Q01of 10
The poem repeats the image of a fountain in three separate stanzas, each time in a different light. What is the correct sequence of those light sources?
Q02of 10
In the lines 'Feeling and music move together, / Like a swan and shadow ever / Floating on a sky-blue river,' what primary poetic technique is Lowell using?
Q03of 10
Which word best describes the overall tone of the second stanza ('It hath caught a touch of sadness… With starry feelings quivered through')?
Q04of 10
In the lines describing 'a dim, sweet twilight voice… over-grayed with memories, / With starry feelings quivered through,' the imagery is primarily:
Q05of 10
Who is the speaker of the italicized inner speech beginning 'Weep not for bygone things' (line 56)?
Q06of 10
What is the central theme of the poem?
Q07of 10
The phrase 'forest oracles sublime / That filled thy soul with joyous dread' (lines 60–61) is an example of:
Q08of 10
The final image of the poem — a fountain that 'swift as opening eyelids, leapeth / Into a waving silver flower' when the full moon emerges — functions primarily to:
Q09of 10
Based on a careful reading of the poem, what is the relationship of the speaker to Perdita?
Q10of 10
The poem's structure includes a refrain-like repetition of the fountain simile and consistent use of shorter, rhymed lines interspersed with longer ones. What effect does this formal choice primarily create?
0 / 10 answered