Skip to content
Storgy

The Annotated Edition

ON DIANA AND APOLLO. by Horace

Summary, meaning, line-by-line analysis & FAQ.

Read aloud in ~1 minOpen reading mode →

This brief ode by Horace invites young Romans to honor the twin gods, Diana and Apollo.

Poet
Horace
Themes
faith, identity, nature
The PoemFull text

ON DIANA AND APOLLO.

Horace

Ye tender virgins, sing Diana; ye boys, sing Apollo with his unshorn hair, and Latona passionately beloved by the supreme Jupiter. Ye (virgins), praise her that rejoices in the rivers, and the thick groves, which project either from the cold Algidus, or the gloomy woods of Erymanthus, or the green Cragus. Ye boys, extol with equal praises Apollo's Delos, and his shoulder adorned with a quiver, and with his brother Mercury's lyre. He, moved by your intercession, shall drive away calamitous war, and miserable famine, and the plague from the Roman people and their sovereign Caesar, to the Persians and the Britons. * * * * *

Public domain

Sourced from Project Gutenberg

§01Quick summary

What this poem is about

This brief ode by Horace invites young Romans to honor the twin gods, Diana and Apollo. Through their songs dedicated to these mighty deities, the worshippers seek to gain their favor, hoping to divert war, famine, and plague away from Rome and toward its foes. In essence, it's a prayer wrapped in musical form.

§02Themes

Recurring themes

§03Line by line

Stanza by stanza, with notes

  1. Ye tender virgins, sing Diana; ye boys, sing Apollo with his unshorn hair...

    Editor's note

    Horace starts with a straightforward invitation to worship, splitting the choir by gender: girls go to Diana, boys to Apollo. Apollo's "unshorn hair" signifies his eternal youth and divinity—Roman gods traditionally wore long hair to symbolize their sacred power. Latona, the twins' mother, is introduced right away, emphasizing that these two deities are part of a family and that Jupiter's love for her grants them their divine status.

  2. Ye (virgins), praise her that rejoices in the rivers, and the thick groves...

    Editor's note

    This section connects Diana to the rugged landscape. Algidus, Erymanthus, and Cragus are actual mountains and forests tied to hunting and wild nature — Diana's domain. Mentioning these locations goes beyond mere geography; it illustrates her influence extending across the known world, from Italy to Greece to Asia Minor. The terms "cold," "gloomy," and "green" lend each place its unique atmosphere, portraying Diana as a goddess with many wild aspects.

  3. Ye boys, extol with equal praises Apollo's Delos, and his shoulder adorned with a quiver...

    Editor's note

    Delos is the sacred island where Apollo was born, so naming it shows deep respect. The quiver on his shoulder indicates his identity as an archer-god, while Mercury's lyre — whether borrowed or shared — connects him to music and poetry. Horace, being a poet himself, subtly reminds us that Apollo is his patron deity, turning this hymn into a personal declaration of loyalty.

  4. He, moved by your intercession, shall drive away calamitous war, and miserable famine...

    Editor's note

    The poem's purpose becomes clear here. All the praise and ritual singing aim to persuade Apollo to safeguard Rome. War, famine, and plague are redirected "to the Persians and the Britons"—Rome's far-off enemies. By mentioning Caesar alongside the Roman people, the poem connects divine protection to the imperial project, making it both a political and a religious work.

§04Tone & mood

How this poem feels

The tone is ceremonial and confident—this feels like a public prayer meant for vocal delivery rather than a quiet reflection. It’s clear that the gods will hear this; the poem takes for granted that the ritual is effective. Beneath the seriousness, there’s a sense of civic pride: Rome is worthy of divine protection, and Caesar is worthy of being mentioned alongside the gods.

§05Symbols & metaphors

Symbols & metaphors

Unshorn hair
Apollo's long, uncut hair symbolizes his eternal youth and divine nature. In Roman culture, cutting hair was linked to mourning or submission, so a god who never trims his hair represents one who never ages and never submits.
The quiver
Apollo's quiver symbolizes his ability to unleash plague and destruction from afar. In ancient times, arrows were seen as a means of delivering sudden and mysterious death. The same weapon that brings death can also offer protection, which is precisely what Horace is requesting from Apollo in this context.
Mercury's lyre
The lyre links Apollo to music, poetry, and the idea of civilised order. Its presence next to the quiver highlights Apollo's dual nature: both destructive and beautiful. For the poet Horace, this duality holds significant personal meaning.
Wild landscapes (Algidus, Erymanthus, Cragus)
These mountains and forests represent the wild natural world that Diana rules. They aren't just for show — they belong to her, and naming them acknowledges the extent of her power.
Persians and Britons
These two groups are located at opposite ends of the known Roman world — one in the east and the other in the west. The act of sending Rome's troubles their way is a rhetorical strategy that shapes Roman identity around its borders, portraying the empire as a civilised centre worthy of divine favour.

§06Historical context

Historical context

Horace (65–8 BCE) wrote during Augustus Caesar's reign, a time marked by a focused cultural and religious revival following years of civil war in Rome. Augustus championed the old Roman gods as part of his political strategy, with poets like Horace playing a key role in this initiative. This ode is part of a tradition known as *carmina*, intended for public recitation at religious festivals. The combination of Diana and Apollo holds particular significance: Augustus was personally devoted to Apollo, and together, the twin gods symbolize the balance between nature and civilization, as well as femininity and masculinity. Horace’s plea for Apollo to direct war and plague toward Rome's enemies, rather than merely eliminating them, reveals a tough Roman perspective: divine protection is not meant for all, but rather for one's own tribe. Though brief, the poem carries considerable political significance.

§07FAQ

Questions readers ask

It follows Roman religious traditions. Diana was the goddess of chastity, the hunt, and the moon, often linked to young women and their passage into adulthood. Apollo represented music, prophecy, and the sun, embodying the masculine ideal for young men. Splitting the choir this way reflects the social roles that each deity was believed to represent.

Read next

Poems in the same key

Similar poems

TO AUTUMN. — John KeatsODE TO A NIGHTINGALE. — John KeatsThe Waste Land — T. S. EliotPied Beauty — Gerard Manley Hopkins

More by Horace

Browse all Horace poems →

Themes in this poem

Poems about faithPoems about identityPoems about naturePoems about war