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FITTE THE THIRD by Eugene Field: Summary, Meaning & Analysis

Eugene Field

A woman lures her unsuspecting dog into the bathroom, gives him an unwanted bath, and then lets him go.

The poem
She whistled gayly to the pup And called him by his name, And presently the guileless thing All unsuspecting came. But when she shut the bath-room door, And caught him as catch-can, And hove him in that odious tub, His sorrows then began. How did that callow, yallow thing Regret that Aprile morn-- Alas! how bitterly he rued The day that he was born! Twice and again, but all in vain He lifted up his wail; His voice was all the pup could lift, For thereby hangs this tale. 'Twas by that tail she held him down, And presently she spread The creamy lather on his back, His stomach, and his head. His ears hung down in sorry wise, His eyes were, oh! so sad-- He looked as though he just had lost The only friend he had. And higher yet the water rose, The lather still increased, And sadder still the countenance Of that poor martyred beast! Yet all the time his mistress spoke Such artful words of cheer As "Oh, how nice!" and "Oh, how clean!" And "There's a patient dear!" At last the trial had an end, At last the pup was free; She threw aside the bath-room door-- "Now get you gone!" quoth she.

Public domain · sourced from Project Gutenberg

Quick summary
A woman lures her unsuspecting dog into the bathroom, gives him an unwanted bath, and then lets him go. The poem turns the entire scene into a comedic spectacle, treating the dog's distress with a mock-heroic flair. It captures a lighthearted and funny moment that many pet owners can relate to.
Themes

Line-by-line

She whistled gayly to the pup / And called him by his name,
The poem begins in the thick of things, with a woman happily calling her dog. The word "gayly" introduces a layer of dramatic irony right away—she's joyful, while the dog is blissfully unaware of what lies ahead. The light, nursery-rhyme rhythm hints that this will be a comedic piece.
But when she shut the bath-room door, / And caught him as catch-can,
"Catch-can" is an old wrestling term that means to grab however you can. Once the door shuts, the trap is set. Field uses the language of struggle and capture to turn a dog bath into a military ambush, which serves as the poem's main comic trick.
How did that callow, yallow thing / Regret that Aprile morn--
"Callow" refers to someone who is inexperienced or naive, while "yallow" is a playful way to spell "yellow." This gives us an image of a young dog with a golden coat. The phrase "Aprile morn" references Browning's *Pippa Passes* ("Oh, to be in England, now that April's there"), using romantic and lyrical language to highlight the dog's dismay on bath day. The humor comes from the contrast between the elevated language and the silly situation.
Twice and again, but all in vain / He lifted up his wail;
The pup howls twice but doesn't get rescued. The last line — "For thereby hangs this tale" — cleverly plays on the word "tail," leading into the next stanza. Field was well-known for his cheesy wordplay, and he delivers it with perfect timing.
'Twas by that tail she held him down, / And presently she spread
The pun works well: she is actually holding him by his tail. The straightforward way of describing how she lathers his back, stomach, and head adds a humorous, almost instructional tone to the stanza, resembling a rather undignified manual.
His ears hung down in sorry wise, / His eyes were, oh! so sad--
This is where the poem really connects emotionally, and it resonates because every dog owner has encountered this face. Field transitions from humor to a softer moment — the sight of a wet, sad dog who "looked as though he just had lost / The only friend he had" is amusing exactly because it rings true.
And higher yet the water rose, / The lather still increased,
The rising water and growing lather create a false sense of drama, as if the dog is confronting a major disaster instead of just taking a bath. Referring to it as a "martyred beast" captures the height of this mock-heroic tone — Field is treating the dog with the same seriousness a poet might reserve for a fallen soldier.
Yet all the time his mistress spoke / Such artful words of cheer
The word "artful" is important — she understands that the cheerful talk is just a performance, a tactic to keep the dog calm. The quoted phrases ("Oh, how nice!", "There's a patient dear!") mimic the soothing nonsense people really say to pets, making the stanza feel immediately familiar.
At last the trial had an end, / At last the pup was free;
The repeated phrase "at last" captures the relief shared by both the dog and the reader. The term "trial" maintains the playful, mock-legal, and mock-heroic tone until the very end. The woman's last words — "Now get you gone!" — are sharp and humorous, creating a stark contrast to her earlier soothing tone. The ordeal has concluded, and she’s clearly ready to move on.

Tone & mood

Warm, playful, and mock-heroic throughout, Field approaches a trivial domestic scene with the exaggerated seriousness of an epic poem. This contrast between the grand language and the silly subject is where all the humor shines. Beneath the comedy lies a genuine affection — for the dog, for the woman, and for the absurdity of daily life with pets.

Symbols & metaphors

  • The bathroom doorThe closing door marks the point of no return—the moment the trap snaps shut and seals the dog's fate. It serves as a bookend for the poem (closed at the start, flung open at the end), effectively framing the entire ordeal.
  • The tailThe dog's tail serves as both a literal means of restraint and the source of the poem's main pun. It links the physical comedy to Field's fondness for wordplay, acting as the poem's structural pivot.
  • The latherThe creamy soap lather symbolizes the humiliations of domestication — the dog is being civilized against his will, scrubbed into a cleanliness that he neither wants nor appreciates.
  • The pup's sad eyes and drooping earsThe dog's expression reflects a sense of helplessness under human control. It’s funny, yet it also reveals a genuine aspect of the power dynamics between owners and their pets — and, more broadly, between those in power and those who are not in any relationship.

Historical context

Eugene Field was a newspaper columnist and poet in Chicago, best known for his sentimental children's poems like "Wynken, Blynken, and Nod" and "Little Boy Blue." However, he also had a great sense of humor, and pieces like this one highlight his talent for light verse and corny puns. "Fitte the Third" is a playful medieval title — a "fitte" (or "fit") refers to a section or canto of an Old English or Middle English poem, found in works such as *Beowulf* and *Sir Gawain and the Green Knight*. Field uses this term to elevate the simple act of giving a dog a bath to the level of an ancient epic, which is the essence of the joke. The poem was published in the 1880s–90s, during a time when American newspaper poets like Field, James Whitcomb Riley, and Bill Nye enjoyed immense popularity, crafting accessible and humorous verse for a wide audience. The reference to Browning ("Aprile morn") indicates that Field anticipated his readers would appreciate literary nods even in his comic pieces.

FAQ

A "fitte" (or "fit") refers to a section or division found in Old or Middle English epic poems, like *Beowulf* or *Sir Gawain and the Green Knight*. Field uses the term humorously, comparing the act of giving a dog a bath to the grandeur of a heroic saga. The title immediately signals that the poem will approach something trivial with an exaggerated sense of seriousness.

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