BIGLOW by James Russell Lowell: Summary, Meaning & Analysis
This is the framing letter that opens James Russell Lowell's *Biglow Papers*, written from the perspective of a well-meaning but somewhat clumsy New England farmer named Ezekiel Biglow.
The poem
JAYLEM, june 1846. MISTER EDDYTER:--Our Hosea wuz down to Boston last week, and he see a cruetin Sarjunt a struttin round as popler as a hen with 1 chicking, with 2 fellers a drummin and fifin arter him like all nater. the sarjunt he thout Hosea hedn't gut his i teeth cut cos he looked a kindo 's though he'd jest com down, so he cal'lated to hook him in, but Hosy woodn't take none o' his sarse for all he hed much as 20 Rooster's tales stuck onto his hat and eenamost enuf brass a bobbin up and down on his shoulders and figureed onto his coat and trousis, let alone wut nater hed sot in his featers, to make a 6 pounder out on. wal, Hosea he com home considerabal riled, and arter I'd gone to bed I heern Him a thrashin round like a short-tailed Bull in fli-time. The old Woman ses she to me ses she, Zekle, ses she, our Hosee's gut the chollery or suthin anuther ses she, don't you Bee skeered, ses I, he's oney amakin pottery[10] ses i, he's ollers on hand at that ere busynes like Da & martin, and shure enuf, cum mornin, Hosy he cum down stares full chizzle, hare on eend and cote tales flyin, and sot rite of to go reed his varses to Parson Wilbur bein he haint aney grate shows o' book larnin himself, bimeby he cum back and sed the parson wuz dreffle tickled with 'em as i hoop you will Be, and said they wuz True grit. Hosea ses taint hardly fair to call 'em hisn now, cos the parson kind o' slicked off sum o' the last varses, but he told Hosee he didn't want to put his ore in to tetch to the Rest on 'em, bein they wuz verry well As thay wuz, and then Hosy ses he sed suthin a nuther about Simplex Mundishes or sum sech feller, but I guess Hosea kind o' didn't hear him, for I never hearn o' nobody o' that name in this villadge, and I've lived here man and boy 76 year cum next tater diggin, and thair aint no wheres a kitting spryer 'n I be. If you print 'em I wish you'd jest let folks know who hosy's father is, cos my ant Keziah used to say it's nater to be curus ses she, she aint livin though and he's a likely kind o' lad.
This is the framing letter that opens James Russell Lowell's *Biglow Papers*, written from the perspective of a well-meaning but somewhat clumsy New England farmer named Ezekiel Biglow. He’s addressing a newspaper editor to share how his son Hosea became furious after seeing a flashy army recruiter in Boston, leading him to come home and write a protest poem about the Mexican-American War. The humor lies in the father's pride and down-to-earth charm, as he unknowingly conveys a pointed political message.
Line-by-line
JAYLEM, june 1846. / MISTER EDDYTER:--Our Hosea wuz down to Boston last week...
wal, Hosea he com home considerabal riled, and arter I'd gone to bed...
Hosy he cum down stares full chizzle, hare on eend and cote tales flyin...
If you print 'em I wish you'd jest let folks know who hosy's father is...
Tone & mood
Comic and satirical, yet filled with genuine warmth. Lowell captures Ezekiel's voice in a way that makes you chuckle at the spelling and the long-winded sentences while also fully trusting him. The frustration with military recruitment and the war is palpable; the folksy delivery makes it more palatable. There's no malice in the humor — Lowell clearly cares for these characters even as he uses them to make political statements.
Symbols & metaphors
- The recruiting sergeant's decorations — The sergeant's rooster-tail hat, brass epaulettes, and decorated coat illustrate the empty allure the military employs to entice young men. This flashy display stands in sharp contrast to Hosea's straightforward wisdom — the boy isn't swayed by showiness.
- The poetry written at night — Hosea thrashing around in the dark, composing verses, represents the creative act as a raw, almost physical reaction to injustice. The poem isn't born from calm reflection; it bursts forth from anger, much like a fever breaking.
- Parson Wilbur — The parson who 'slicks off' the rough edges of Hosea's verses embodies the tension between genuine popular sentiment and refined literary culture. He enhances the poems while being mindful not to stifle their vitality.
- Jaalam village — The fictional small town grounds the entire series in everyday New England life, contrasting simple rural wisdom with the far-off political machinery of Washington and the war. Home serves as the moral baseline for assessing everything else.
Historical context
Lowell published the first *Biglow Papers* in the *Boston Courier* in 1846, right in the middle of the Mexican-American War, which many in New England viewed as a Southern scheme to seize land and extend slavery. As a passionate abolitionist, Lowell used these papers to express his anti-war and anti-slavery views through down-to-earth characters who couldn’t easily be dismissed as just elite troublemakers. The concept of the dialect letter—a so-called 'found document' from a simple correspondent—was already known to American readers thanks to humorists like Seba Smith. Lowell took this form and transformed it into sharp political satire. The introductory letter from Ezekiel Biglow serves not as the poem itself but as a fictional cover for Hosea's verses, setting up the elaborate world of editors, parsons, and country farmers that Lowell would continue to explore in two series of papers throughout the Civil War era.
FAQ
The *Biglow Papers* is a collection of satirical poems and prose that Lowell began publishing in 1846. The work is presented as letters and verses from imagined characters in New England. The opening letter features Ezekiel Biglow addressing a newspaper editor to introduce his son Hosea's protest poem regarding the Mexican-American War.
The misspellings are intentional and thoughtfully constructed. Lowell uses Yankee dialect to portray Ezekiel as an uneducated farmer, but this dialect remains phonetically consistent and accurately reflects how rural New Englanders actually spoke. It's a literary choice, not a sign of carelessness.
The Mexican-American War lasted from 1846 to 1848. Numerous Northern abolitionists, such as Lowell, were against it, thinking that President Polk initiated the conflict to gain land where slavery could expand. The recruiting sergeant Hosea meets is attempting to enlist men for this war.
Parson Wilbur is a fictional Jaalam minister and serves as the educated editor of Hosea's rough verses. He represents Lowell's effort to bring a more scholarly perspective into the series — someone capable of quoting Horace in Latin — while still allowing the main moral authority to rest with the straightforward farmers.
Ezekiel mishears the Latin phrase *simplex munditiis* from Horace's *Odes*, which translates to 'elegant in simplicity.' Parson Wilbur used it to praise Hosea's straightforward style. The humor lies in Ezekiel believing it's the name of a local person he's unfamiliar with.
It's a prose letter that sets the stage for Hosea's verse satire. Lowell published both together, making the letter act as a prologue. It provides the poem with a fictional backstory and features a comic narrator, which helps make the political message feel more relatable and human.
It highlights how the military uses spectacle to attract young recruits. Lowell piles on the details — rooster tails, brass, and tailored coat and trousers — to illustrate the effort put into making war seem glamorous. Hosea sees through this facade, which is precisely the point.
A Boston poet with a Harvard education criticizing the war might seem like an out-of-touch intellectual. However, by giving the protest a voice through a simple farmer and his son, Lowell adds the weight of everyday common sense. This approach also allowed him to be wittier and more incisive than he could be when writing under his own name.