Q01of 10
What is Simaetha doing at the literal, physical level as the poem opens?
Q02of 10
The repeated refrain 'turn, turn, turn my wheel' is best understood as an example of which poetic technique?
Q03of 10
How does the poem's structure divide its content, and what does that division signal?
Q04of 10
When Simaetha says her face 'is cut out of white stone' beside Aphrodite's gold, she is primarily expressing:
Q05of 10
The image of 'bursting sea-sloes' used to dye the wool is most significant because it:
Q06of 10
Simaetha invokes Aphrodite with 'the yellow zone.' In classical context, what does this detail most likely signify?
Q07of 10
In the second parenthetical passage, Simaetha imagines herself as a bone 'worried of wild beaks' and 'whelps' teeth.' This imagery primarily conveys:
Q08of 10
The herbs burned in the ritual—laurel and red vervain—are asked to 'burn away / thought, memory and hurt.' This reveals which tension at the heart of the poem?
Q09of 10
The tone of the poem as a whole can best be described as:
Q10of 10
The similes at the poem's close compare the speaker to ash, hail in lightning, and forked lightning. What cumulative effect do these images create?
0 / 10 answered