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A FAMILIAR EPISTLE TO A FRIEND

James Russell Lowell

Alike I hate to be your debtor,

Or write a mere perfunctory letter;

For letters, so it seems to me,

Our careless quintessence should be,

Our real nature's truant play

When Consciousness looks t'other way;

Not drop by drop, with watchful skill,

Gathered in Art's deliberate still,

But life's insensible completeness

Got as the ripe grape gets its sweetness, 10

As if it had a way to fuse

The golden sunlight into juice.

Hopeless my mental pump I try,

The boxes hiss, the tube is dry;

As those petroleum wells that spout

Awhile like M.C.'s, then give out,

My spring, once full as Arethusa,

Is a mere bore as dry's Creusa;

And yet you ask me why I'm glum,

And why my graver Muse is dumb. 20

Ah me! I've reasons manifold

Condensed in one,--I'm getting old!

 

When life, once past its fortieth year,

Wheels up its evening hemisphere,

The mind's own shadow, which the boy

Saw onward point to hope and joy,

Shifts round, irrevocably set

Tow'rd morning's loss and vain regret,

And, argue with it as we will,

The clock is unconverted still. 30

 

'But count the gains,' I hear you say,

'Which far the seeming loss out-weigh;

Friendships built firm 'gainst flood and wind

On rock foundations of the mind;

Knowledge instead of scheming hope;

For wild adventure, settled scope;

Talents, from surface-ore profuse,

Tempered and edged to tools for use;

Judgment, for passion's headlong whirls;

Old sorrows crystalled into pearls; 40

Losses by patience turned to gains,

Possessions now, that once were pains;

Joy's blossom gone, as go it must,

To ripen seeds of faith and trust;

Why heed a snow-flake on the roof

If fire within keep Age aloof,

Though blundering north-winds push and strain

With palms benumbed against the pane?'

 

My dear old Friend, you're very wise;

We always are with others' eyes, 50

And see _so_ clear! (our neighbor's deck on)

What reef the idiot's sure to wreck on;

Folks when they learn how life has quizzed 'em

Are fain to make a shift with Wisdom,

And, finding she nor breaks nor bends,

Give her a letter to their friends.

Draw passion's torrent whoso will

Through sluices smooth to turn a mill,

And, taking solid toll of grist,

Forget the rainbow in the mist, 60

The exulting leap, the aimless haste

Scattered in iridescent waste;

Prefer who likes the sure esteem

To cheated youth's midsummer dream,

When every friend was more than Damon,

Each quicksand safe to build a fame on;

Believe that prudence snug excels

Youth's gross of verdant spectacles,

Through which earth's withered stubble seen

Looks autumn-proof as painted green,-- 70

I side with Moses 'gainst the masses,

Take you the drudge, give me the glasses!

And, for your talents shaped with practice,

Convince me first that such the fact is;

Let whoso likes be beat, poor fool,

On life's hard stithy to a tool,

Be whoso will a ploughshare made,

Let me remain a jolly blade!

 

What's Knowledge, with her stocks and lands,

To gay Conjecture's yellow strands? 80

What's watching her slow flock's increase

To ventures for the golden fleece?

What her deep ships, safe under lee,

To youth's light craft, that drinks the sea,

For Flying Islands making sail,

And failing where 'tis gain to fail?

Ah me! Experience (so we're told),

Time's crucible, turns lead to gold;

Yet what's experience won but dross,

Cloud-gold transmuted to our loss? 90

What but base coin the best event

To the untried experiment!

 

'Twas an old couple, says the poet,

That lodged the gods and did not know it;

Youth sees and knows them as they were

Before Olympus' top was bare;

From Swampscot's flats his eye divine

Sees Venus rocking on the brine,

With lucent limbs, that somehow scatter a

Charm that turns Doll to Cleopatra; 100

Bacchus (that now is scarce induced

To give Eld's lagging blood a boost),

With cymbals' clang and pards to draw him,

Divine as Ariadne saw him,

Storms through Youth's pulse with all his train

And wins new Indies in his brain;

Apollo (with the old a trope,

A sort of finer Mister Pope),

Apollo--but the Muse forbids:

At his approach cast down thy lids, 110

And think it joy enough to hear

Far off his arrows singing clear;

He knows enough who silent knows

The quiver chiming as he goes;

He tells too much who e'er betrays

The shining Archer's secret ways.

 

Dear Friend, you're right and I am wrong;

My quibbles are not worth a song,

And I sophistically tease

My fancy sad to tricks like these. 120

I could not cheat you if I would;

You know me and my jesting mood,

Mere surface-foam, for pride concealing

The purpose of my deeper feeling.

I have not spilt one drop of joy

Poured in the senses of the boy,

Nor Nature fails my walks to bless

With all her golden inwardness;

And as blind nestlings, unafraid,

Stretch up wide-mouthed to every shade 130

By which their downy dream is stirred,

Taking it for the mother-bird,

So, when God's shadow, which is light,

Unheralded, by day or night,

My wakening instincts falls across,

Silent as sunbeams over moss,

In my heart's nest half-conscious things

Stir with a helpless sense of wings,

Lift themselves up, and tremble long

With premonitions sweet of song. 140

 

Be patient, and perhaps (who knows?)

These may be winged one day like those;

If thrushes, close-embowered to sing,

Pierced through with June's delicious sting;

If swallows, their half-hour to run

Star-breasted in the setting sun.

At first they're but the unfledged proem,

Or songless schedule of a poem;

When from the shell they're hardly dry

If some folks thrust them forth, must I? 150

 

But let me end with a comparison

Never yet hit upon by e'er a son

Of our American Apollo,

(And there's where I shall beat them hollow,

If he indeed's no courtly St. John,

But, as West said, a Mohawk Injun.)

A poem's like a cruise for whales:

Through untried seas the hunter sails,

His prow dividing waters known

To the blue iceberg's hulk alone; 160

At last, on farthest edge of day,

He marks the smoky puff of spray;

Then with bent oars the shallop flies

To where the basking quarry lies;

Then the excitement of the strife,

The crimsoned waves,--ah, this is life!

 

But, the dead plunder once secured

And safe beside the vessel moored,

All that had stirred the blood before

Is so much blubber, nothing more, 170

(I mean no pun, nor image so

Mere sentimental verse, you know,)

And all is tedium, smoke, and soil,

In trying out the noisome oil.

 

Yes, this _is_ life! And so the bard

Through briny deserts, never scarred

Since Noah's keel, a subject seeks,

And lies upon the watch for weeks;

That once harpooned and helpless lying,

What follows is but weary trying. 180

 

Now I've a notion, if a poet

Beat up for themes, his verse will show it;

I wait for subjects that hunt me,

By day or night won't let me be,

And hang about me like a curse,

Till they have made me into verse,

From line to line my fingers tease

Beyond my knowledge, as the bees

Build no new cell till those before

With limpid summer-sweet run o'er; 190

Then, if I neither sing nor shine,

Is it the subject's fault, or mine?