JOHN ALDEN by Henry Wadsworth Longfellow: Summary, Meaning & Analysis
This section of Longfellow's epic poem tracks John Alden as he grapples with guilt and inner turmoil after Priscilla Mullins urges him to express his own feelings rather than act as a go-between for his friend Miles Standish.
The poem
Into the open air John Alden, perplexed and bewildered, Rushed like a man insane, and wandered alone by the sea-side; Paced up and down the sands, and bared his head to the east-wind, Cooling his heated brow, and the fire and fever within him. Slowly as out of the heavens, with apocalyptical splendors, Sank the City of God, in the vision of John the Apostle, So, with its cloudy walls of chrysolite, jasper, and sapphire, Sank the broad red sun, and over its turrets uplifted Glimmered the golden reed of the angel who measured the city. "Welcome, O wind of the East!" he exclaimed in his wild exultation, "Welcome, O wind of the East, from the caves of the misty Atlantic! Blowing o'er fields of dulse, and measureless meadows of sea-grass, Blowing o'er rocky wastes, and the grottos and gardens of ocean! Lay thy cold, moist hand on my burning forehead, and wrap me Close in thy garments of mist, to allay the fever within me!" Like an awakened conscience, the sea was moaning and tossing, Beating remorseful and loud the mutable sands of the sea-shore. Fierce in his soul was the struggle and tumult of passions contending; Love triumphant and crowned, and friendship wounded and bleeding, Passionate cries of desire, and importunate pleadings of duty! "Is it my fault," he said, "that the maiden has chosen between us? Is it my fault that he failed,--my fault that I am the victor?" Then within him there thundered a voice, like the voice of the Prophet: "It hath displeased the Lord!"--and he thought of David's transgression, Bathsheba's beautiful face, and his friend in the front of the battle! Shame and confusion of guilt, and abasement and self-condemnation, Overwhelmed him at once; and he cried in the deepest contrition: "It hath displeased the Lord! It is the temptation of Satan!" Then, uplifting his head, he looked at the sea, and beheld there Dimly the shadowy form of the Mayflower riding at anchor, Rocked on the rising tide, and ready to sail on the morrow; Heard the voices of men through the mist, the rattle of cordage Thrown on the deck, the shouts of the mate, and the sailors' "Ay, ay, Sir!" Clear and distinct, but not loud, in the dripping air of the twilight. Still for a moment he stood, and listened, and stared at the vessel, Then went hurriedly on, as one who, seeing a phantom, Stops, then quickens his pace, and follows the beckoning shadow. "Yes, it is plain to me now," he murmured; "the hand of the Lord is Leading me out of the land of darkness, the bondage of error, Through the sea, that shall lift the walls of its waters around me, Hiding me, cutting me off, from the cruel thoughts that pursue me. Back will I go o'er the ocean, this dreary land will abandon, Her whom I may not love, and him whom my heart has offended. Better to be in my grave in the green old churchyard in England, Close by my mother's side, and among the dust of my kindred; Better be dead and forgotten, than living in shame and dishonor! Sacred and safe and unseen, in the dark of the narrow chamber With me my secret shall lie, like a buried jewel that glimmers Bright on the hand that is dust, in the chambers of silence and darkness,-- Yes, as the marriage ring of the great espousal hereafter!" Thus as he spake, he turned, in the strength of his strong resolution, Leaving behind him the shore, and hurried along in the twilight, Through the congenial gloom of the forest silent and sombre, Till he beheld the lights in the seven houses of Plymouth, Shining like seven stars in the dusk and mist of the evening. Soon he entered his door, and found the redoubtable Captain Sitting alone, and absorbed in the martial pages of Caesar, Fighting some great campaign in Hainault or Brabant or Flanders. "Long have you been on your errand," he said with a cheery demeanor, Even as one who is waiting an answer, and fears not the issue. "Not far off is the house, although the woods are between us; But you have lingered so long, that while you were going and coming I have fought ten battles and sacked and demolished a city. Come, sit down, and in order relate to me all that has happened." Then John Alden spake, and related the wondrous adventure, From beginning to end, minutely, just as it happened; How he had seen Priscilla, and how he had sped in his courtship, Only smoothing a little, and softening down her refusal. But when he came at length to the words Priscilla had spoken, Words so tender and cruel: "Why don't you speak for yourself, John?" Up leaped the Captain of Plymouth, and stamped on the floor, till his armor Clanged on the wall, where it hung, with a sound of sinister omen. All his pent-up wrath burst forth in a sudden explosion, Even as a hand-grenade, that scatters destruction around it. Wildly he shouted, and loud: "John Alden! you have betrayed me! Me, Miles Standish, your friend! have supplanted, defrauded, betrayed me! One of my ancestors ran his sword through the heart of Wat Tyler; Who shall prevent me from running my own through the heart of a traitor? Yours is the greater treason, for yours is a treason to friendship! You, who lived under my roof, whom I cherished and loved as a brother; You, who have fed at my board, and drunk at my cup, to whose keeping I have intrusted my honor, my thoughts the most sacred and secret,-- You too, Brutus! ah woe to the name of friendship hereafter! Brutus was Caesar's friend, and you were mine, but henceforward Let there be nothing between us save war, and implacable hatred!" So spake the Captain of Plymouth, and strode about in the chamber, Chafing and choking with rage; like cords were the veins on his temples. But in the midst of his anger a man appeared at the doorway, Bringing in uttermost haste a message of urgent importance, Rumors of danger and war and hostile incursions of Indians! Straightway the Captain paused, and, without further question or parley, Took from the nail on the wall his sword with its scabbard of iron, Buckled the belt round his waist, and, frowning fiercely, departed. Alden was left alone. He heard the clank of the scabbard Growing fainter and fainter, and dying away in the distance. Then he arose from his seat, and looked forth into the darkness, Felt the cool air blow on his cheek, that was hot with the insult, Lifted his eyes to the heavens, and, folding his hands as in childhood, Prayed in the silence of night to the Father who seeth in secret. Meanwhile the choleric Captain strode wrathful away to the council, Found it already assembled, impatiently waiting his coming; Men in the middle of life, austere and grave in deportment, Only one of them old, the hill that was nearest to heaven, Covered with snow, but erect, the excellent Elder of Plymouth. God had sifted three kingdoms to find the wheat for this planting, Then had sifted the wheat, as the living seed of a nation; So say the chronicles old, and such is the faith of the people! Near them was standing an Indian, in attitude stern and defiant, Naked down to the waist, and grim and ferocious in aspect; While on the table before them was lying unopened a Bible, Ponderous, bound in leather, brass-studded, printed in Holland, And beside it outstretched the skin of a rattle-snake glittered, Filled, like a quiver, with arrows; a signal and challenge of warfare, Brought by the Indian, and speaking with arrowy tongues of defiance. This Miles Standish beheld, as he entered, and heard them debating What were an answer befitting the hostile message and menace, Talking of this and of that, contriving, suggesting, objecting; One voice only for peace, and that the voice of the Elder, Judging it wise and well that some at least were converted, Rather than any were slain, for this was but Christian behavior! Then out spake Miles Standish, the stalwart Captain of Plymouth, Muttering deep in his throat, for his voice was husky with anger, "What! do you mean to make war with milk and the water of roses? Is it to shoot red squirrels you have your howitzer planted There on the roof of the church, or is it to shoot red devils? Truly the only tongue that is understood by a savage Must be the tongue of fire that speaks from the mouth of the cannon!" Thereupon answered and said the excellent Elder of Plymouth, Somewhat amazed and alarmed at this irreverent language: "Not so thought Saint Paul, nor yet the other Apostles; Not from the cannon's mouth were the tongues of fire they spake with!" But unheeded fell this mild rebuke on the Captain, Who had advanced to the table, and thus continued discoursing: "Leave this matter to me, for to me by right it pertaineth. War is a terrible trade; but in the cause that is righteous, Sweet is the smell of powder; and thus I answer the challenge!" Then from the rattlesnake's skin, with a sudden, contemptuous gesture, Jerking the Indian arrows, he filled it with powder and bullets Full to the very jaws, and handed it back to the savage, Saying, in thundering tones: "Here, take it! this is your answer!" Silently out of the room then glided the glistening savage, Bearing the serpent's skin, and seeming himself like a serpent, Winding his sinuous way in the dark to the depths of the forest. V
This section of Longfellow's epic poem tracks John Alden as he grapples with guilt and inner turmoil after Priscilla Mullins urges him to express his own feelings rather than act as a go-between for his friend Miles Standish. He strolls along the beach, battling his conscience, before heading back to confess to Standish, who erupts in anger and charges Alden with betrayal. The chapter concludes with Standish marching off to a war council, where he opts for gunpowder over diplomacy in response to a Native American threat.
Line-by-line
Into the open air John Alden, perplexed and bewildered, / Rushed like a man insane, and wandered alone by the sea-side;
"Welcome, O wind of the East!" he exclaimed in his wild exultation,
Like an awakened conscience, the sea was moaning and tossing,
Then, uplifting his head, he looked at the sea, and beheld there / Dimly the shadowy form of the Mayflower riding at anchor,
Thus as he spake, he turned, in the strength of his strong resolution, / Leaving behind him the shore, and hurried along in the twilight,
Then John Alden spake, and related the wondrous adventure, / From beginning to end, minutely, just as it happened;
So spake the Captain of Plymouth, and strode about in the chamber, / Chafing and choking with rage;
Meanwhile the choleric Captain strode wrathful away to the council,
Tone & mood
The tone quickly shifts through several registers: it starts off anguished and feverish, moves to a grandly biblical style, then becomes quietly resigned, bursts forth with anger, and finally ends cold and martial. Longfellow employs elevated, almost operatic language throughout, yet the emotional moments resonate deeply with human experiences—guilt, jealousy, wounded pride, and loneliness. The overall effect feels like a blend of a dramatic monologue and an adventure story, where personal and political themes continually interweave.
Symbols & metaphors
- The east wind — The cold Atlantic wind brings relief from guilt and desire—Alden actually asks it to cool his "fever." It also serves as a reminder of England, the world he left behind, which he briefly thinks about returning to.
- The Mayflower — The ship at anchor is not only a real vessel but also represents escape and retreat. Its presence sparks Alden's desire to flee from his problem instead of confronting it, highlighting his tendency to choose self-erasure over direct engagement.
- The rattlesnake skin — The skin covered in arrows is a war declaration from the Native American envoy. When Standish replenishes it with powder and bullets, the symbol shifts into a counter-threat — violence met with violence, and diplomacy turned down.
- David and Bathsheba — Alden's comparison of himself to the biblical King David — who sent a loyal soldier to die in battle to take his wife — serves as the poem's strongest moral indictment. It paints Alden's situation as a possible betrayal of friendship driven by desire.
- The buried jewel — Alden envisions his secret love as a jewel buried with the dead — precious yet concealed, shining in the darkness. This is a striking metaphor for repressed emotion, illustrating how Alden romanticizes his own pain.
- Brutus and Caesar — Standish references the most notorious betrayal in Western history to illustrate what Alden has done to him. This comparison is clearly exaggerated, which highlights the fact that Standish's pride and ego magnify every minor offense into a devastating injury.
Historical context
This is Canto V of Longfellow's 1858 narrative poem *The Courtship of Miles Standish*, which is written in dactylic hexameter — the same meter used by Homer. It’s set among the Pilgrim settlers of Plymouth Colony in the 1620s. The story is loosely based on a family legend Longfellow heard: that his ancestor John Alden was sent to court Priscilla Mullins for the soldier Miles Standish, but Priscilla ended up choosing Alden. Longfellow published the poem during a time of deep national anxiety about loyalty, union, and division — just three years before the Civil War — making its themes of friendship, betrayal, and conflicting responsibilities resonate strongly with readers. On its first day of publication in Boston and London, the poem sold 10,000 copies. The biblical and classical references throughout reflect how the Puritan settlers viewed their lives through scripture.
FAQ
He has just delivered Miles Standish's marriage proposal to Priscilla Mullins, and instead of saying yes, she asked why Alden doesn't speak for himself. This shows she likes *Alden*, not Standish — putting Alden in a tough spot. He is loyal to his friend, but now realizes the woman his friend loves has feelings for him.
David sent his devoted soldier Uriah to his death in battle, allowing him to take Uriah's wife, Bathsheba, for himself. Alden worries he's doing something morally alike: gaining from his friend's heartbreak. This comparison reflects Alden's harsh self-judgment — he hasn't done anything wrong yet — but it highlights how deeply he values the responsibility of friendship.
He chooses to sail back to England, leaving Priscilla and Standish behind, taking his secret love with him to the grave. He presents this as a noble act of self-sacrifice, likening his hidden feelings to a jewel and a wedding ring that will wait for the afterlife. It’s a dramatic scheme he ultimately doesn’t carry out.
Standish believes that Alden, who lived in his house and shared meals with him, has taken the woman he loved — or at the very least, has not been honest with him. By referencing Brutus, the man who betrayed Julius Caesar, Standish is expressing that this is the ultimate betrayal: coming from someone he fully trusted. While this may be an overreaction, it reveals a great deal about Standish's sense of self.
A Native American envoy presents a rattlesnake skin packed with arrows to the Plymouth council—a traditional sign of war and defiance. Standish empties the arrows and refills the skin with gunpowder and bullets before returning it. This gesture conveys his message: we communicate in the same way, but ours is the more powerful voice.
The Elder advocates for peace and conversion, believing it's preferable to lead Native Americans to Christianity rather than resort to violence. Standish outright rejects this idea, claiming that the only language a "savage" understands is cannon fire. Longfellow showcases both perspectives without fully supporting either, though it's clear that the Elder's viewpoint is the more compassionate one.
Dactylic hexameter is the meter used in Homer's *Iliad* and *Odyssey*. Each line contains six rhythmic feet, primarily following a pattern of one stressed syllable followed by two unstressed ones. Longfellow adopted this meter to lend the Pilgrim story the gravity and majesty of ancient epics, implying that the founding of Plymouth was as momentous as the fall of Troy.
Loosely. John Alden, Priscilla Mullins, and Miles Standish were real individuals who arrived on the Mayflower, and Alden and Priscilla did end up marrying. However, the courtship triangle is more of a family legend than a verified historical fact. Longfellow was crafting a romantic epic rather than a history textbook, and he tailored the story to align with the themes that mattered to him: loyalty, love, and duty.