The Annotated Edition
Antiochus by Henry Wadsworth Longfellow
In this dramatic monologue, the Seleucid king Antiochus IV expresses his deep longing for his cherished city of Antioch, proudly recounting how he reclaimed it and enhanced its splendor.
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§01Quick summary
What this poem is about
§02Themes
Recurring themes
§03Line by line
Stanza by stanza, with notes
O Antioch, my Antioch, my city! / Queen of the East! my solace, my delight!
Editor's note
Antiochus begins by directly addressing the city, using possessive phrases like 'my Antioch,' 'my city,' 'my solace,' and 'my delight' to emphasize his deep connection with Antioch. Referring to it as 'Queen of the East' elevates its status within the ancient world's hierarchy of cities, and the repeated use of 'my' suggests that this sentiment is about both ownership and ego, as much as it reflects affection.
The dowry of my sister Cleopatra / When she was wed to Ptolemy, and now
Editor's note
Here Antiochus provides a political history of the city: Antioch was given as a dowry when his sister Cleopatra married the Egyptian king Ptolemy. This detail anchors the poem in genuine Hellenistic dynastic politics and serves as a reminder that cities, much like women in this context, were exchanged as property among powerful men.
Won back and made more wonderful by me! / I love thee, and I long to be once more
Editor's note
Antiochus moves from recounting history to celebrating his personal achievement—he took back Antioch and made it better. The exclamation mark adds a touch of confidence. Then, the mood shifts quickly to one of longing: 'I love thee, and I long to be once more.' This sudden change from pride to desire in just two lines reflects the king's complex feelings about the city.
Among the players and the dancing women / Within thy gates, and bathe in the Orontes,
Editor's note
These lines show what Antiochus truly longs for: it's not the monuments or power, but the sensory delights of city life—performers, dancers, and the sensation of the Orontes river against his skin. The Orontes, the grand river flowing through Antioch, adds a tangible, physical depth to his yearning. This is a king who desires to be a man in a bustling city, rather than just a ruler on a throne.
Thy river and mine. O Jason, my High-Priest, / For I have made thee so, and thou art mine,
Editor's note
The possessive 'mine' shows up again, now referring to the river and then to Jason. Antiochus reminds Jason — and us — that being High Priest is a privilege granted by the king. The phrase 'I have made thee so' subtly asserts power amidst a speech focused on love and yearning.
Hast thou seen Antioch the Beautiful?
Editor's note
The poem concludes with a powerful question aimed at Jason, carrying significant weight after the preceding lines. Antiochus has spent the entire speech extolling the wonders of Antioch, and now he turns to his chosen priest and essentially asks: do you really get what I’m saying? It’s a mix of a rhetorical question, a challenge, and a genuine desire from someone longing for home to connect with another person.
§04Tone & mood
How this poem feels
§05Symbols & metaphors
Symbols & metaphors
- Antioch
- The city embodies all that Antiochus cherishes: beauty, pleasure, personal glory, and political identity. By frequently using 'my,' he transforms the city into a reflection of himself, making the desire for Antioch synonymous with a desire for his truest self.
- The Orontes
- The river is the most personal and tangible element in the poem. Bathing in it symbolizes a return to sensory comfort and simple human joy—the kind of experience that power and distance have stripped away from the king. It connects the abstract longing to something you can truly feel.
- The dowry
- Antioch's history as a dowry passed between dynasties reflects how people, places, and power are often viewed as property in this world. By reclaiming the city, Antiochus aims to break that cycle and demonstrate that something can genuinely belong to him.
- Jason, the High-Priest
- Jason embodies Antiochus's influence across all aspects of civic and religious life. By reminding Jason of his royal appointment, Antiochus emphasizes that even sacred authority derives from him—a point that hints at the historical Antiochus's well-known meddling in Jewish religious affairs.
§06Form & structure
Form & structure
- Meter
- blank verse
§07Historical context
Historical context
§08FAQ
Questions readers ask
Who is Antiochus in this poem?
He is Antiochus IV Epiphanes, the Seleucid Greek king who ruled a vast empire in the Middle East from about 175 to 164 BCE. He is primarily remembered for persecuting Jewish religious practices and sparking the Maccabean revolt, which is featured in Longfellow's broader verse drama Judas Maccabaeus, the source of this poem.
What is a dramatic monologue?
A dramatic monologue is a poem crafted as a speech delivered by one character—this isn't the poet's voice but that of a fictional or historical figure. Readers gain insight into the speaker's personality and circumstances through their words and delivery. Longfellow employs this form to allow Antiochus to express himself with his own voice.
Who is Jason the High Priest?
Jason was a real person in history who bribed Antiochus IV with a substantial amount to become the High Priest of the Jewish Temple in Jerusalem, taking over the position from his own brother. This appointment became a significant point of contention in the clash between Hellenistic culture and Jewish tradition. In the poem, Antiochus's statement 'I have made thee so' echoes this historical context.
What is the Orontes?
The Orontes is the primary river that flowed through the ancient city of Antioch, located in present-day southern Turkey near the Syrian border. It played a crucial role in shaping the city's identity and everyday life. When Antiochus expressed his wish to bathe in it, he was conveying a deep, human sense of homesickness, rooted in physical experience rather than merely political or abstract feelings.
Why does Antiochus keep saying 'my'?
The repeated possessives — 'my Antioch,' 'my city,' 'my solace,' 'my High-Priest,' 'my river' — show a king who views the world through the lens of ownership. Everything precious must be his. This trait makes him both sympathetic (his love for these things is genuine) and troubling (he struggles to imagine anything existing without his control) simultaneously.
What does 'Queen of the East' mean?
It's a title that reflects how Antioch was viewed as the most splendid city in the eastern Mediterranean during the Hellenistic period. Referring to the city as a queen gives it a sense of personality, making Antiochus's affection for it seem more like a relationship than just a political alliance.
Is this poem part of a longer work?
Yes. This speech comes from Longfellow's verse drama Judas Maccabaeus, which was published in 1872. The drama narrates the Jewish revolt against Seleucid rule, with Antiochus playing a significant role in the early sections. Longfellow wrote it as a tribute to his friend Charles Sumner, who had recently passed away.
What themes does the poem explore?
The poem focuses on the longing for home and how our identity is closely linked to a specific place. It also explores love — not in a romantic sense, but rather the deep bond one can have with a city — as well as themes of power, highlighting how Antiochus's love is intertwined with his need for ownership and control. The question at the end hints at loneliness: even a king desires someone who can empathize with his feelings.
Citation
Cite this poem
MLA
Longfellow, Henry Wadsworth. "Antiochus." Storgy, https://storgy.com/poems/antiochus-henry-wadsworth-longfellow/.
APA
Longfellow, H. W. (n.d.). Antiochus. Storgy. https://storgy.com/poems/antiochus-henry-wadsworth-longfellow/
Row A — Thesis
1 ptIn Henry Wadsworth Longfellow's dramatic monologue 'ANTIOCHUS.', the speaker's obsessive apostrophe to a city he has seized and reshaped reveals that his proclaimed love for Antioch is inseparable from his hunger for ownership. The city …
- Row B — Evidence + Commentary4 pts
- Row C — Sophistication1 pt
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