Skip to content

The Annotated Edition

PART SECOND. by Henry Wadsworth Longfellow

Summary, meaning, line-by-line analysis & FAQ.

Read aloud in ~1 min

Part Second is the central part of Longfellow's *Tales of a Wayside Inn*, a poem that uses a frame-narrative format where a group of travelers at an inn in Massachusetts share stories in verse.

Poet
Henry Wadsworth Longfellow
Themes
faith, identity, justice
The PoemFull text

PART SECOND.

Henry Wadsworth Longfellow

Prelude The Sicilian’s Tale The Bell of Atri Interlude The Spanish Jew’s Tale Kambalu Interlude The Student’s Tale The Cobbler of Hagenau Interlude The Musician’s Tale The Ballad of Carmilhan Interlude The Poet’s Tale Lady Wentworth Interlude The Theologian’s Tale The Legend Beautiful Interlude The Student’s Second Tale The Baron of St. Castine Finale

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

Part Second is the central part of Longfellow's *Tales of a Wayside Inn*, a poem that uses a frame-narrative format where a group of travelers at an inn in Massachusetts share stories in verse. Similar to Chaucer's *Canterbury Tales*, each story is told by a different narrator — including a Sicilian, a Spanish Jew, a Student, a Musician, a Poet, and a Theologian — with topics ranging from romantic legends to moral fables. The "Preludes," "Interludes," and "Finale" serve to connect the stories, depicting the group as they chat, laugh, and reflect together around the fire.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. Prelude

    Editor's note

    The Prelude begins Part Second just like it did for the first part: the travelers settle in again, the mood returns, and the reader is brought back to the warm inn atmosphere. Longfellow uses these framing passages to create a sense of continuity, making the collection feel like one cohesive evening rather than a scattered anthology.

  2. The Sicilian's Tale / The Bell of Atri

    Editor's note

    The Sicilian tells the story of *The Bell of Atri*, a medieval Italian legend featuring a bell in the town square that anyone can ring to call for justice. An old knight ignores his loyal horse, which ultimately rings the bell on its own. The king decides in favor of the horse. This fable highlights the themes of justice and the responsibility we have to care for all creatures, even animals.

  3. The Spanish Jew's Tale / Kambalu

    Editor's note

    *Kambalu* takes the group to Kublai Khan's court, inspired by Marco Polo's journeys. The Spanish Jew shares stories of the Khan's splendid city and the marvels of the East, mixing history with a touch of fantasy. This narrative highlights the allure of the exotic and showcases storytelling's ability to transport listeners through time and space.

  4. The Student's Tale / The Cobbler of Hagenau

    Editor's note

    The Student recounts the story of a humble cobbler in the German town of Hagenau who experiences the supernatural. This tale belongs to the tradition of German folk legends, blending the ordinary aspects of craft and labor with the eerie. It showcases the Student's fascination with folklore and the moral lessons found in everyday life.

  5. The Musician's Tale / The Ballad of Carmilhan

    Editor's note

    *The Ballad of Carmilhan* tells the haunting tale of a ghost ship and a fateful voyage — it stands out as one of the collection's darkest stories. The Musician's choice of theme resonates with his character: the narrative features a strong, driving rhythm that echoes the sea's allure, while its eerie atmosphere captures the essence of an old sailor's warning.

  6. The Poet's Tale / Lady Wentworth

    Editor's note

    The Poet narrates the story of Martha Hilton, who went from being a servant girl to becoming Lady Wentworth, the wife of New Hampshire's royal governor. This New England story is based on real events, and the Poet highlights themes of beauty, social change, and the unexpected twists that life can bring.

  7. The Theologian's Tale / The Legend Beautiful

    Editor's note

    *The Legend Beautiful* serves as the spiritual heart of Part Second. A monk in his cell experiences a vision of Christ but is soon called away to feed the poor at the monastery gate. When he returns, the vision remains, and he hears the words: "Hadst thou stayed, I must have fled." This tale suggests that active charity is a form of worship — serving others *is* the vision.

  8. The Student's Second Tale / The Baron of St. Castine

    Editor's note

    The Student recounts a story set in colonial New England and New France about the French Baron of St. Castine. He immersed himself in the Wabanaki culture of Maine, married the daughter of a chief, and created a life that straddled two worlds. This tale explores themes of identity, exile, and the blending of cultural boundaries on the American frontier.

  9. Finale

    Editor's note

    The Finale wraps up Part Second as the evening comes to an end. Longfellow uses this moment for the travelers to contemplate what they’ve experienced and to indicate that the night — along with the collection's central movement — is nearing its conclusion. The tone is warm and a bit nostalgic, recognizing that the joys of good company and great stories are fleeting.

§04Tone & mood

How this poem feels

Warm and inviting at the frame level — the inn scenes evoke the feeling of a pleasant evening with friends. Within the individual stories, the tone changes significantly: it's serious and just in *The Bell of Atri*, eerie and fatalistic in *The Ballad of Carmilhan*, quietly devout in *The Legend Beautiful*, and romantically adventurous in *Kambalu* and *The Baron of St. Castine*. Longfellow masterfully unifies these diverse tones with a calm, unhurried narrative voice that maintains a genuine enjoyment of storytelling itself.

§05Symbols & metaphors

Symbols & metaphors

The Bell of Atri
The bell represents justice that is available to all — even, as the fable suggests, to a silent animal. It embodies the principle that the law should address real needs, rather than only cater to those with power or a voice.
The inn and the fireside
The Wayside Inn embodies the spirit of community and oral storytelling. The fire that brings travelers together reflects our age-old desire to gather, share tales, and understand the world in each other's company.
The phantom ship in Carmilhan
The ghost ship represents a timeless symbol of doom and the mysterious force of the sea. It serves as a reminder that nature — particularly the ocean — follows its own rules, showing no concern for human hopes or prayers.
The monk's vision in The Legend Beautiful
The vision of Christ waiting for the monk's return symbolizes grace that rewards compassionate acts instead of punishing them. This perspective reshapes our understanding of religious devotion: the sacred resides in service, not in retreating from the world.
The Baron's life between two worlds
St. Castine's life with the Wabanaki reflects a frontier where rigid identities blur. He embodies both French and Indigenous influences, prompting us to consider issues of belonging, loyalty, and the true essence of home.

§06Historical context

Historical context

Longfellow released *Tales of a Wayside Inn* in three volumes between 1863 and 1874. The second part came out in 1872, during the last decade of his life, when he was America's most celebrated poet. The structure is inspired by Chaucer's *Canterbury Tales* and Boccaccio's *Decameron*, featuring a group of unique characters who share their stories in turn. The actual Wayside Inn still exists in Sudbury, Massachusetts. Longfellow sourced his tales from a wide array of inspirations, including Italian legends, Marco Polo's travels, German folklore, Norse sea ballads, New England history, and medieval hagiography. Part Second offers the greatest variety in tone and setting among the three parts, shifting from medieval Italy to Kublai Khan's China to the colonial American frontier, all woven together by the warmth of a single fictional evening.

§07FAQ

Questions readers ask

The middle section of *Tales of a Wayside Inn* is a long narrative poem by Longfellow, released in three parts. The entire work mimics *The Canterbury Tales*, featuring a group of travelers at an actual Massachusetts inn who take turns sharing stories in verse.

Read next

Poems in the same key