Q01of 10
According to Mrs. Shelley, the poem beginning 'Oh, there are spirits in the air' was addressed 'in idea' to which figure?
Q02of 10
What is the central scholarly dispute surrounding the fragment 'TO —' tentatively dated to 1817?
Q03of 10
The editorial notes state that the stanzas of 'ON DEATH' were originally written alongside other poems Shelley intended to publish with which work?
Q04of 10
In the discussion of 'ANOTHER FRAGMENT TO MUSIC,' what textual correction did Mr. Forman restore?
Q05of 10
The editorial note on 'THE TOWER OF FAMINE' mentions 'La Torre della Fame.' Where is this prison located?
Q06of 10
Which of the following best describes the structural problem Shelley faced in the 'ODE TO NAPLES,' as discussed in the editorial notes?
Q07of 10
In discussing 'MARENGHI,' the editor compares a 'wonderful line' to a line from which other Shelley poem?
Q08of 10
The editorial note on 'GINEVRA' reveals a debate over one word. What is the disputed reading in line 129?
Q09of 10
What does the editor argue about line 124 of 'ODE TO NAPLES,' which Mr. Locock calls 'a rhymeless line'?
Q10of 10
What was the scholarly reason for the 'LINES' poem being considered antedated by a year?
0 / 10 answered