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Kubla Khan

Samuel Taylor Coleridge

OR, A VISION IN A DREAM. A FRAGMENT.

 

 

The following fragment is here published at the request

of a poet of great and deserved celebrity [Lord Byron], and,

as far as the Author's own opinions are concerned, rather as

a psychological curiosity, than on the ground of any supposed

_poetic_ merits. 5

 

In the summer of the year 1797[295:2], the Author, then in ill

health, had retired to a lonely farm-house between Porlock

and Linton, on the Exmoor confines of Somerset and Devonshire.

In consequence of a slight indisposition, an anodyne

had been prescribed, from the effects of which he fell asleep 10

in his chair at the moment that he was reading the following

sentence, or words of the same substance, in 'Purchas's

Pilgrimage': 'Here the Khan Kubla commanded a palace

to be built, and a stately garden thereunto. And thus ten

miles of fertile ground were inclosed with a wall.'[296:1] The

Author continued for about three hours in a profound sleep,

at least of the external senses, during which time he has the

most vivid confidence, that he could not have composed less

than from two to three hundred lines; if that indeed can

be called composition in which all the images rose up before 20

him as _things_, with a parallel production of the correspondent

expressions, without any sensation or consciousness of effort.

On awaking he appeared to himself to have a distinct recollection

of the whole, and taking his pen, ink, and paper, instantly

and eagerly wrote down the lines that are here preserved. At

this moment he was unfortunately called out by a person on

business from Porlock, and detained by him above an hour,

and on his return to his room, found, to his no small surprise

and mortification, that though he still retained some vague

and dim recollection of the general purport of the vision, yet, 30

with the exception of some eight or ten scattered lines and

images, all the rest had passed away like the images on the

surface of a stream into which a stone has been cast, but, alas!

without the after restoration of the latter!

 

Then all the charm

Is broken--all that phantom-world so fair

Vanishes, and a thousand circlets spread,

And each mis-shape['s] the other. Stay awhile,

Poor youth! who scarcely dar'st lift up thine eyes--

The stream will soon renew its smoothness, soon 40

The visions will return! And lo, he stays,

And soon the fragments dim of lovely forms

Come trembling back, unite, and now once more

The pool becomes a mirror.

 

[From _The Picture; or, the Lover's Resolution_, II. 91-100.]

 

Yet from the still surviving recollections in his mind, the

Author has frequently purposed to finish for himself what had

been originally, as it were, given to him. Σαμερον αδιον ασω[297:1]

[Αὔριον ἅδιον ἄσω _1834_]: but the to-morrow is yet to come.

 

As a contrast to this vision, I have annexed a fragment of a

very different character, describing with equal fidelity the 50

dream of pain and disease.[297:2]