Skip to content

Sonnet 138 by William Shakespeare: Summary, Meaning & Analysis

William Shakespeare

Sonnet 138 explores a relationship where both partners are aware of the lies they tell each other but decide to maintain the facade.

The poem
When my love swears that she is made of truth, I do believe her though I know she lies, That she might think me some untutor’d youth, Unlearned in the world’s false subtleties. Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false-speaking tongue: On both sides thus is simple truth suppressed: But wherefore says she not she is unjust? And wherefore say not I that I am old? O! love’s best habit is in seeming trust, And age in love, loves not to have years told: Therefore I lie with her, and she with me, And in our faults by lies we flatter’d be.

Public domain · sourced from Project Gutenberg

Quick summary
Sonnet 138 explores a relationship where both partners are aware of the lies they tell each other but decide to maintain the facade. The speaker acts as if he believes his lover is loyal, while she feigns ignorance of his aging. It’s a poem that highlights the little, cozy deceptions that sustain love — or at least the routine of love.
Themes

Line-by-line

When my love swears that she is made of truth, / I do believe her, though I know she lies,
The speaker starts with a bold contradiction: he *knows* she's lying, but he decides to believe her anyway. This isn't a sign of naivety — it's a conscious choice made with full awareness. In just two lines, Shakespeare establishes the central game of the entire poem.
That she might think me some untutored youth, / Unlearned in the world's false subtleties.
He allows her to believe he's young and naive enough to be deceived. There's a twist of irony here: he's acting innocent while fully aware of the trickery. Age and experience are subtly emerging in the poem as a source of insecurity.
Thus vainly thinking that she thinks me young, / Although she knows my days are past the best,
Now the mask slips further. He acknowledges that she likely sees through his act as well — she knows he's getting older. The word *vainly* carries a lot of weight: it suggests both 'foolishly' and a touch of vanity, reflecting the wounded pride of a man who wishes to appear younger than his years.
Simply I credit her false-speaking tongue: / On both sides thus is simple truth suppressed.
The mutual nature of the deception becomes clear. Neither party is the villain; both share the blame. The 'simple truth' is hidden on *both* sides — the poem shifts from personal self-deception to a collective, almost contractual dishonesty.
But wherefore says she not she is unjust? / And wherefore say not I that I am old?
A couple of rhetorical questions that get right to the point. Why can't they just be honest? The questions linger in the air for a moment, creating a truly uncomfortable silence before they’re answered.
O, love's best habit is in seeming trust, / And age in love loves not to have years told.
The closing couplet offers a wry ending to the poem: the best 'habit' of love—referring to both costume and custom—is the *appearance* of trust, rather than the genuine article. Older lovers, in particular, prefer that their age not be mentioned aloud. There's a sense of resignation, mixed with a bit of sadness, and a dark humor that runs through it all.

Tone & mood

Wry and self-aware, with a hint of melancholy. Shakespeare isn't outraged or heartbroken here — he seems almost amused by the whole situation, like someone chuckling at a bad habit they can't quite kick. The tone feels confessional yet cool, intimate but without sentimentality.

Symbols & metaphors

  • Lying / false-speaking tongueDeception in this context isn’t just about being villainous — it’s what helps the relationship function smoothly. The lies illustrate the difference between romantic ideals and the more complicated reality of lasting desire.
  • Youth / ageThe speaker's aging body is what he most wants to conceal. Age represents vulnerability, along with the fear of being perceived as inadequate or undesirable, and the relentless passage of time that diminishes both beauty and passion.
  • Seeming trustThe *appearance* of trust replaces the genuine article. It reflects the performative aspect of this relationship — and, by extension, many others — where the shared fiction takes precedence over the underlying truth.
  • The untutored youthThe persona of the naive young man that the speaker pretends to embody reflects the self we present for a lover's sake and shows how desire can lead adults to willingly act innocent.

Historical context

Shakespeare wrote his 154 sonnets mainly in the 1590s, but they weren't published until 1609. Sonnet 138 is part of a series that addresses the so-called 'Dark Lady,' a mysterious figure whose identity remains unknown. Unlike the idealized beloved found in earlier Renaissance poetry—like Petrarch's Laura—the Dark Lady is depicted with striking realism: she has flaws, the relationship is morally complex, and the speaker is acutely aware of his own self-deception. Interestingly, this sonnet has an earlier version that appears in a 1599 anthology called *The Passionate Pilgrim*, suggesting that Shakespeare revised it over time. The poem fits into a long tradition of anti-Petrarchan verse that intentionally disrupts the conventions of courtly love by portraying love as it often is: messy, compromised, and supported by convenient fictions.

FAQ

It's about a couple who deceive one another: she acts as if she's faithful, while he pretends to trust her and to be younger than his actual age. They both silently agree to maintain this facade, finding it simpler than facing the truth.

Similar poems