Q01of 10
What does the poem's closing inscription — 'All things come round to him who will but wait' — most directly reinforce about the poem's central theme?
Q02of 10
When Federigo first sees Monna Giovanna arriving in his garden, the Arno river transforms in his imagination. What does it become?
Q03of 10
Which literary device does Longfellow primarily employ when describing the falcon's bells as sounding 'like mass-bells in a church'?
Q04of 10
What is Federigo's immediate practical problem when Monna Giovanna unexpectedly arrives for breakfast?
Q05of 10
How does Longfellow characterize the relationship between Federigo and his falcon during the years of poverty?
Q06of 10
The poem describes Monna Giovanna after her husband's death as 'Herself the stateliest statue among all.' This line is an example of which technique?
Q07of 10
What is the speaker's tone when describing Federigo's sacrifice of the falcon with the line 'Ser Federigo, would not these suffice / Without thy falcon stuffed with cloves and spice?'
Q08of 10
The poem opens with Florence described as 'a marble tomb' in Federigo's eyes. What does this image most effectively convey?
Q09of 10
The child who befriends Federigo is at first mistaken by the reader for a girl. What detail in the poem most clearly signals the child is actually a boy?
Q10of 10
Longfellow's poem is based on a tale from Boccaccio's Decameron. How does his use of the Decameron source function structurally within this poem?
0 / 10 answered