The Annotated Edition
Notices of an Independent Press by James Russell Lowell
This piece is James Russell Lowell's satirical preface to *The Biglow Papers*.
- Core theme
- Art
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
[I have observed, reader (bene-or male-volent, as it may happen)...
Editor's note
The fictional Reverend Wilbur begins with a lengthy, tongue-in-cheek explanation of why he's chosen to write his own press notices instead of waiting for genuine ones. He likens this practice to circus handbills and patent-medicine testimonials, emphasizing that literary blurbs are simply performative and lack any real truth. The humor arises from his earnest justification of a thoroughly cynical act.
_From the Universal Littery Universe_. Full of passages which rivet the attention...
Editor's note
The first fake review pokes fun at overly enthusiastic, empty praise. It describes the book as 'unique,' suggests it for schools, and hails it as a victory of 'purely aboriginal, indigenous, native, and American literature' — stacking synonyms to mask its lack of specific content. The humor lies in the reviewer applauding the author for straying from English grammar while writing in perfectly standard English.
_From the Higginbottomopolis Snapping-turtle_. A collection of the merest balderdash...
Editor's note
The second notice parodies the harsh partisan attack review. It labels the author a 'vulgar buffoon' and the editor a 'talkative, tedious old fool,' while subtly suggesting that 'British gold' has corrupted the author—a common smear of the time. Like the glowing review, this one is just as hollow, but in the opposite way.
_From the Oldfogrumville Mentor_. We have not had time to do more than glance...
Editor's note
This notice humorously mocks the reviewer who confesses to not having read the book yet spends considerable time praising the paper quality and print size. He provides vague, cautious criticism, suggesting that 'a passage or two might have been retrenched,' and concludes by calling it 'an appropriate ornament to the centre table' — the epitome of a hollow compliment.
_From the Dekay Bulwark_. We should be wanting in our duty as the conductor...
Editor's note
A parody of the self-righteous, politically charged review. The reviewer denounces the book as an assault on "slavery, war, the social glass, and all the valuable and time-honored institutions" — unintentionally showing that the book's real targets (slavery and war) are issues he feels are worth defending. Lowell leverages the reviewer's own arrogance to highlight his moral emptiness.
_From the Bungtown Copper and Comprehensive Tocsin_. Altogether an admirable work...
Editor's note
This mocks the overly elaborate, pseudo-intellectual rave review filled with contradictory praise ('boisterous yet delicate'), trendy critical buzzwords ('objective and subjective'), and lofty nationalist imagery (the 'proud genius of our country' with one foot on the Aroostook and the other on the Rio Grande). It perfectly captures the essence of mid-19th-century American literary nationalism.
_From the Saltriver Pilot and Flag of Freedom_. A volume in bad grammar and worse taste...
Editor's note
Another harsh attack notice, this time aimed at the dialect writing as evidence of inferior breeding. The reviewer's anger that the poems were published in 'obscure newspapers' before making it into a book adds an interesting twist—suggesting he overlooked them until they became too prominent to ignore. The reference to General Cushing ties the satire to the genuine political controversies of the 1840s.
_From the World-Harmonic-Æolian-Attachment_. Speech is silver: silence is golden...
Editor's note
This parody is the longest and most intricate, taking aim at the style of criticism associated with Carlyle — filled with compound hyphenated words, grand statements, and vague pronouncements. Lowell imitates Thomas Carlyle's prose so accurately (the 'thunder-scarred, semi-articulate' soul, the 'Nibelungen-lays' and 'Iliads') that it feels like both an homage and a critique. The reviewer's disdain for the fictional editor Wilbur serves as a joke about critics who idolize genius while overlooking basic decency.
_From the Onion Grove Phoenix_. A talented young townsman of ours...
Editor's note
The final fake notice presents a spoof letter from the renowned German scholar 'Von Humbug'—a name that says it all—crafted in comically broken English. The tale of custom-house officers confiscating his book, along with the call to inform the State Department, pokes fun at American literary nationalism's relentless craving for validation from Europe.
Zekle crep' up, quite unbeknown, / An' peeked in thru the winder,
Editor's note
The embedded poem "The Courtin'" changes the tone of the piece entirely. Written in a New England dialect, it narrates the story of Zekle sneaking up to court Huldy, with both feeling tongue-tied and anxious until he finally kisses her, leading to them being 'cried in meetin'' (meaning their banns announced at church). It's warm, humorous, and truly tender—a genuine poem tucked inside a satire about insincere ones, which is precisely Lowell's argument about the true home of authentic American literature.
SATIS multis sese emptores futuros libri professis...
Editor's note
The closing Latin mock-advertisement, credited to Wilbur himself, teases an upcoming scholarly work on the natural history of the 'Humbug' beetle. It's a playful final joke: Wilbur humorously details his own credentials (president, secretary, and the only member of the Jaalam natural history society), and the title of the work serves as an ideal summary of the entire piece — a thorough scientific examination of the humbug.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The fake press notices
- Each invented review represents a different type of critical dishonesty: meaningless praise, biased attacks, superficial reading, jingoistic bluster, and pretentious posturing. Together, they create a framework illustrating how literary culture struggles to connect with real writing.
- Von Humbug
- The fictional German scholar, whose name literally translates to fraud, highlights American literature's desire for European approval. His poor English and the controversy surrounding his plagiarized book poke fun at the notion that a work's legitimacy relies on foreign validation.
- The dialect in 'The Courtin''
- Zekle and Huldy's New England speech — 'unbeknown,' 'pootiest,' 'pitypat' — stands in stark contrast to the inflated critical language that surrounds it. Their dialect conveys authenticity, a deep local connection, and real emotion, offering a refreshing alternative to the empty universalism of the insincere reviews.
- The circus / band wagon
- Wilbur likens his self-promotion to a circus parade coming to town, honestly admitting that all book publicity is a show. By calling it out, he takes away its power and brings the reader into the humor.
- The Humbug beetle (Scarabaeus Bombilator)
- The closing Latin advertisement presents the humbug as a creature deserving of natural-history examination. It implies that fraud and pretension aren't moral shortcomings but rather inherent characteristics of the literary ecosystem, just as natural and classifiable as any insect.
§06Historical context
Historical context
§07FAQ
Questions readers ask
Is this actually a poem, or is it prose?
It mainly consists of prose satire, featuring one authentic dialect poem, "The Courtin'," woven into it. Lowell included it as the preface to The Biglow Papers, a collection of verses, placing it at the intersection of essay and poetry. This piece functions more as a literary performance than a traditional lyric poem.
Who is Reverend Homer Wilbur, and is he real?
Wilbur is a fictional character created by Lowell to serve as the 'editor' of The Biglow Papers. He’s a pompous yet well-meaning small-town clergyman who takes himself far too seriously. The humor lies in the contrast between his elaborate scholarly pretensions and the poems, which are written in rough Yankee dialect. Through Wilbur, Lowell pokes fun at a specific type of pretentious scholarly respectability.
What is Lowell making fun of with all the fake reviews?
He is going after multiple issues at once: paid puffery (reviews purchased by publishers), partisan attacks (reviews that assess books based on political loyalty rather than quality), lazy reviewing (complimenting the paper and typeface without having read the book), excessive nationalist criticism, and the Carlylean approach of faux-profound literary commentary. Each of these fake notices represents a distinct form of critical dishonesty.
What is the 'Carlylean' style Lowell is parodying in the World-Harmonic notice?
Thomas Carlyle was a highly influential Scottish writer known for his unique prose style, characterized by compound hyphenated words, sweeping generalizations, and a tone that often felt urgent and prophetic. The 'World-Harmonic-Æolian-Attachment' notice captures this precisely — phrases like 'thunder-scarred, semi-articulate,' 'Nibelungen-lays,' and 'Infinite Sorrow' demonstrate how such a style can convey emptiness while still sounding deep.
What is 'The Courtin'' doing inside this satirical preface?
It’s the genuine article among all the imitations. Lowell presents it as a poem 'loaned by a friend' and printed almost by chance, adding to its authenticity compared to anything heralded with fanfare. The warmth and detail of Zekle and Huldy's romance — the crackling fire, the apple-peeling, the stolen kiss — embodies everything the fake reviews brag about but fail to truly convey.
What does 'cried in meetin'' mean at the end of 'The Courtin''?
In 19th-century New England Protestant practice, a couple's intention to marry was publicly announced in church ('cried' or 'published') on three consecutive Sundays before the wedding—this was known as 'reading the banns.' So, the last lines indicate that Zekle and Huldy got engaged, and their upcoming marriage was shared during the Sunday service. It wraps up their story in a delightfully efficient way.
Why does Lowell write some of the fake notices in Latin?
The Latin mock-advertisement at the end is Wilbur's own self-parody — he lists his credentials in overly grand scholarly terms, only to reveal that he is the sole member of his own learned society. Using Latin, which signals academic prestige, for a joke about a 'Humbug beetle' cleverly undercuts that prestige while also demonstrating that Lowell actually knows Latin.
Was Lowell really against the Mexican-American War?
Yes, absolutely. The Biglow Papers is fundamentally an anti-war and anti-slavery satire. The 'Dekay Bulwark' notice, which criticizes the book for its stance against 'slavery, war, the social glass, and all the valuable and time-honored institutions,' is humorous precisely because the reviewer is defending what Lowell saw as unjustifiable. The reviewer’s anger is exactly the point.
Citation
Cite this poem
MLA
Lowell, James Russell. "Notices of an Independent Press." Storgy, https://storgy.com/poems/notices-of-an-independent-press-james-russell-lowell/.
APA
Lowell, J. R. (n.d.). Notices of an independent press. Storgy. https://storgy.com/poems/notices-of-an-independent-press-james-russell-lowell/
Row A — Thesis
1 ptIn 'Notices of an Independent Press,' James Russell Lowell exposes the literary marketplace as a theater of manufactured reputation, arguing that critical praise and condemnation are purchased performances rather than honest judgments. By …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
- Common student errors
Available on any Storgy plan — model paragraphs, band callouts, and common student errors for every poem.
The study desk
Teaching materials and reference tools prepared for this poem.
Adjacent texts in the archive
Read next