The Annotated Edition
MR. DANA, OF THE NEW YORK SUN by Eugene Field
A Denver newspaper team is tricked by a con artist named Cantell Whoppers, who rides on the assertion that he used to work for the famous editor Charles Dana of the New York Sun.
- Poet
- Eugene Field
- Themes
- art, friendship, identity
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Thar showed up out'n Denver in the spring uv '81 / A man who'd worked with Dana on the Noo York Sun.
Editor's note
Field sets the scene in frontier vernacular: a stranger named Cantell Whoppers strolls into a Denver newspaper office in 1881 and casually drops the name of Charles Dana, the renowned editor of the New York Sun, as his calling card. That name alone serves as his entire resume.
Wall, that wuz quite another thing; we owned that ary cuss / Who'd worked f'r Mr. Dana _must_ be good enough fer _us_!
Editor's note
The Denver staff quickly bring in Whoppers solely based on Dana's name, believing that anyone trained by such a legend has to be skilled. Field illustrates how Dana's reputation was so vast that it acted like a blank check — no additional proof required. Rival editors Cooper and Arkins are furious that they lost this opportunity.
It made our eyes hang on our cheeks 'nd lower jaws ter drop, / Ter hear that feller tellin' how ol' Dana run his shop:
Editor's note
Whoppers keeps the staff entertained with outrageous, exaggerated stories about Dana — claiming he was the smartest man alive, that he could practically eat people raw, and that no Democrat could withstand his paper. These tall tales are funny exaggerations, but they also illustrate the process of myth-making: the more grandiose the legend, the simpler it is to take advantage of it.
This feller, Cantell Whoppers, never brought an item in,-- / He spent his time at Perrin's shakin' poker dice f'r gin.
Editor's note
The con is fully exposed: Whoppers does no real journalism, instead spending his days gambling and drinking. His name — 'Cantell Whoppers' — is a pun Field set up from the beginning ('can't tell whoppers' or 'tell whoppers'). He isn't fired because his alleged connection to Dana protects him.
Wall, Dana came ter Denver in the fall uv '83. / A very different party from the man we thought ter see,--
Editor's note
When the real Dana shows up two years later, he’s nothing like the monster Whoppers painted him to be. Field depicts him as a dignified, kind, silver-haired gentleman — almost saint-like. The difference between the exaggerated tales of Dana and the real man is the poem's main comic and moral turning point.
But when he came to Denver in that fall uv '83, / His old friend Cantell Whoppers disappeared upon a spree;
Editor's note
Whoppers disappears right when his lie is on the verge of being revealed. His vanishing act is its own punchline — he can't confront the person he's been pretending to connect with. The con only succeeds from afar.
We broke it gently to him, but he didn't seem surprised, / Thar wuz no big burst uv passion as we fellers had surmised.
Editor's note
Dana hardly shows any reaction. He vaguely remembers a Mr. Laffan who once fired a drunk named Whoppers from a paper-delivery route in Jersey City — a far cry from the senior editorial position Whoppers had boasted about. The complete and deadpan deflation makes it funnier than any dramatic confrontation could have been.
We dropped the matter quietly 'nd never made no fuss,-- / When we get played for suckers, why, that's a horse on us!--
Editor's note
The narrator brushes off the embarrassment with a tough exterior and some self-deprecating humor. The takeaway: always question anyone who starts with a well-known name. The staff now share a knowing wink every time another paper boasts about hiring a Dana alumnus.
But bless ye, Mr. Dana! may you live a thousan' years, / To sort o' keep things lively in this vale of human tears;
Editor's note
The final stanza shifts from humor to authentic affection. Field distinguishes the true Dana from the deceit that occurred in his name and provides a warm, heartfelt tribute. The suggested epitaph — that Dana ran 'that best 'nd brightest paper' — is straightforward and sincere, hitting an emotional peak after eight stanzas filled with laughter.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- The name 'Dana'
- Dana's name symbolizes journalistic excellence to the point where it overshadows all other credentials. It illustrates how reputation can turn into a form of currency that others might try to imitate.
- Cantell Whoppers
- The name is a comic signal that's hiding in plain sight — "can tell whoppers" or just "tell whoppers." He embodies the common figure of a fraud who leeches off the reputation of a prestigious institution.
- Dana's silver hair and crown
- Field describes Dana's white hair as the crown that God gifted him, with a golden crown awaiting him in heaven. This imagery elevates Dana to a near-saintly status, standing in stark contrast to the grotesque monster that Whoppers had depicted.
- The epitaph
- The proposed gravestone inscription—a simple, unadorned line in English—captures the belief that true greatness doesn't require decoration or embellishment, which contradicts everything Whoppers stood for.
- Poker dice for gin
- Whoppers gambling and drinking at Perrin's saloon instead of working shows the fraudster's empty character: all image, no depth.
§06Historical context
Historical context
§07FAQ
Questions readers ask
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