Q01of 10
The poem opens by offering a 'wrought clasp' and a 'bracelet' instead of pearls, and closes by withdrawing even those. What does this framing suggest about the ultimate nature of the gift?
Q02of 10
In the lines describing the beloved, the speaker compares her to 'the children / who haunt your own steps / for chance bits.' What does this simile primarily convey about the beloved?
Q03of 10
The speaker insists, 'Do not dream that I speak / as one defrauded of delight.' What is the rhetorical purpose of this denial?
Q04of 10
Which of the following best describes the overall structure of 'The Gift'?
Q05of 10
The garden described — 'myrtle overran the paths, / honey and amber flecked each leaf' — functions in the poem primarily as what?
Q06of 10
The 'initiates' the speaker recalls during her 'sleepless nights' most likely allude to which tradition?
Q07of 10
When the speaker says 'I could laugh— / more beautiful, more intense?' she implies which of the following?
Q08of 10
In the final vision of 'another life,' the speaker imagines a landscape of 'stones, stones, bare rocks, / dwarf-trees, twisted, no beauty / to distract.' What does this austere alternative represent?
Q09of 10
The tone of 'The Gift' is best described as which of the following?
Q10of 10
According to the poem, why must the beloved 'not be blamed' for the speaker's suffering?
0 / 10 answered