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The Sermon of St. Francis by Henry Wadsworth Longfellow

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A lark's flight prompts St.

Poet
Henry Wadsworth Longfellow
Core theme
Beauty
The PoemFull text

The Sermon of St. Francis

Henry Wadsworth Longfellow

Up soared the lark into the air, A shaft of song, a winged prayer, As if a soul, released from pain, Were flying back to heaven again. St. Francis heard; it was to him An emblem of the Seraphim; The upward motion of the fire, The light, the heat, the heart's desire. Around Assisi's convent gate The birds, God's poor who cannot wait, From moor and mere and darksome wood Came flocking for their dole of food. "O brother birds," St. Francis said, "Ye come to me and ask for bread, But not with bread alone to-day Shall ye be fed and sent away. "Ye shall be fed, ye happy birds, With manna of celestial words; Not mine, though mine they seem to be, Not mine, though they be spoken through me. "O, doubly are ye bound to praise The great Creator in your lays; He giveth you your plumes of down, Your crimson hoods, your cloaks of brown. "He giveth you your wings to fly And breathe a purer air on high, And careth for you everywhere, Who for yourselves so little care!" With flutter of swift wings and songs Together rose the feathered throngs, And singing scattered far apart; Deep peace was in St. Francis' heart. He knew not if the brotherhood His homily had understood; He only knew that to one ear The meaning of his words was clear.

Public domain

Sourced from Project Gutenberg

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§01Quick summary

What this poem is about

A lark's flight prompts St. Francis of Assisi to deliver a sermon — not to humans, but to the birds gathered at the gate of his convent. He tells them they are doubly blessed by God, who granted them feathers, wings, and the gift of freedom. The birds take off singing, leaving Francis with a sense of deep peace, confident that at least one of them truly understood his message.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. Up soared the lark into the air, / A shaft of song, a winged prayer,

    Editor's note

    The poem begins with a lark soaring into the sky. Longfellow uses three swift metaphors — shaft, song, prayer — to illustrate that for Francis, a bird taking flight is inherently a spiritual act. The lark is more than just a bird; it's a soul making its way home.

  2. St. Francis heard; it was to him / An emblem of the Seraphim;

    Editor's note

    Francis sees the lark as a symbol of the Seraphim, the highest order of angels known for their intense love for God. The repetition of words like 'fire,' 'light,' and 'heat' emphasizes that, for Francis, nature and a yearning for the divine are intertwined.

  3. Around Assisi's convent gate / The birds, God's poor who cannot wait,

    Editor's note

    The scene changes to a gathering of birds at the convent gate. Longfellow refers to them as 'God's poor,' intentionally reflecting the human poor who relied on Franciscan charity. The birds are hungry and restless, much like any group waiting for food.

  4. "O brother birds," St. Francis said, / "Ye come to me and ask for bread,

    Editor's note

    Francis refers to the birds as 'brothers,' reflecting his belief that all creatures are part of one family. He recognizes their hunger but indicates that today’s feeding will involve more than just physical nourishment.

  5. "Ye shall be fed, ye happy birds, / With manna of celestial words;

    Editor's note

    'Manna' refers to the miraculous bread that God provided to the Israelites during their time in the wilderness, so labeling his sermon as 'manna' is quite a statement. Francis quickly clarifies: the words aren't truly his; they're spoken *through* him. He sees himself as a vessel, not the origin.

  6. "O, doubly are ye bound to praise / The great Creator in your lays;

    Editor's note

    This is the core message of the sermon. Francis mentions what God has provided for the birds — feathers, colors, wings, and clean air — and suggests that since they have received so much without asking, they should feel doubly grateful. Their songs themselves are already a way of worship.

  7. "He giveth you your wings to fly / And breathe a purer air on high,

    Editor's note

    The birds' ability to soar above the earth is presented as a divine blessing. There's a subtle envy in this observation: humans are stuck on the ground, while birds enjoy 'breathing purer air up high.' The sermon celebrates the birds, but it also serves as a gentle reminder to humans of what they are missing.

  8. With flutter of swift wings and songs / Together rose the feathered throngs,

    Editor's note

    The birds respond instantly and in harmony — they take flight and scatter, singing. Longfellow portrays this as a sign of the sermon's success, even though we can't truly know what the birds grasped. The image of the flock breaking apart reflects the way a positive message can spread.

  9. He knew not if the brotherhood / His homily had understood;

    Editor's note

    Longfellow takes a step back and acknowledges the obvious: Francis couldn’t know if the birds understood. However, the final couplet clears up the doubt — Francis believes that *one* ear got it, referring to God’s. The sermon wasn’t truly meant for the birds; it was an expression of faith aimed upward.

§04Tone & mood

How this poem feels

The tone is gentle, respectful, and quietly joyful. Longfellow never ridicules or sentimentalizes Francis—he presents the saint's sermon to the birds as entirely natural and sincere. A warmth permeates the entire poem, and the ending conveys peace instead of triumph, preventing it from feeling preachy.

§05Symbols & metaphors

Symbols & metaphors

The lark
The lark begins the poem like a living prayer—its ascent symbolizes the soul's journey toward God. This also inspires Francis to preach, acting as the spark that ignites the entire scene.
Bread / manna
Physical bread symbolizes our basic needs, while the 'manna of celestial words' signifies spiritual nourishment. This contrast highlights the poem's core message: that genuine sustenance transcends mere physicality. Manna also evokes its Old Testament meaning as a divine gift from God.
Wings and flight
Flight often symbolizes freedom, purity, and a connection to God in the poem. The birds' capacity to soar into 'purer air' suggests they inhabit a realm that brings them nearer to the divine than humans.
The convent gate
The gate serves as a boundary between the human religious world and the natural world. The birds gather *at* it instead of inside, subtly hinting that nature maintains its own connection with God, independent of the church's walls.
The scattered flock
When the birds take off, singing as they go in every direction, they symbolize how a sermon or a good idea spreads. The message travels with them, reaching out into the world.

§06Form & structure

Form & structure

Meter
iambic tetrameter
Rhyme
AABB CCDD EEFF GGHH IIJJ KKLL MMNN OOPPQQRR

§07Historical context

Historical context

Henry Wadsworth Longfellow crafted this poem for his 1872 collection *Tales of a Wayside Inn*, inspired by the medieval legend of St. Francis of Assisi (1181–1226), who founded the Franciscan order. Francis is well-known for his radical belief that all living beings are spiritual siblings, and the tale of his sermon to the birds is among the most frequently retold stories from his life, documented in the 13th-century work *The Little Flowers of St. Francis*. Longfellow wrote during a period when American readers were keenly interested in medieval European spirituality as a response to industrial modernity. His rendition stays true to the essence of the legend while being refined into smooth ballad stanzas, making it more approachable for a wide Protestant audience that might not be familiar with the Catholic origins. The poem embodies Longfellow's enduring fascination with the notion that art, nature, and faith all lead to the same truth.

§08FAQ

Questions readers ask

What is the poem actually about?

It shares the well-known story of St. Francis of Assisi giving a sermon to a flock of birds outside his convent. Francis encourages the birds to praise God for the gifts they've received — their feathers, wings, and freedom — and the birds take flight, singing joyfully. The poem concludes with Francis feeling at peace, confident that God understood the message of the sermon, even if the birds did not.

Who is St. Francis and why does he preach to birds?

Francis of Assisi was a 13th-century Italian friar who started the Franciscan religious order. He saw all creatures as siblings in God's creation, so preaching to birds felt completely natural to him — it was just part of his faith. The tale of the bird sermon is one of the best-known stories of his life and can be found in a medieval book called The Little Flowers of St. Francis.

What does the lark represent at the start of the poem?

The lark is depicted as "a shaft of song, a winged prayer" and likened to a soul ascending to heaven. For Francis, it symbolizes the Seraphim — the highest angels — as its upward flight reflects the soul's desire for God. This establishes the spiritual tone for all that comes next.

What does Francis mean when he says the words are 'not mine'?

Francis is intentionally being modest. He claims he's merely a channel — the words originate from God and flow through him, but he doesn't take ownership of them. This concept is a staple in Christian mysticism: the preacher or prophet serves as a vessel rather than the source of divine truth.

What does 'manna of celestial words' mean?

Manna is the miraculous food that God provided from heaven to sustain the Israelites during their time in the desert, as recounted in the Bible's Book of Exodus. By naming his sermon 'manna,' Francis suggests that his words serve as spiritual nourishment for the soul, not just physical sustenance. It's a daring analogy, but he quickly tempers it by clarifying that the words aren't truly his own.

Does the poem say the birds actually understood the sermon?

No — and Longfellow is clear about this. In the second-to-last stanza, he acknowledges that Francis "knew not if the brotherhood his homily had understood." The conclusion is that Francis has faith that one ear understood: God's. The sermon was primarily an act of faith aimed upward, rather than a message meant for the birds.

What is the rhyme scheme and form of the poem?

The poem features rhyming couplets arranged in four-line stanzas (AABB). Each line follows an iambic tetrameter, creating four beats with a da-DUM rhythm. This neat, hymn-like structure complements the devotional themes and makes it enjoyable to read out loud.

What themes does the poem explore?

The main themes are faith, nature, and how they connect. Longfellow depicts the natural world—birds, flight, song—as inherently rich with divine significance. There's also a recurring theme of humility, with Francis emphasizing that the words aren't his, and a reflection on the challenges of communication, questioning whether anyone truly comprehends. Beneath everything lies a subtle contemplation of what it means to honor something larger than oneself.

Citation

Cite this poem

MLA

Longfellow, Henry Wadsworth. "The Sermon of St. Francis." Storgy, https://storgy.com/poems/the-sermon-of-st-francis-henry-wadsworth-longfellow/.

APA

Longfellow, H. W. (n.d.). The sermon of st. francis. Storgy. https://storgy.com/poems/the-sermon-of-st-francis-henry-wadsworth-longfellow/

TeacherAP Lit Q1 scaffold — preview

Row A — Thesis

1 pt

In 'The Sermon of St. Francis,' Longfellow uses the ascending arc of bird flight as a structural and spiritual metaphor to argue that genuine religious devotion dissolves the boundary between speaker and divine source. The saint's true …

  • Row B — Evidence + Commentary4 pts
  • Row C — Sophistication1 pt
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