Blood Brothers

Class and Opportunity: How does Willy Russell use the different upbringings of Mickey and Edward to comment on the impact of social class on a person's opportunities in life? Do you believe either character ever truly had the freedom to choose his own path?

Fate vs. Superstition: Both Mrs. Johnstone and Mrs. Lyons place significant importance on superstition — especially the notion that twins who are separated at birth will die if they learn the truth. How does Russell leverage this superstition to propel the plot, and what does it reveal about the influence of belief on reality?

Friendship and Identity: Despite their differences, Mickey and Edward share a strong bond. How does their friendship evolve as they get older, and what factors lead to their separation? To what degree is their eventual estrangement unavoidable?

The Role of Mrs. Johnstone: Is Mrs. Johnstone merely a victim of her circumstances, a flawed decision-maker, or both? How does Russell encourage the audience to feel sympathy for her, and are there instances where that sympathy is challenged?

The Narrator as a Device: The Narrator consistently reminds the audience of the tragic ending before it occurs. What impact does this dramatic irony have on our viewing of the unfolding story? Does knowing the outcome alter our judgment of the characters' decisions?

Gender and Power: How are women depicted in Blood Brothers? Reflect on Mrs. Johnstone, Mrs. Lyons, and Linda — do they possess agency, or are they primarily shaped by the men and societal structures around them?

Russell's Message: Some critics claim that Blood Brothers is primarily a political play addressing inequality. Do you agree? What specific moments in the text either support or contradict this interpretation?

Class and Social Mobility: Mickey and Edward are twins separated at birth and raised in very different social classes. How does their upbringing influence their personalities, opportunities, and ultimately their destinies? Do you believe either brother could have changed his fate?

Superstition vs. Social Determinism: Mrs. Johnstone believes in the superstition that twins separated at birth will die if they find each other. To what extent does the play suggest that superstition — rather than social inequality — drives the tragedy? Or are the two concepts connected?

Mrs. Johnstone and Mrs. Lyons: Compare the two mothers in the play. How does Russell use them to illustrate contrasting worlds? In what ways are they both victims of their society?

The Role of the Narrator: The Narrator appears throughout the play, speaking directly to the audience and hinting at the ending. How does his presence shape your experience of the story? Does knowing the ending from the beginning change your feelings about the characters' decisions?

Friendship and Loyalty: Mickey, Edward, and Linda share a close childhood friendship. How does this bond change as they grow up, and what forces pull them apart? Who, if anyone, is to blame for the deterioration of their relationship?

Gender and Power: Consider Linda's character in the play. Is she a fully developed character, or does she mainly exist in relation to Mickey and Edward? How does Russell depict the limited options available to women in this community?

Tragedy and Blame: Russell concludes the play with the question: "…did you ever hear the story of the Johnstone twins?… And do we blame superstition for what came to pass? Or could it be what we, the English, have come to know as class?" Who or what do you think is responsible for the tragedy? Support your opinion with evidence from the text.