Q01of 10
Which mythological figure serves as the speaker of this poem?
Q02of 10
In the opening stanza, the phrase 'burnt fissures like the great / backs of the temple serpents' is best understood as an example of which poetic technique?
Q03of 10
What is the primary purpose of the speaker's appeal to the 'Gods of Crete' in stanzas three and four?
Q04of 10
The recurring image of the poppy in the poem primarily symbolizes which of the following?
Q05of 10
In the final stanza, the image of 'a red leaf / drenched and torn in the cold rain' conveys which tone?
Q06of 10
What structural role does the phrase 'Think, O my soul' (repeated at the start of stanzas one and two) play in the poem?
Q07of 10
The 'counter-charm' described as 'strange art and dire' most likely refers to which situation?
Q08of 10
The line 'burns till beside it, noon's bright heat / is withered' uses which figure of speech?
Q09of 10
H.D. belonged to which early twentieth-century literary movement, whose principles are most clearly visible in this poem's precise, concrete imagery?
Q10of 10
According to the poem, what specific ritual action does the speaker perform while praying to the gods?
0 / 10 answered