new Must seem the home and people The Stork has brought you to; And yet methinks you like them-- You neither stare nor weep, But closer to my dear one You cuddle, and you sleep! Last night my heart grew fonder-- O happy heart of mine, Sing of the inspirations That round my pathway shine! And sing your sweetest love-song To this dear nestling wee The Stork from 'Way-Out-Yonder Hath brought to mine and me!

Public domain

Sourced from Project Gutenberg

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§01Quick summary

What this poem is about

A new baby has arrived, and the poet couldn't be happier. He draws on the old folk tale of the stork delivering babies to depict the birth in a gentle, awe-filled manner, celebrating the joy the newborn brings to him, his wife, and their home. The poem serves as a heartfelt love letter to the new child and the family that now embraces them.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. Last night the Stork came stalking, / And, Stork, beneath your wing

    Editor's note

    Field opens by speaking directly to the stork, treating it like a genuine visitor who has just knocked on the door. The term "stalking" lends the stork a purposeful, almost ceremonial walk — this isn’t just a coincidence; it’s a careful delivery. The baby is depicted as "lapped in dreamless slumber," tucked securely under the stork's wing, calm and unaware of the vast world it’s about to enter. "Babyland" and the "silver sea" create a whimsical, mythical birthplace for the child — a realm of pure innocence that lies just beyond the horizon.

  2. Last night my dear one listened-- / And, wife, you knew the cry--

    Editor's note

    Now Field turns to address his wife, and the tone shifts from wonder to warmth and intimacy. "You knew the cry" indicates this isn't their first child — she recognizes a newborn's sound right away, and there's a quiet pride in that understanding. The phrase "a many times gone by" confirms the stork has visited before, anchoring the magical imagery in the real, lived experience of a family that has grown together over time. The husband sees the baby nestled against his wife's chest, and the image is one of pure tenderness.

  3. Last night a babe awakened, / And, babe, how strange and new

    Editor's note

    Here, Field speaks directly to the baby, completing a triptych of addresses: first the stork, then the wife, now the child. He envisions the world through the newborn's eyes — everything is new and strange, from the faces to the sounds to the light. But the baby's serene response serves as the poem's subtle punchline: rather than crying or looking startled, the infant cuddles closer to its mother and drifts back to sleep. That simple, instinctive act of trust is portrayed as the most natural and beautiful thing in the world.

  4. Last night my heart grew fonder-- / O happy heart of mine,

    Editor's note

    The final stanza shifts focus to the father's emotional state. His heart has "grown fonder" — this loving man discovers a deeper capacity for feeling he wasn't aware of before. He urges his heart to sing and celebrate the "inspirations" illuminating his path. The last image of the baby as a "nestling wee" from "'Way-Out-Yonder" connects to the stork mythology, concluding the poem with genuine, uncomplicated joy. The repeated phrase "mine and me" frames the poem, highlighting that this gift is a treasure for the entire family.

§04Tone & mood

How this poem feels

The tone is warm, tender, and genuinely joyful—there's no hint of irony or complexity. Field writes like someone who can't help but smile. The repeated phrase in each stanza ("Last night...") creates a soothing rhythm that perfectly complements the poem's subject, and the direct addresses to the stork, the wife, and the baby feel like sweet, affectionate toasts at a celebration.

§05Symbols & metaphors

Symbols & metaphors

The Stork
The stork represents the mystery and miracle of birth. By incorporating this folk figure, Field maintains the poem's innocence and universal appeal—the stork allows for a discussion of new life without clinical details, keeping the magic alive surrounding the arrival of a child.
Babyland / 'Way-Out-Yonder
This mythical place of origin embodies pure innocence and the unknown. It suggests that a new soul emerges from somewhere beyond typical human experience—a realm of peace and potential before the world shapes you.
The Silver Sea
The silver sea hugs Babyland, evoking a feeling that is both radiant and serene, yet just beyond grasp. It enhances the idea that the child has moved from a magical, pristine realm into the everyday human world.
The Nestling
Calling the baby a "nestling wee" links it to a baby bird—small, vulnerable, and completely reliant on the warmth of those nearby. It also gently expands the bird imagery of the stork, creating a sense that the entire family forms a nest around this new, delicate life.
The Wife's Bosom
The father finds the baby nestled against the mother's chest — the first source of safety and belonging in this new world. This symbolizes maternal love as the cornerstone of home and family.

§06Form & structure

Form & structure

Meter
iambic trimeter
Rhyme
ABCBDEFE ABCBDEFE ABCBDEFE ABCBDEFE

§07Historical context

Historical context

Eugene Field wrote this poem in the late 19th century, a time when American and British culture romanticized childhood and home life. As a father of eight, Field became known as the "poet of childhood," with beloved works like "Wynken, Blynken, and Nod" and "Little Boy Blue." By then, the stork had long been a symbol of childbirth in European and American folklore, stemming from Germanic and Scandinavian traditions. Victorian poetry often embraced sentimentality regarding family and children, and Field fully embraced this style without hesitation. His column in the Chicago Daily News reached a wide audience, and poems like "The Stork" were the kind of touching, relatable verses that families treasured and saved. The poem captures a time when infant mortality was still prevalent, making the arrival of a healthy baby a true reason for community celebration.

§08FAQ

Questions readers ask

What is the poem "The Stork" by Eugene Field about?

It tells the story of a new baby's arrival. Field draws on the folk legend of the stork delivering babies to honor the joy that a newborn brings to his family. In four stanzas, he speaks to the stork, his wife, the baby, and ultimately, his own delighted heart.

Who is the speaker of the poem?

The speaker is likely Field himself, as he was a father of eight and often drew from his personal experiences. He conveys the warmth and relief of a man who has just welcomed a new child into his family.

Why does Field address the stork, the wife, and the baby separately?

Each stanza serves as a toast or tribute to a different figure in the story of the birth. By addressing them directly, the poem creates an intimate and personal atmosphere, as if the speaker is looking at each person (or creature) in the room and expressing gratitude in their own unique way.

Is this the couple's first child?

No. The line "The dear old Stork has sought our home / A many times gone by" clearly indicates that the stork has visited in the past. This family has welcomed several children, which reflects Field's own experience — he had eight kids.

What does "Babyland" mean in the poem?

Babyland is a fictional, magical place where babies originate before their arrival in the world. Field paints a picture of it next to a "silver sea," which adds a whimsical, storybook charm. This imagery reflects his poetic tribute to the mystery of new life’s beginnings.

What is the mood or feeling of the poem?

Pure, uncomplicated joy. There's no sadness, no tension, no irony here. Field is simply a delighted father crafting a cheerful poem, and the lullaby-like rhythm of the repeated "Last night..." structure enhances that warm, celebratory feeling all the way through.

Why does the baby not cry or stare in the third stanza?

Field portrays the baby's calmness as a natural expression of trust and contentment. Rather than being scared by the unfamiliar world, the infant snuggles closer to its mother and drifts off to sleep. This is the poem's most poignant moment — a small being already finding a sense of home.

What literary devices does Field use in this poem?

The main devices include apostrophe (directly addressing the stork, the wife, and the baby), personification (depicting the stork as a thoughtful, gift-bringing visitor), repetition (the "Last night..." opening of each stanza creates a lullaby rhythm), and imagery (the silver sea, Babyland, the nestling). The rhyme scheme is straightforward and consistent, matching the poem's cozy nursery-rhyme feel.

Citation

Cite this poem

MLA

Field, Eugene. "The Stork." Storgy, https://storgy.com/poems/the-stork-eugene-field/.

APA

Field, E. (n.d.). The stork. Storgy. https://storgy.com/poems/the-stork-eugene-field/

TeacherAP Lit Q1 scaffold — preview

Row A — Thesis

1 pt

In 'The Stork,' Eugene Field employs the sentimental imagery of the stork's delivery not only as a charming Victorian nursery convention but also as a structural argument: the arrival of a newborn reorganizes every relationship in the …

  • Row B — Evidence + Commentary4 pts
  • Row C — Sophistication1 pt
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