The Annotated Edition
By Santa Teresa De Avila by Henry Wadsworth Longfellow
This brief poem is Longfellow's English version of a well-known prayer-poem by the 16th-century Spanish mystic, Saint Teresa of Ávila.
- Core theme
- Faith
Study actions
§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
Let nothing disturb thee, / Nothing affright thee;
Editor's note
The poem starts with a direct command — it’s like a reassuring hand on your shoulder. "Affright" is an archaic term for frighten. The repetition of "nothing" emphasizes the point: absolutely nothing in the world should be able to rattle you.
All things are passing; / God never changeth;
Editor's note
Here’s the reason for the opening command: everything in the physical world is temporary—pain, trouble, and even joy. In contrast, God remains the one constant. This difference between what is "passing" and what "never changeth" forms the theological backbone of the entire poem.
Patient endurance / Attaineth to all things;
Editor's note
This couplet offers practical advice within a spiritual poem. If you remain patient instead of succumbing to panic, you can overcome anything. "Attaineth" suggests reaching a destination — endurance is the path that takes you there.
Who God possesseth / In nothing is wanting;
Editor's note
A clever logical twist: if God encompasses everything and you possess God, then you essentially have everything you need. "Wanting" in this context refers to lacking, rather than desiring. The grammar is structured in an old-fashioned way, lending it a formal, almost sculpted gravitas.
Alone God sufficeth.
Editor's note
The final line hits hard, bringing everything to a close. "Sufficeth" simply means enough. Just three words: God is sufficient, and that's that. Its brevity gives it a weighty finality, as if it's a conclusion that speaks for itself.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- Passing things
- Everything that changes — suffering, fear, worldly troubles — represents the impermanence of human experience. The term "passing" carries significant weight: it encompasses all that is not God.
- God's unchanging nature
- God is a symbol of absolute stability, the one constant in a changing world. The poem doesn't provide a detailed description of God; instead, it contrasts God with everything that is in motion.
- Patient endurance
- Endurance is portrayed as a tool or a pathway—an active human response to the reality of impermanence. It represents the proactive, disciplined aspect of faith, rather than merely waiting passively.
§06Form & structure
Form & structure
- Meter
- free verse
§07Historical context
Historical context
§08FAQ
Questions readers ask
Did Longfellow write this poem himself?
No. Longfellow translated it from the original Spanish text by Saint Teresa of Ávila, a mystic from the 16th century. The title "By Santa Teresa de Ávila" indicates that he is sharing her words in English rather than his own creation.
What does 'God sufficeth' mean in plain English?
"Sufficeth" is an old-fashioned way to say "is enough" or "is sufficient" when referring to the third person. In simpler terms, the line conveys that God alone is all you need.
What is the poem's structure and form?
The poem consists of nine brief lines, each with only a few syllables. While there isn't a strict rhyme scheme, the lines flow rhythmically, giving them an incantatory feel—reminiscent of a chant. Teresa crafted it this way on purpose, making it easy to memorize and recite.
What does 'wanting' mean in 'In nothing is wanting'?
Here "wanting" refers to lacking, not desiring. The line indicates that whoever has God lacks nothing. This older use of the word can still be seen in phrases like "found wanting."
Is this poem religious? Can non-religious readers get something from it?
It is clearly religious — God is the poem's complete answer. However, many non-religious readers appreciate its central message about impermanence and the comforting influence of something greater than oneself, whatever that may mean to them personally.
Why are the lines so short?
Teresa wrote the original as a personal bookmark or devotional note — something meant to be carried and recited, not read as an extended meditation. The short lines allow each idea to stand alone, like distinct steps. Longfellow maintains that concise, aphoristic quality in his translation.
What themes does the poem deal with?
The central themes include faith, hope, and the fear that faith is supposed to eliminate. There's also a significant focus on time — the notion that earthly matters fade away while the divine remains constant.
How does this poem connect to Longfellow's other work?
Longfellow often translated European poetry and was captivated by spiritual and meditative themes. His works, such as Evangeline and his translation of the Divine Comedy, reflect a similar fascination with faith, resilience, and the comforts found in a greater spiritual framework.
Citation
Cite this poem
MLA
Longfellow, Henry Wadsworth. "By Santa Teresa De Avila." Storgy, https://storgy.com/poems/by-santa-teresa-de-avila-henry-wadsworth-longfellow/.
APA
Longfellow, H. W. (n.d.). By santa teresa de avila. Storgy. https://storgy.com/poems/by-santa-teresa-de-avila-henry-wadsworth-longfellow/
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