MYSTERIOUS DOINGS by Eugene Field: Summary, Meaning & Analysis
A narrator strolls through the woods and keeps spotting odd sights: a hunter who pays no attention to the deer, a girl who overlooks the fish, and eventually a horse without a rider and an empty boat, as a young man and woman drift off together beneath the willows.
The poem
As once I rambled in the woods I chanced to spy amid the brake A huntsman ride his way beside A fair and passing tranquil lake; Though velvet bucks sped here and there, He let them scamper through the green-- Not one smote he, but lustily He blew his horn--what could it mean? As on I strolled beside that lake, A pretty maid I chanced to see Fishing away for finny prey, Yet not a single one caught she; All round her boat the fishes leapt And gambolled to their hearts' content, Yet never a thing did the maid but sing-- I wonder what on earth it meant. As later yet I roamed my way, A lovely steed neighed loud and long, And an empty boat sped all afloat Where sang a fishermaid her song; All underneath the prudent shade, Which yonder kindly willows threw, Together strayed a youth and maid-- I can't explain it all, can you?
A narrator strolls through the woods and keeps spotting odd sights: a hunter who pays no attention to the deer, a girl who overlooks the fish, and eventually a horse without a rider and an empty boat, as a young man and woman drift off together beneath the willows. The poem reads like a playful riddle — the hunter, the fisherwoman, and the boat are all left behind because the people involved have developed feelings for one another. Field teases the reader throughout, acting as if he doesn't grasp what is clearly happening.
Line-by-line
As once I rambled in the woods / I chanced to spy amid the brake
As on I strolled beside that lake, / A pretty maid I chanced to see
As later yet I roamed my way, / A lovely steed neighed loud and long
Tone & mood
The tone is playful, teasing, and a bit conspiratorial. Field maintains a straight face while recounting scenes that are clearly romantic, and the playful disconnect between his feigned ignorance and the reader's instant recognition creates all the enjoyment. There's warmth present as well—no one is ridiculed, and the lovers are treated with kindness—but the overarching theme is one of gentle, knowing humor.
Symbols & metaphors
- The abandoned hunt — The huntsman who overlooks the deer symbolizes love taking precedence over practicality. He entered the woods with the intention to hunt, yet something — or someone — has rendered that objective utterly unimportant.
- The empty boat — The drifting, unmanned boat in the final stanza symbolizes the remnants of what’s left behind when two people choose one another. It also shows that the fisherwoman has gone ashore to meet the huntsman.
- The willows — Willows have been linked to love, longing, and shelter in literature for ages. Field describes them as "kindly," suggesting they actively participate—nature is embracing and safeguarding the couple's moment together.
- The horn and the song — Both the huntsman's horn and the maid's song are sounds that travel far. They act as signals—each character announcing their presence to the other before they finally come together.
Historical context
Eugene Field was an American journalist and poet active in Chicago during the 1880s and 1890s, best known today for his sentimental children's poem "Wynken, Blynken, and Nod." However, he also penned light comic verse for newspaper columns, and "Mysterious Doings" fits perfectly within that genre. The poem taps into an older pastoral tradition—an idealized woodland scene filled with hunters, maidens, and willows—stretching back from classical eclogues to Renaissance lyric poetry. Field cleverly engages with this tradition, using its familiar elements (the hunt, the lake, the shade of the willow) to set up a punchline that any reader would anticipate. Written for a popular audience, the poem rewards the kind of quick and amused reading typical of a newspaper reader.
FAQ
It tells the story of two people falling in love. The huntsman and the fisherwoman become so captivated by one another that they forget their original purpose. By the final stanza, they've left behind their horse and boat, slipping away together beneath the willows.
That’s the joke. The narrator is intentionally acting clueless, pretending to be confused by scenes that are clearly romantic. The humor arises from the contrast between his fake bewilderment and the reader’s immediate comprehension. It’s a playful nod to the audience.
The drifting boat in the final stanza serves as a subtle indication that the fisherwoman has departed — she has gone to meet the huntsman. It also symbolizes the joyous surrender of certain things when love takes charge.
Field depicts the willows as inviting and sheltering, offering the couple both shade and seclusion. This portrayal allows nature to seem supportive of their romance, aligning perfectly with the poem's warm and friendly tone.
Each stanza has a relaxed ballad-style rhythm, with the second and fourth lines rhyming. Field also includes internal rhymes within the lines, such as "huntsman ride his way beside" and "fishing away for finny prey." This lively, song-like beat enhances the playful tone, giving the poem a singable quality.
It works for both audiences, but the humor is primarily targeted at adults. Kids laugh at the amusing images of a hunter who refuses to hunt and a fisher who won’t fish. Meanwhile, adults quickly pick up on the romantic undertones, which is where the poem's true cleverness lies.
Field is having fun with the pastoral tradition—a literary style that's been around for ages, featuring idealized characters like shepherds, hunters, and maidens in serene natural settings, often to delve into themes of love. He incorporates all the familiar elements—the woods, the lake, the willows—but transforms it into a humorous sketch.
On the surface, his behavior seems odd—he's on a hunt yet ignoring the deer. The horn serves as a signal, announcing his presence across the landscape. The term "field" suggests he isn't genuinely hunting; instead, he’s likely calling out to someone, probably the fisherwoman on the lake.