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The Annotated Edition

Bermudas by Andrew Marvell

Summary, meaning, line-by-line analysis & FAQ.

Read aloud in ~1 min

A small boat filled with Puritan exiles rows across the ocean, singing a hymn of gratitude to God for leading them to the Bermudas—a paradise-like island, far removed from the religious persecution they faced in England.

Poet
Andrew Marvell
Themes
exile, faith, freedom

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This poem may still be under copyright, so we can’t reproduce it here. You can paste your copy in the Poem Analyzer to get a line-by-line analysis, and the summary, themes, and FAQ for this poem are below.

§01Quick summary

What this poem is about

A small boat filled with Puritan exiles rows across the ocean, singing a hymn of gratitude to God for leading them to the Bermudas—a paradise-like island, far removed from the religious persecution they faced in England. Marvell envisions the island as a new Eden, abundant with fruit, jewels, and safety, all seen as gifts from a benevolent God. The poem serves as both a prayer and a celebration of discovering freedom through faith.

§02Themes

Recurring themes

§03Tone & mood

How this poem feels

The tone is joyful and devout, accompanied by a steady, hymn-like rhythm that echoes the oars splashing through the water. There’s no hint of anxiety or doubt—the speakers are confident in God's favor. However, beneath the celebration lies a subtle edge of defiance: the rowers are singing *because* they have escaped something brutal, and that contrast adds depth to their joy.

§04Symbols & metaphors

Symbols & metaphors

The Bermudas
The islands represent a divinely prepared refuge—a New Eden or Promised Land where the faithful can worship freely. They are real places that faith has transformed into sacred spaces.
The small boat
The rowing boat symbolizes the Puritan community: small and vulnerable, yet guided by God's purpose as it navigates a vast and indifferent ocean.
Fruit (oranges, figs, melons)
The variety of exotic fruit brings to mind the Garden of Eden and the biblical Promised Land. Each piece of fruit symbolizes God's care, serving as a reminder of his provision for his people.
The prelate's rage
This phrase captures the long history of religious persecution that the exiles have escaped. It serves as the shadow that gives meaning to the island's light — paradise stands out as paradise only because of the memory of oppression.
The gospel's pearl
Inspired by the parable of the pearl of great price in Matthew 13, this symbol highlights the poem's deeper meaning: the exiles are not merely seeking their own salvation; they are bringing genuine faith to a new world.
The song / hymn
The act of singing while rowing holds a deeper meaning—it elevates hard work to a form of worship and makes a sea journey feel like a sacred procession. The song serves as both a prayer and a testament.

§05Historical context

Historical context

Andrew Marvell wrote "Bermudas" around 1653, likely drawing inspiration from his friendship with John Oxenbridge, a Puritan minister who had fled to the Bermudas twice to escape persecution under Archbishop Laud in the 1630s. Laud’s strict enforcement of Anglican conformity pushed many Puritans to seek refuge in the Atlantic colonies. The Bermudas, in particular, were seen as a providential sanctuary — Shakespeare had already turned the islands into a myth in *The Tempest*. Marvell was writing during the Interregnum, a time after the Civil War had led to the downfall of Charles I, so the poem reflects on persecution that had, by 1653, technically ended — giving it a reflective, almost elegiac tone along with its celebratory aspects. The poem is part of a broader 17th-century tradition that envisioned the New World as a place of spiritual renewal and divine promise.

§06FAQ

Questions readers ask

A group of Puritan exiles is rowing a small boat while singing a hymn together. They express their gratitude to God for bringing them safely to the Bermudas, which they see as a beautiful paradise filled with fruit, far removed from the religious persecution they faced in England.

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